May Allah Bless France!
Rendez-Vous with French Cinema 2015
March 6 - 15, 2015
Q&A with Abd Al Malik
Rapper and spoken word artist Abd Al Malik won the FIPRESCI Discovery Prize at the 2014 Toronto International Film Festival for his directorial debut, a frank account of his journey from delinquency to redemption in the housing projects of Strasbourg. Nominated for two César Awards including Best Debut Feature.
Q&A with Abd Al Malik
Celebrated rapper and spoken word artist Abd Al Malik makes his directorial debut with May Allah Bless France!, a candid account of his early life and artistic awakening that earned him the FIPRESCI Discovery Prize at the 2014 Toronto International Film Festival. Born Régis Fayette-Mikano to Congolese immigrants, he grew up in Strasbourg’s housing projects, participating in petty crimes that cost the lives of his friends. He found release in writing and performance, converting to Sufism at age 24 and penning the memoir that informed this adaptation. Marc Zinga ably inhabits the role of young Régis, movingly limning his journey to redemption. Shot in black and white, the film visually and thematically recalls Mathieu Kassovitz’s seminal urban crime drama La Haine. Nominated for two César Awards including Best Debut Feature. A Strand Releasing release.
Read More
Ildikó Enyedi and Tony Leung on Their Venice Award-Winning Silent Friend
This week we’re excited to present a conversation with Silent Friend director Ildikó Enyedi and lead actor Tony Leung, moderated by TIME film critic Stephanie Zacharek.
FLC Presents “Elaine May,” June 26–July 2, with May in Person to Celebrate 50th Anniversary of Mikey and Nicky
On the occasion of the 50th anniversary of the release of Elaine May’s emotionally potent Mikey and Nicky, May and producer Julian Schlossberg will be in person at FLC to present a 4K restoration of the film, which May supervised herself.
Apply Now for 2026 FLC Artists and Critics Academies
Applications are now open through June 18 for the 2026 Film at Lincoln Center Academy Programs.
