
The Scorsese Machine
NYFF50: Cinéastes/Cinema of Our Time
October 4 - 15, 2012
Screening with: Scorsese at the Editing Table (André S. Labarthe, 1995). In one of the series’ most widely seen episodes, Labarthe and his crew film Scorsese at his office, at home with his parents and elsewhere, allowing him to speak whenever he feels like it rather than asking conventional questions; in the subsequent Scorsese at the Editing Table, Labarthe revisits the filmmaker to discuss several sequences from Taxi Driver.
Labarthe filmed Martin Scorsese soon after the “scandal” of The Last Temptation of Christ had begun to die down. Not sure which approach to use for the film, Labarthe and his crew simply went to Scorsese’s office and began shooting him moving around, watching rushes, etc. At the end of the first day’s shoot, Scorsese asked whether or not Labarthe was going to ask any questions; “No,” Labarthe replied, just speak whenever you feel like it. And that became the approach to this, one of the most widely-seen episodes in the series. Less an introduction to Scorsese’s work than to his world, the film includes a wonderful visit with Scorsese’s parents. (73m)
Screening with:
Scorsese at the Editing Table / Cinéastes à la table: Martin Scorsese
André S. Labarthe | 1995 | France | 30m
In one of the series’ most widely seen episodes, Labarthe and his crew film Scorsese at his office, at home with his parents and elsewhere, allowing him to speak whenever he feels like it rather than asking conventional questions; in the subsequent Scorsese at the Editing Table, Labarthe revisits the filmmaker to discuss several sequences from Taxi Driver.
Image courtesy of THE KOBAL COLLECTION / TURSI, MARIO
Read More
Lana Daher on Her Documentary Do You Love Me
This week we’re excited to present a conversation from the 2026 edition of New Directors/New Films with Do You Love Me director Lana Daher.
Rose of Nevada Director Mark Jenkin on His New Sci-Fi Tinged Tale
On the latest episode of FLC Luminaries, our video series that spotlights talent at all levels of the filmmaking process who uplift the art and craft of cinema, Rose of Nevada director Mark Jenkin discusses his sci-fi-tinged tale of dislocation and regeneration.
Kamal Aljafari on With Hasan in Gaza and ‘The Camera of the Dispossessed’
Our 63rd New York Film Festival Talks featured a special conversation with With Hasan in Gaza director Kamal Aljafari, moderated by Film Comment editor Devika Girish.


