North American Premiere of 4K Remaster

A Woman After a Killer Butterfly

살인나비를 쫓는 여자
Kim Ki-young

Series sponsored by

Sponsor logo

Genre and tone mutate restlessly—noir drifts into horror, eroticism into absurdism, philosophy into pulp—in one of Kim Ki-young’s most unclassifiable films, frequently cited as a pinnacle of 1970s Korean cult cinema.

DIRECTOR
Kim Ki-young
YEAR
1978
COUNTRY
South Korea
RUNTIME
118 minutes
LANGUAGE
Korean with English subtitles
ORIGINAL TITLE
살인나비를 쫓는 여자

Among Kim Ki-young’s most unclassifiable films, A Woman After a Killer Butterfly spirals from chance encounter to metaphysical odyssey, as a suicidal man becomes entangled with a mysterious woman and a professor obsessed with death, insects, and ancient tombs. Genre and tone mutate restlessly: noir drifts into horror, eroticism into absurdism, philosophy into pulp. Kim’s wild visual imagination—extreme close-ups, symbolic props, and disorienting shifts in space—renders interior states with feverish intensity. Frequently cited as a pinnacle of 1970s Korean cult cinema, the film stages mortality and desire as a delirious chase after something as fragile and dangerous as a “killer butterfly.” You don’t watch A Woman After a Killer Butterfly to follow the plot—you let it crawl into your brain and start laying eggs. Digitally mastered in 2023 by the Korean Film Archive.

A Woman After a Killer Butterfly
A Woman After a Killer Butterfly
A Woman After a Killer Butterfly
A Woman After a Killer Butterfly
A Woman After a Killer Butterfly
A Woman After a Killer Butterfly
A Woman After a Killer Butterfly
A Woman After a Killer Butterfly
A Woman After a Killer Butterfly
A Woman After a Killer Butterfly

Read More

Videos

Our 63rd New York Film Festival Talks featured a special conversation with With Hasan in Gaza director Kamal Aljafari, moderated by Film Comment editor Devika Girish.

Videos

On the latest episode of FLC Luminaries, our video series that spotlights talent at all levels of the filmmaking process who uplift the art and craft of cinema, Our Land (Nuestra Tierra) director Lucrecia Martel discusses her expansive and enlightening first feature documentary.

Post

This week we’re excited to present a conversation from the 63rd New York Film Festival with Romería director Carla Simón, moderated by NYFF Main Slate selection committee member Florence Almozini.

Make FLC Your Home for Cinema

Member Discount on All Tickets

NYFF Pre-Sale Access

Pre-sale Access to FLC Series and Festivals

Free Tickets

Exclusive Events

Members-only Newsletter

Film at Lincoln Center Logo

Walter Reade Theater + Elinor Bunin Munroe Film Center

165 and 144 W 65th Street

New York, NY 10023


212.875.5825

Be the first to hear exciting news and announcements from FLC, including upcoming programming, special offers, added tickets, and more.