
Montparnasse Bienvenüe
Rendez-Vous with French Cinema 2018
March 8 - 18, 2018
A newly single young woman attempts to restart her life in this refreshingly complex portrait of an all-too-human heroine veering between instability and strength. Winner of the Camera d’Or at Cannes for best first film.
Introduction by composer Julie Roué on March 9
When the toxic 10-year relationship that has defined her adult life implodes, 31-year-old Paula (rising star Laetitia Dosch, nominated for a Best Newcomer César Award) finds herself adrift on Paris’ Left Bank. With no money, no job, and no idea what’s next, the turbulent Paula resorts to a series of desperate lies in order to keep a roof over her head. But this young woman is more resilient than even she initially realizes. Made by an almost entirely female crew, Léonor Serraille’s debut feature—winner of the Camera d’Or at Cannes for best first film—is a refreshingly complex portrait of an all-too-human heroine veering between instability and strength as she makes a place for herself in the world. New York Premiere






Read More
Kamal Aljafari on With Hasan in Gaza and ‘The Camera of the Dispossessed’
Our 63rd New York Film Festival Talks featured a special conversation with With Hasan in Gaza director Kamal Aljafari, moderated by Film Comment editor Devika Girish.
Lucrecia Martel on Our Land (Nuestra Tierra), the Filmmaker’s First Feature Documentary
On the latest episode of FLC Luminaries, our video series that spotlights talent at all levels of the filmmaking process who uplift the art and craft of cinema, Our Land (Nuestra Tierra) director Lucrecia Martel discusses her expansive and enlightening first feature documentary.
Carla Simón on Her Poignantly Autobiographical Romería
This week we’re excited to present a conversation from the 63rd New York Film Festival with Romería director Carla Simón, moderated by NYFF Main Slate selection committee member Florence Almozini.


