Who Is Afraid of Ideology? + Mum’s Cards

Marwa Arsanios
Part of

57th New York Film Festival

September 27 - October 13, 2019

This stimulating, bifurcated film, shot among the mountains of Kurdistan, a village for women in northern Syria, and a farming community in Lebanon’s Beqaa Valley, tracks the influence of the Kurdish Women’s Liberation Movement. Preceded by Luke Fowler’s intimate portrait of his mother’s work as a sociologist in Glasgow.

DIRECTOR
Marwa Arsanios
YEAR
2019
COUNTRY
Lebanon
RUNTIME
51 minutes
LANGUAGE
Subtitled

The Kurdish Women’s Liberation Movement has been disrupting gender and ecological hierarchies across the Middle East. In this stimulating, bifurcated film, shot among the mountains of Kurdistan, a village for women in northern Syria, and a farming community in Lebanon’s Beqaa Valley, Marwa Arsanios uses an array of striking formal strategies–including the frequent disassociation of sound and image–to track the movement’s influence and the efforts of autonomous women’s groups to reclaim land amidst the Rojava revolution.

preceded by
Mum’s Cards
Luke Fowler, UK, 2018, 9m
U.S. Premiere
In his intimate portrait, Luke Fowler’s mother reflects on her life’s work as a sociologist in Glasgow and, through a collection of hand-written notes, illuminates the personal and political nuances that make up a life devoted to intellectual inquiry.

Who Is Afraid of Ideology? + Mum’s Cards
Who Is Afraid of Ideology? + Mum’s Cards

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Announcements

This year’s program features more than 50 filmmakers, ranging from acclaimed veterans to exciting new voices, who will be on hand for post-screening Q&As and special appearances, giving audiences an insider’s look into the stories behind their work.

Podcast

This week we’re excited to present a conversation with The Little Sister lead actress Nadia Melliti from this year’s edition of Rendez-Vous with French Cinema.

Podcast

This week we’re excited to present a conversation with Silent Friend director Ildikó Enyedi and lead actor Tony Leung, moderated by TIME film critic Stephanie Zacharek.