Main Slate

30 of the most exciting new feature films from around the world.

The Favourite

  • Yorgos Lanthimos
  • 2018
  • Ireland/UK/USA
  • 121 minutes
The Duchess of Marlborough (Rachel Weisz), and her servant (Emma Stone) engage in a sexually charged fight to the death for the body and soul of Queen Anne (Olivia Colman) at the height of the War of the Spanish Succession in Yorgos Lanthimos’s wildly intricate and very darkly funny new film.


  • Alfonso Cuarón
  • 2018
  • Mexico
  • 70mm
  • 135 minutes

New York premiere of 70mm presentation

In Mexico City in the early ’70s, a middle-class family’s center is quietly and unassumingly held by its beloved live-in nanny and housekeeper (Yalitza Aparicio). Alfonso Cuarón tells an epic, autobiographical story of everyday life while also gently sweeping us into a vast cinematic experience.

At Eternity’s Gate

  • Julian Schnabel
  • 2018
  • USA/France
  • 111 minutes

Closing Night Selection · North American Premiere · Julian Schnabel and Willem Dafoe in person at the 6pm and 9pm Alice Tully Hall screenings

Julian Schnabel’s ravishingly tactile and luminous new film takes a fresh look at the last days of Vincent van Gogh (played by Willem Dafoe, in a shattering performance) and in the process revivifies our sense of the artist as a living, feeling human being.

3 Faces

  • Jafar Panahi
  • 2018
  • Iran
  • 100 minutes

U.S. Premiere

In Iranian director Jafar Panahi’s fourth completed feature since he was officially banned from filmmaking, a young woman appears to take her own life on cell-phone camera. The recipient of the video and Panahi, playing himself, investigate, and from there, 3 Faces builds in narrative, thematic, and visual intricacy.

Asako I & II

  • Ryûsuke Hamaguchi
  • 2018
  • Japan/France
  • 119 minutes

U.S. Premiere · Q&A with Ryûsuke Hamaguchi on October 6

Ryûsuke Hamaguchi, who gained attention for 2015’s Happy Hour, has returned with a beguiling and truly original Vertigo riff that traces the trajectory of a love—or, to be accurate, two loves—found, lost, displaced, and regained.

Ash Is Purest White

  • Jia Zhangke
  • 2018
  • China
  • 136 minutes
  • Opens March 15, 2019

The New York Times Critic's Pick

Jia Zhangke’s extraordinary gangster melodrama begins by following Qiao (a never better Zhao Tao) and her mobster boyfriend Bin as they stake out their turf against rivals and upstarts in 2001 Datong before expanding out into an epic, three-part narrative of how abstract forces shape individual lives.

The Ballad of Buster Scruggs

  • Joel Coen, Ethan Coen
  • 2018
  • USA
  • 128 minutes

North American Premiere · Q&A with Joel and Ethan Coen on October 4

Here’s something new from the Coen Brothers—a wildly entertaining anthology of short films based on a fictional book of “western tales”—starring Tim Blake Nelson, James Franco, Liam Neeson, Tom Waits, Zoe Kazan, Tyne Daly, Brendan Gleeson, and others—unified by the thematic thread of mortality.


  • Lee Chang-dong
  • 2018
  • South Korea
  • 148 minutes

South Korea's Best Foreign Language Film Oscar Entry · Critic's Pick at The New York Times

Korean master Lee Chang-dong’s expansion of Haruki Murakami’s short story “Barn Burning” is a love triangle (linked by rising star Steven Yeun) and a tense, haunting multiple-character study that bends the contours of the thriller genre to brilliant effect.

Cold War

  • Pawel Pawlikowski
  • 2018
  • Poland
  • 90 minutes

Nominated for Three Academy Awards!

Academy Award–winner Paweł Pawlikowski follows up his box-office sensation Ida with this bittersweet, exquisitely crafted tale of a tempestuous love between a pianist and a singer as they navigate the realities of living in both Poland and Paris, in and outside of the Iron Curtain.

A Faithful Man

  • Louis Garrel
  • 2018
  • France
  • 75 minutes

U.S. Premiere · Q&As with Louis Garrel, Laetitia Casta, and Lily-Rose Depp on October 7 & 8

Co-written with the legendary Jean-Claude Carrière, the sophomore feature from actor-director Louis Garrel is at once a beguiling bedroom farce and a slippery inquiry into truth, subjectivity, and the elusive nature of romantic attraction.

