When many of us think about movie melodramas, the first names that come to mind are titans of Hollywood’s golden age, directors (Douglas Sirk, Nicholas Ray, Vincente Minnelli, George Cukor) and stars (Lillian Gish, Joan Crawford, Bette Davis) alike. But the melodrama is by no means a distinctly American or mid-century genre, having laid its roots during the silent era (in the work of D. W. Griffith, Erich von Stroheim, F. W. Murnau) before flowering in Japan (Kenji Mizoguchi, Mikio Naruse), Italy (Pier Paolo Pasolini, Federico Fellini), England (David Lean), and elsewhere. Indeed, the careers of many key filmmakers of modern cinema have been predicated on radical reinterpretations of the form, as in the work of Rainer Werner Fassbinder, Pedro Almodóvar, Todd Haynes, Leos Carax, Lars von Trier, Wong Kar Wai, and Guy Maddin. This series pays tribute to the genre that boldly endeavored to put emotion on screen in its purest form, featuring classics from the silent era and Hollywood’s Golden Age to major mid-century films from around the world to modern dramas and subversive postmodern incarnations. Bring tissues.

Organized by Florence Almozini, Dennis Lim, and Tyler Wilson.

Acknowledgments:

Academy Film Archive; China Film Archive; Cineteca di Bologna; Filmoteca UNAM; Instituto Mexicano de Cinematografía (IMCINE); Instituto Nacional de Cine y Artes Audiovisuales (Argentina); Istituto Luce Cinecittà; Japan Foundation; Library of Congress; The Museum of Modern Art; National Audiovisual Institute (Finland); UCLA Film & Television Archive; Richard Suchenski, Center for Moving Image Art at Bard College; Mark Rappaport; Stacey Steers; Ming Wong