
Magnolia
Going Steadi: 40 Years of Steadicam
December 16, 2016 - January 3, 2017
Paul Thomas Anderson’s Altmanesque portrait of a day in the crisscrossing lives of various San Fernando Valley residents is a gloriously sprawling, dizzyingly ambitious roulette wheel of chance encounters, freak occurrences, and emotional extremes.
Paul Thomas Anderson’s Altmanesque portrait of a day in the crisscrossing lives of various San Fernando Valley residents—including a sleazy motivational speaker (Tom Cruise); a distraught, pill-popping, soon-to-be widow (Julianne Moore); a has-been former quiz kid phenom turned sad sack (William H. Macy); a lovelorn cop (John C. Reilly); and a troubled, coke-addicted young woman (Melora Walters)—is a gloriously sprawling, dizzyingly ambitious roulette wheel of chance encounters, freak occurrences, and emotional extremes. Throughout, the director creates a whirlwind sense of visual dynamism via relentlessly roving Steadicam work, including an epic, tour-de-force tracking shot through the backstage buzz of a television game show in the moments leading up to showtime.






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FLC and NYAFF Announce Lineup and Awards of the 25th New York Asian Film Festival, July 10–26
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This week we’re excited to present a conversation from the 63rd New York Film Festival with Rose of Nevada director Mark Jenkin and actress Mary Woodvine.
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Exploring conspiracy across Hollywood genres, from espionage and sci-fi to superhero cinema, political biography, Shakespearean adaptation, crime drama, cult psychodrama, and the modern action blockbuster, the series includes the first New York City theatrical screening of Tim Burton’s Batman on 70mm since its original release in 1989.


