
It Was the Son
Open Roads: New Italian Cinema 2013
June 6 - 12, 2013
Director Daniele Cipri in person for Q&A at June 7 screening!
Full of acid humor and populated with grotesque characters, Cipri’s absurd and unforgiving satire of Sicilian family life has tragedy, revenge, and a Mercedes Benz blessed with holy water.
Director Daniele Cipri in person for Q&A at June 7 screening!
Screening added Friday, June 7 at 6:30pm!
In his first film without long time partner Maresca, Daniele Cipri crafts with characteristic acid humor a multilayered tale about a Sicilian family tragedy populated with grotesque characters. The film, based on a novel by Roberto Alajmo, is a story within a story narrated by Old Busu, about the Ciraulo family boy who killed his father in a fight over a scratched car. Nicola Ciraulo (a wonderful Toni Servillo) makes a living by scavenging for old boat parts with son and father while his mother, wife, and adored daughter Serenella take care of the home in a grim housing project. A tragic accident resulting from a vendetta offers them the opportunity to make lots of money fast. What ensues is an unforgiving satire of Palermo lifestyle bordering on the absurd and involving a Mercedes Benz blessed with holy water.
Read More
Kamal Aljafari on With Hasan in Gaza and ‘The Camera of the Dispossessed’
Our 63rd New York Film Festival Talks featured a special conversation with With Hasan in Gaza director Kamal Aljafari, moderated by Film Comment editor Devika Girish.
Lucrecia Martel on Our Land (Nuestra Tierra), the Filmmaker’s First Feature Documentary
On the latest episode of FLC Luminaries, our video series that spotlights talent at all levels of the filmmaking process who uplift the art and craft of cinema, Our Land (Nuestra Tierra) director Lucrecia Martel discusses her expansive and enlightening first feature documentary.
Carla Simón on Her Poignantly Autobiographical Romería
This week we’re excited to present a conversation from the 63rd New York Film Festival with Romería director Carla Simón, moderated by NYFF Main Slate selection committee member Florence Almozini.