A Family Tour

  • Ying Liang
  • 2018
  • Taiwan/Hong Kong/Singapore/Malaysia
  • 107 minutes

U.S. Premiere

Exiled Chinese director Ying Liang’s return to feature filmmaking is a characteristically precise drama following a Hong Kong–exiled director (Gong Zhe) as she travels to a film festival in Taiwan with her husband and toddler and must avoid attracting attention. It’s a powerful work of autobiography and an empathetic snapshot of a mother-daughter relationship.

La Flor

  • Mariano Llinás
  • 2018
  • Argentina
  • 807 minutes

U.S. Premiere · Free Talk with Mariano Llinás on October 12

A decade in the making, Argentinian filmmaker Mariano Llinás’s La Flor is a labor of love and madness that redefines the concept of binge viewing, shape-shifting from a B-movie to a musical to a spy thriller to a category-defying metafiction to a remake of a very well-known French classic and, finally, to an enigmatic period piece.


  • Hong Sangsoo
  • 2018
  • South Korea
  • 66 minutes

U.S. Premiere

Sitting in a café, typing on a laptop, Areum (Kim Min-hee) eavesdrops on three dramatic situations unfolding in her general vicinity. These create the narrative structure of Korean master Hong Sangsoo’s complexly episodic, deceptively simple film, which is filled with raw emotions.

Happy as Lazzaro

  • Alice Rohrwacher
  • 2018
  • Italy
  • 128 minutes

North American Premiere · Q&As with Alice Rohrwacher on October 6 & 7

A throng of tobacco farmers working on an estate live in a state of extreme deprivation, but nothing is what it seems in Alice Rohrwacher’s transfiguring and transfixing fable, which touches on perennial class struggle and enters the realm of parable.

Her Smell

  • Alex Ross Perry
  • 2018
  • USA
  • 134 minutes
In a powerhouse performance, Elisabeth Moss is Becky Something, the influential lead singer of a popular ’90s alt-rock outfit spiraling out of control as she struggles with her demons. The latest from Alex Ross Perry tracks Becky’s self-destruction—and potential creative redemption.

High Life

  • Claire Denis
  • 2018
  • Germany/France/USA/UK/Poland
  • 110 minutes

U.S. Premiere · Q&As with Claire Denis on October 2 (joined by Robert Pattinson) & October 4

Claire Denis’s latest film—which features some of the most unsettling passages Denis has ever filmed, as well as moments of the greatest delicacy and tenderness—is set aboard a spacecraft piloted by death row prisoners on a decades-long suicide mission to enter and harness the power of a black hole.

Hotel by the River

  • Hong Sangsoo
  • 2018
  • South Korea
  • 96 minutes
Two tales overlap and intersect at a riverside hotel in Hong Sangsoo’s affecting examination of family, mortality, and the ways in which we attempt to heal wounds old and fresh.

If Beale Street Could Talk

  • Barry Jenkins
  • 2018
  • USA
  • 117 minutes

U.S. Premiere · Q&A with Barry Jenkins on October 9

Barry Jenkins’s follow-up to his Oscar-winning Moonlight is a carefully wrought adaptation of James Baldwin’s penultimate novel, set in Harlem in the early 1970s. Jenkins’s deeply soulful film stays focused on the emotional currents between parents and children, couples and friends.

The Image Book

  • Jean-Luc Godard
  • 2018
  • Switzerland
  • 90 minutes

Critic's Pick at The New York Times

With Jean-Luc Godard’s The Image Book, all barriers between the artist, his art, and his audience have dissolved. Predominantly comprised of pre-existing images, many of which will be familiar from Godard’s previous work, this is a film in which the relationship between image and sound is, as always, intensely physical and sometimes jaw-dropping.

In My Room

  • Ulrich Köhler
  • 2018
  • Germany
  • 119 minutes

U.S. Premiere · Q&As with Ulrich Köhler on September 29 & 30

Sad-sack, 40ish TV cameraman Armin awakens one morning to find the world around him entirely depopulated. Ulrich Köhler takes a disarmingly realistic and restrained approach to a fantastical premise: the eternally popular fantasy of the last man on earth.

