
Nana
This Is Cinema Now: 21st Century Debuts
July 19 - 31, 2019
A young girl comes home one day to an empty house, her mother mysteriously missing, in this unsettlingly ambiguous anti–fairy tale.
Though it largely slipped under the radar on its release, Valérie Massadian’s haunting first feature has only grown in stature since, celebrated for its Bressonian narrative economy and unsettling, enigmatic vision of childhood. In a remote stretch of the French countryside, 4-year-old Nana lives with her mother, their domestic routines captured in static long takes at once distanced and intimate. When Nana returns home one day to an empty house, her mother mysteriously absent, this cryptic anti–fairy tale takes on sinister dimensions. Leaving its spare narrative tantalizingly open-ended, Nana instead remains firmly immersed in its young heroine’s child’s-eye consciousness, evoking her increasingly precarious world with quiet, eerie tension.
Get 2-for-1 double feature pricing! Playing with Anocha Suwichakornpong’s Mundane History.
The 2-for-1 double feature discount will automatically be reflected in the check-out process once both screenings have been added to your cart. As a reminder, this special pricing is only valid for double feature pairings on the same day.





Read More
Kamal Aljafari on With Hasan in Gaza and ‘The Camera of the Dispossessed’
Our 63rd New York Film Festival Talks featured a special conversation with With Hasan in Gaza director Kamal Aljafari, moderated by Film Comment editor Devika Girish.
Lucrecia Martel on Our Land (Nuestra Tierra), the Filmmaker’s First Feature Documentary
On the latest episode of FLC Luminaries, our video series that spotlights talent at all levels of the filmmaking process who uplift the art and craft of cinema, Our Land (Nuestra Tierra) director Lucrecia Martel discusses her expansive and enlightening first feature documentary.
Carla Simón on Her Poignantly Autobiographical Romería
This week we’re excited to present a conversation from the 63rd New York Film Festival with Romería director Carla Simón, moderated by NYFF Main Slate selection committee member Florence Almozini.


