
Insiang
Emotion Pictures: International Melodrama
December 13, 2017 - January 7, 2018
Filipino cinema’s watershed work—and the first to screen at the Cannes Film Festival—is a wildly perverse mother-daughter saga, a revenge tragedy of ancient Greek proportions, and a gut-punching study of social injustice.
Filipino cinema’s watershed work—and the first to screen at the Cannes Film Festival—is a wildly perverse mother-daughter saga, a revenge tragedy of ancient Greek proportions, and a gut-punching look at life on the margins of Manila. Insiang (Hilda Koronel) is the meek, put-upon daughter of the slums who endures abuse from everyone in her orbit: her insensitive boyfriend (Rez Cortez); her bitter, harpy mother (Mona Lisa); and her mother’s sleazy younger lover (Ruel Vernal). But after she’s raped, Insiang’s timidity hardens into a steely resolve to get even. With shades of Fassbinder, director Lino Brocka concocts an explosive study of social injustice and a woman fighting back.


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Kamal Aljafari on With Hasan in Gaza and ‘The Camera of the Dispossessed’
Our 63rd New York Film Festival Talks featured a special conversation with With Hasan in Gaza director Kamal Aljafari, moderated by Film Comment editor Devika Girish.
Lucrecia Martel on Our Land (Nuestra Tierra), the Filmmaker’s First Feature Documentary
On the latest episode of FLC Luminaries, our video series that spotlights talent at all levels of the filmmaking process who uplift the art and craft of cinema, Our Land (Nuestra Tierra) director Lucrecia Martel discusses her expansive and enlightening first feature documentary.
Carla Simón on Her Poignantly Autobiographical Romería
This week we’re excited to present a conversation from the 63rd New York Film Festival with Romería director Carla Simón, moderated by NYFF Main Slate selection committee member Florence Almozini.


