THE CAPACITY FOR ADEQUATE ANGER
Vika Kirchenbauer, 2021, Germany, 15m
A collage of ephemera both personal and public, The Capacity for Adequate Anger traverses the distance between present and past in an examination of the artist’s relationship to class identity. Through voiceover and flashes of imagery—family photographs; the ’90s media representation of AIDS; Marie Antoinette; a gender-ambiguous anime character—Kirchenbauer’s autobiographical video contemplates the sociological dimensions of emotions from shame to envy to rage, and what forms of political agency they make possible or impede.
A Human Certainty
Morgan Quaintance, 2021, UK, 21m
Voices from the past haunt A Human Certainty, whose entangled threads link its multifarious narratives of suffering: a recent break-up; the romantic sweep of mid-century pop music; Weegee’s crime-scene photography; and images taken by the artist’s grandmother, a spirit medium, on her travels in Asia and Africa. Here, Quaintance’s montage becomes a codec for assembling these disparate threads, and for making sense of mortality and loss in all its forms.
Home When You Return
Carl Elsaesser, 2021, USA, 30m
Superimposing the stories of two women—the filmmaker’s late grandmother and the amateur filmmaker Joan Thurber Baldwin—Home When You Return explores the psychogeographies of mourning through a variety of modes, from documentary to melodrama. Emptied and put up for sale following its matriarch’s passing, the family home becomes the site of a winding tour through polymorphic representations of the past in media and memory.
Travel support generously provided by:
German Film Office