Director Abdellah Taïa in person for both screenings.
Like the book it’s based on—Abdellah Taïa’s own 2006 landmark novel—the Moroccan author’s directorial debut is a bracing, deeply personal account of a young gay man’s awakening that avoids both cliché and the trappings of autobiography. First seen as a 15-year-old, Abdellah (Saïd Mrini) habitually sneaks away from his family’s crowded Casablanca home to engage in sexual trysts with random men in abandoned buildings. A decade later, we find Abdellah (now played by Karim Ait M’hand) on scholarship in Geneva, involved with an older Swiss professor (Frédéric Landenberg). With a clear-eyed approach, devoid of sentimentality, this wholly surprising bildungsfilm explores what it means to be an outsider, and with the help of renowned cinematographer Agnès Godard, Taïa finds a film language all his own: at once rigorous and poetic, worthy of Bresson in its concreteness and lucidity.