Long Day’s Journey Into Night

  • Bi Gan
  • 2018
  • China/France
  • 139 minutes
  • Opens April 12, 2019
Bi Gan’s sophomore film is this noir-tinged film about a solitary man (Huang Jue) haunted by loss and regret. Long Day’s Journey Into Night is like nothing you’ve seen before, especially in the second half’s hour-long, gravity-defying 3D sequence shot. An NYFF56 selection. A Kino Lorber release.

Monrovia, Indiana

  • Frederick Wiseman
  • 2018
  • USA
  • 143 minutes

U.S. Premiere · Q&A with Frederick Wiseman on September 30 & October 1

Every new film from Frederick Wiseman, now 88 years old, seems more vigorous and acute than the last. In this tough, piercing look at the rhythm and texture of life as it is lived in a wide swathe of this country, he documents a small town located deep in the American heartland.


  • Olivier Assayas
  • 2018
  • France
  • 106 minutes
  • Opens May 03, 2019
Set within the world of publishing, Olivier Assayas’s new film finds two hopelessly intertwined couples—including Guillaume Canet’s troubled book executive and Juliette Binoche’s weary actress—obsessed with the state of things, and how (or when) it will (or might) change. An NYFF56 selection. A Sundance Selects release.

Private Life

  • Tamara Jenkins
  • 2018
  • USA
  • 123 minutes

Q&A with Tamara Jenkins, Kathryn Hahn, Kayli Carter, and Molly Shannon on October 1

Kathryn Hahn and Paul Giamatti are achingly real as Rachel and Richard, a middle-aged New York couple caught in the desperation, frustration, and exhaustion of trying to have a child. Tamara Jenkins’s first film in ten years is by turns hilarious and harrowing.


  • Richard Billingham
  • 2018
  • UK
  • 107 minutes

U.S. Premiere · Q&As with Richard Billingham on October 6 & 7

Not a second of this electrifying debut doesn’t feel 100% rooted in personal experience. English photographer and visual artist Richard Billingham’s film is grounded in the visual and emotional textures of his family portraits, particularly those of his deeply dysfunctional parents.


  • Hirokazu Kore-eda
  • 2018
  • Japan
  • 121 minutes

Nominated for Best Foreign Language Film

Hirokazu Kore-eda’s Cannes Palme d’Or winner is a heartrending, profoundly human portrait of a most unusual “family”: a collection of societal cast-offs united by petty crime and a fierce love for one another. An NYFF56 selection. A Magnolia Pictures release.

Sorry Angel

  • Christophe Honoré
  • 2018
  • France
  • 132 minutes

North American Premiere · Q&As with Christophe Honoré & Vincent Lacoste on September 30 & October 1

An intimate chronicle of a romance and a sprawling portrait of gay life in early 1990s France, Sorry Angel follows the intertwining journeys of a worldly, HIV-positive Parisian writer confronting his own mortality, and a curious, carefree university student just beginning to live.

Too Late to Die Young

  • Dominga Sotomayor
  • 2018
  • Chile/Brazil/Argentina/Netherlands/Qatar
  • 110 minutes
  • Opens May 31, 2019
The troubling realities of the adult world intrude on a girl’s teenage idyll in this dreamy drift through early 1990s Chile, a nostalgic and piercing portrait of a young woman—and a country—on the cusp of exhilarating and terrifying change. An NYFF56 selection. A KimStim release.


  • Christian Petzold
  • 2018
  • Germany/France
  • 101 minutes
  • Opens March 01, 2019

The New York Times Critic's Pick

A hollowed-out European refugee who has escaped from two concentration camps, arrives in Marseille assuming the identity of a dead novelist whose papers he is carrying in Christian Petzold’s brilliant and haunting film.


  • Paul Dano
  • 2018
  • USA
  • 104 minutes

Q&A with Paul Dano, Zoe Kazan, Carey Mulligan, Jake Gyllenhaal, and Bill Camp on September 30 · Introduction by Dano, Kazan, and Mulligan on October 1, followed by Q&A with Dano and Mulligan

In first-time director Paul Dano’s impressive debut, a carefully wrought adaptation of Richard Ford’s 1990 novel (co-written by Zoe Kazan), a family comes apart one loosely stitched seam at a time. Jake Gyllenhaal and Carey Mulligan star as the parents; Ed Oxenbould is the adolescent son trying to hold the center.