
My Brilliant Career
Celebrating the Australian Film Revival
January 25 - 31, 2013
A willful young woman of no particular means (Judy Davis, in her first leading role) dreams of becoming a writer at the end of the 19th century in director Gillian Armstrong’s remarkable debut feature.
Women figured prominently in the Australian Film Revival both in front of and behind the camera, most notably in the case of this remarkable debut feature from Gillian Armstrong, a graduate of the same inaugural class at the national Film and Television School that included Phillip Noyce and Chris Noonan (Babe). Based on a popular novel by the feminist Australian writer Miles Franklin, adapted for the screen by Eleanor Whitcombe (The Getting of Wisdom), My Brilliant Career features the extraordinary Judy Davis (in her first starring role) as Sybylla Melvyn, a headstrong young woman of no particular means sent to live with her wealthy grandmother at the turn of the 20th century. There, she enters into a flirtation with Harry (Sam Neill), a childhood friend and neighboring property owner who seems prepared to give Sybylla everything a young woman of the time might desire. Except that what Sybylla wants most of all is to experience the world on her own terms, and perchance to become a writer. Selected for competition at the 1979 Cannes Film Festival, My Brilliant Career was a major international success that launched Armstrong and Davis on their own brilliant moviemaking careers.
Print courtesy of the National Film and Sound Archive of Australia’s Kodak/Atlab Collection.
Read More
Kamal Aljafari on With Hasan in Gaza and ‘The Camera of the Dispossessed’
Our 63rd New York Film Festival Talks featured a special conversation with With Hasan in Gaza director Kamal Aljafari, moderated by Film Comment editor Devika Girish.
Lucrecia Martel on Our Land (Nuestra Tierra), the Filmmaker’s First Feature Documentary
On the latest episode of FLC Luminaries, our video series that spotlights talent at all levels of the filmmaking process who uplift the art and craft of cinema, Our Land (Nuestra Tierra) director Lucrecia Martel discusses her expansive and enlightening first feature documentary.
Carla Simón on Her Poignantly Autobiographical Romería
This week we’re excited to present a conversation from the 63rd New York Film Festival with Romería director Carla Simón, moderated by NYFF Main Slate selection committee member Florence Almozini.


