
The Red Muffler
Korean Cinema’s Golden Decade: The 1960s
September 1 - 17, 2023
Featuring exciting battles in the air, and heartbreaking romance on the ground, this precursor to Top Gun is a blockbusting, rousing, and romanticized tribute to South Korea’s jet-fighter pilots.
Shin Sang-ok, a pivotal figure in the South Korean film industry—as a prolific director, producer, and a studio mogul running Shin Films—had a soaring box-office hit on his hands with The Red Muffler. Taking place near the end of the Korean War, the story is centered around a tough but kindhearted air force major, his mentorship of a rookie pilot, and his relationship with a hostess working at a local bar (star Choi Eun-hee and director Shin’s wife) with whom he has a history. Featuring exciting battles in the air (the first-ever application of aerial cinematography in Korean cinema), heartbreaking romance on the ground, and even a musical number, this precursor to Top Gun is a blockbusting, rousing, and romanticized tribute to South Korea’s jet-fighter pilots, and a perfectly packaged piece of popular entertainment of its time. Restored in 2012 by the Korean Film Archive.
For $30, receive one ticket to this film and a select menu item at Café Paradiso, located in FLC’s Elinor Bunin Munroe Film Center. Learn more about our Dinner + Movie combo here.


Read More
Kamal Aljafari on With Hasan in Gaza and ‘The Camera of the Dispossessed’
Our 63rd New York Film Festival Talks featured a special conversation with With Hasan in Gaza director Kamal Aljafari, moderated by Film Comment editor Devika Girish.
Lucrecia Martel on Our Land (Nuestra Tierra), the Filmmaker’s First Feature Documentary
On the latest episode of FLC Luminaries, our video series that spotlights talent at all levels of the filmmaking process who uplift the art and craft of cinema, Our Land (Nuestra Tierra) director Lucrecia Martel discusses her expansive and enlightening first feature documentary.
Carla Simón on Her Poignantly Autobiographical Romería
This week we’re excited to present a conversation from the 63rd New York Film Festival with Romería director Carla Simón, moderated by NYFF Main Slate selection committee member Florence Almozini.


