Slaughterhouses of Modernity
60th New York Film Festival
September 30 - October 16, 2022
Contemporary cinema’s preeminent chronicler of architectural spaces and their intersection with the ever-present crisis of 20th-century modernity, Heinz Emigholz returns with a film of quiet observation and historical excavation, focusing on creation and destruction in cities and provinces in Argentina, Germany, and Bolivia.
Q&As with Heinz Emigholz on Oct. 8 & 9
Contemporary cinema’s preeminent chronicler of architecture and its intersection with the ever-present crisis of 20th-century modernity, Heinz Emigholz returns with an alternately mournful and sly treatise on how the presence—and, in some cases, absence—of municipal and communal building architecture is inseparable from capitalist ideology. Focusing mainly on cities and provinces in Argentina, Germany, and Bolivia, Emigholz’s latest film is a work of quiet observation and historical excavation. From slaughterhouses by Francisco Salamone to the flooded former spa city of Epecuén to the newly built Humboldt Forum in Berlin, the film demonstrates the effect of capital on public spaces, where creation and destruction go hand in hand, and as always, Emigholz makes the journey one of intellectual force and cinematic beauty.
Special thanks to German Film Office.
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