The Gold Bug, or Victoria’s Revenge
Neighboring Scenes: New Latin American Cinema 2016
January 7 - 10, 2016
Fusing elements of Edgar Allan Poe’s titular short story and Treasure Island, this playful, fast-paced meta-film follows an Argentine-Swedish co-production that switches its film’s focus from a 19th-century Swedish proto-feminist novelist to an Argentine radical politician in order for an actor to search for buried treasure.
Fusing elements of Edgar Allan Poe’s titular short story and Robert Louis Stevenson’s Treasure Island, Alejo Moguillansky and Fia-Stina Sandlund’s meta-film follows an Argentine-Swedish co-production in Buenos Aires shooting a biopic of the 19th-century realist author and proto-feminist Victoria Benedictsson. After a hustling actor finds a treasure map detailing the location of ancient gold hidden near a town in the Misiones province named after the 19th-century politician Leandro N. Alem, he successfully persuades the producers to reframe the project as a portrait of the radical Alem (swapping feminist politics for anti-Eurocentric ones) and move the production there—so he can better search for the treasure. Fast-paced and hilariously self-reflexive, the film takes a playful approach to texts and history that is reminiscent of Borges.
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