Combining the freedom of a handheld camera with the stability of a dolly, Steadicam made its groundbreaking debut in Hal Ashby’s 1976 film Bound for Glory, which won the Oscar for best cinematography. Since then, it has become an essential tool of filmmaking and has allowed cinematographers to execute some of their most iconic, astonishing camera movements. And while Steadicam has left an indelible mark on Hollywood filmmaking (especially in the films of Martin Scorsese, Paul Thomas Anderson, Brian De Palma, and Quentin Tarantino), it has also been used to striking effect in works by international filmmakers such as Hou Hsiao-hsien, Béla Tarr, Bertrand Tavernier, and many others. Steadicam enabled the camera to move with the same grace as the bodies, objects, and spaces that it films, expanding the medium’s visual possibilities in ways that many of the key filmmakers of the past four decades have found indispensable. The Film Society is proud to celebrate 40 years of Steadicam’s usage, with Steadicam inventor and cinematographer Garrett Brown appearing in person.


Organized by Dan Sullivan. 

Special thanks to Garrett Brown; Magyar Filmunió; Institut Français.