All We Imagine as Light
The light, the lives, and the textures of contemporary, working-class Mumbai are explored and celebrated with a vivid, humane richness by Payal Kapadia, who won the Grand Prize at this year’s Cannes Film Festival for her revelatory fiction feature debut about three working-class women dealing with professional and romantic disruptions.
- Nominated for the British Academy Film Award (BAFTA) for Best Film Not in the English Language
- Golden Globe nominee for Best Motion Picture (Non-English Language) and Best Director
The light, the lives, and the textures of contemporary, working-class Mumbai are explored and celebrated with a vivid, humane richness by Payal Kapadia, who won the Grand Prize at this year’s Cannes Film Festival for her revelatory fiction feature debut. Centering on two roommates who also work together in a city hospital—head nurse Prabha (Kani Kusruti) and recent hire Anu (Divya Prabha)—and a newly retired coworker Parvaty (Chhaya Kadam), Kapadia’s film alights on prosaic moments of connection and heartache, hope and disappointment. Prabha, her husband from an arranged marriage living in faraway Germany, is pursued by a courtly doctor; Anu carries on a romance with a Muslim man, which she must keep a secret from her Hindu family; Parvaty finds herself dealing with a sudden eviction from her apartment. Kapadia captures the bustle of the metropolis and the open-air tranquility of a seaside resort with equal radiance, articulated by her superb actors with an unforced expressivity and by the camera with a lyrical naturalism that occasionally drifts into dreamlike incandescence. An NYFF62 Main Slate Selection. A Sideshow/Janus Films release.
Special thanks to Villa Albertine for their generous support of French cinema.
Recommended Film Comment reading:
Sign up to the Film Comment Letter for NYFF62 coverage and more original film criticism year-round.
Critic's Pick. 'It’s shockingly beautiful.'
—Manohla Dargis, The New York Times
Read More
World Premiere of Ava DuVernay’s 14th Will Close the 64th New York Film Festival
Film at Lincoln Center announces Ava DuVernay’s 14th as the Closing Night selection of the 64th New York Film Festival, making its world premiere at Alice Tully Hall on Friday, October 9, with DuVernay and film participants in attendance.
Miroirs No. 3 Director Christian Petzold on His Haunting New Film
On the latest episode of FLC Luminaries, our video series that spotlights talent at all levels of the filmmaking process who uplift the art and craft of cinema, Miroirs No. 3 director discusses his haunting, beautifully crafted new film.
Film at Lincoln Center Launches Fundraiser Auction in Celebration of Marilyn Monroe Centennial
FLC is partnering with Piper-Heidsieck Champagne for a one-night-only special event featuring an archival 35mm print of Howard Hawks’s classic, Gentlemen Prefer Blondes. Click here to read more about the event. This special fundraiser auction features Marilyn Monroe-themed art, memorabilia, and an exclusive trip to Champagne, France, featuring a behind-the-scenes Piper-Heidsieck experience.