
They’ll Love Me When I’m Dead
56th New York Film Festival
September 28 - October 14, 2018
Morgan Neville’s documentary proves that the story of the making of Orson Welles’s The Other Side of the Wind is as engrossing and rich in character and incident as the film itself, and perhaps even more epic in scale.
Extended conversation with Frank Marshall, Filip Jan Rymsza, Peter Bogdanovich, Bob Murawski, and Morgan Neville (moderated by Kent Jones and Martin Scorsese) on September 29, following The Other Side of the Wind (get tickets here).
The story of the making of The Other Side of the Wind is as engrossing and rich in character and incident as the film itself, and perhaps even more epic in scale. Morgan Neville’s documentary complements and deepens the experience of Welles’s film by placing it within the context of his life and career, setting the scene and the particular mood of Hollywood in the early 1970s, and chronicling every last creative, legal, financial, and behavioral twist and turn on the circuitous road from the first set-up to the first official screening almost 50 years later. The title, of course, comes from none other than Welles himself. A Netflix release.
Morgan Neville will participate in an NYFF Live free talk on September 30.



Read More
Rose of Nevada Director Mark Jenkin on His New Sci-Fi Tinged Tale
On the latest episode of FLC Luminaries, our video series that spotlights talent at all levels of the filmmaking process who uplift the art and craft of cinema, Rose of Nevada director Mark Jenkin discusses his sci-fi-tinged tale of dislocation and regeneration.
Kamal Aljafari on With Hasan in Gaza and ‘The Camera of the Dispossessed’
Our 63rd New York Film Festival Talks featured a special conversation with With Hasan in Gaza director Kamal Aljafari, moderated by Film Comment editor Devika Girish.
Lucrecia Martel on Our Land (Nuestra Tierra), the Filmmaker’s First Feature Documentary
On the latest episode of FLC Luminaries, our video series that spotlights talent at all levels of the filmmaking process who uplift the art and craft of cinema, Our Land (Nuestra Tierra) director Lucrecia Martel discusses her expansive and enlightening first feature documentary.


