
La Bohème
King Vidor Retrospective
August 5 - 14, 2022
La Bohème, a tragedy adapted from the same 19th-century source that inspired Puccini’s opera, begins on the first of the month. Rent is due, and the creative types of Paris’s Latin Quarter are frantically pawning their piccolos and scribbling sellable stories in an effort to spare themselves eviction.
Featuring live musical accompaniment by Donald Sosin.
La Bohème, a tragedy adapted from the same 19th-century source that inspired Puccini’s opera, begins on the first of the month. Rent is due, and the creative types of Paris’s Latin Quarter are frantically pawning their piccolos and scribbling sellable stories in an effort to spare themselves eviction. It’s here that the struggling playwright Rodolphe (John Gilbert, who had just starred in The Big Parade) falls for the impoverished seamstress Mimi, played by Lillian Gish. Though not as well-remembered as some of her other performances, Gish’s singular screen presence in La Bohème is felt throughout. As elsewhere, she gives herself fully to the role, and even visited tubercular patients in the hospital in preparation for her character’s own demise. “The movies,” Vidor declared, “have never known a more dedicated artist than Lillian Gish.” Print courtesy of the UCLA Film & Television Archive.
Read More
Cannes Best Actress Winner Nadia Melliti on The Little Sister
This week we’re excited to present a conversation with The Little Sister lead actress Nadia Melliti from this year’s edition of Rendez-Vous with French Cinema.
Ildikó Enyedi and Tony Leung on Their Venice Award-Winning Silent Friend
This week we’re excited to present a conversation with Silent Friend director Ildikó Enyedi and lead actor Tony Leung, moderated by TIME film critic Stephanie Zacharek.
FLC Presents “Elaine May,” June 26–July 2, with May in Person to Celebrate 50th Anniversary of Mikey and Nicky
On the occasion of the 50th anniversary of the release of Elaine May’s emotionally potent Mikey and Nicky, May and producer Julian Schlossberg will be in person at FLC to present a 4K restoration of the film, which May supervised herself.


