
The Wandering Princess
Kinuyo Tanaka Retrospective
March 18 - 27, 2022
Tanaka’s first film in color and in Cinemascope revealed an entirely new artistic vision from the director: an exquisite historical fresco bound up in a war melodrama starring Machiko Kyô.
Introduction from Lili Hinstin on March 19
Five years after Forever a Woman, the most successful studio in Japan at the time, Daiei, offered Tanaka the opportunity to direct a josei eiga (“woman’s film”) with their contracted superstar Machiko Kyô. The project transformed into Tanaka’s own version of War and Peace, told from a woman’s perspective, by adapting the best-selling autobiography of Hiro Saga, a Japanese aristocrat engulfed in the colonial politics of Manchuria after marrying Prince Pujie, the young brother of the Qing Dynasty Emperor Puyi. Quite an expensive production for the time—it was also Tanaka’s first film in color and in Cinemascope—The Wandering Princess revealed an entirely new artistic vision from the director: an exquisite historical fresco bound up in a war melodrama. Restored in 4K by the KADOKAWA Corporation. A Janus Films release.
The March 19 screening of The Wandering Princess is presented with support from:

Read More
Kamal Aljafari on With Hasan in Gaza and ‘The Camera of the Dispossessed’
Our 63rd New York Film Festival Talks featured a special conversation with With Hasan in Gaza director Kamal Aljafari, moderated by Film Comment editor Devika Girish.
Lucrecia Martel on Our Land (Nuestra Tierra), the Filmmaker’s First Feature Documentary
On the latest episode of FLC Luminaries, our video series that spotlights talent at all levels of the filmmaking process who uplift the art and craft of cinema, Our Land (Nuestra Tierra) director Lucrecia Martel discusses her expansive and enlightening first feature documentary.
Carla Simón on Her Poignantly Autobiographical Romería
This week we’re excited to present a conversation from the 63rd New York Film Festival with Romería director Carla Simón, moderated by NYFF Main Slate selection committee member Florence Almozini.


