
The Whistlers
57th New York Film Festival
September 27 - October 13, 2019
Leading Romanian director Corneliu Porumboiu has made his first all-out genre film—a playful, swift, and elegant neo-noir about an easily corruptible Bucharest police detective who must learn a clandestine, tribal language, improbably made entirely out of whistling.
The Whistlers has ended its run in our Virtual Cinema.
In a delightful twist, leading Romanian director Corneliu Porumboiu, whose inventive comedies such as Police, Adjective (NYFF47) and The Treasure (NYFF53) have for more than a decade brought deadpan charm and political perceptiveness to his country’s cinematic renaissance, has made his first all-out genre film—a clever, swift, and elegant neo-noir with a wonderfully off-kilter central conceit. Easily corruptible Bucharest police detective Cristi—played by the eternally stoic Vlad Ivanov—arrives on the mist-enshrouded Canary Island of La Gomera, where he learns a clandestine, tribal language, improbably made entirely out of whistling; this form of hidden communication will keep his superiors off his trail as he becomes increasingly embroiled in a convoluted gangster scheme involving a stash of Euros hidden in a mattress and a sultry femme fatale named, of course, Gilda. Porumboiu’s take on the crime drama furthers his explorations of the intricacies and limitations of language, but is also his most playful, even exuberant, film. A Magnolia Pictures release. An NYFF57 selection.
Watch an introduction by Corneliu Porumboiu below, along with his Q&A from NYFF57.
Pulp Fiction meets Romanian New Wave perfection.
—David Fear, Rolling Stone
A deliciously twisted ride that runs on an endless supply of black humor.
—Steve Pond, The Wrap
A daffy and dazzling crime film.
—Godfrey Cheshire, RogerEbert.com
A lot of fun. A low-key romp with a twisty, globetrotting plot.
—Jessica Kiang, Variety







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