Devout Muslim teenager Fatima (Cannes Best Actress winner Nadia Melliti) takes a journey of self-discovery amid her Algerian immigrant family in Paris in Hafsia Herzi’s queer coming-of-age story. Nominated for six César Awards, winner of Best Female Newcomer (Melliti).

Ildikó Enyedi (director of Oscar-nominated On Body and Soul) returns with a century-spanning triptych about lives that unfold around an ancient ginkgo tree. Featuring Tony Leung as a neuroscientist whose attempt to measure the tree’s signals tests the limits of perception, Venice Best Young Actress winner Luna Wedler, and Léa Seydoux.

A celebrated fashion designer finds it impossible to readjust to her former life after surviving a shocking plunge into an icy lake in Argentinean filmmaker Milagros Mumenthaler’s existential puzzle, a work of compelling psychological interiority.

The singular Cornish filmmaker Mark Jenkin (Enys Men, NYFF60) immerses the viewer in the uncanny environments of the small towns along the coast of Cornwall, here spinning a sci-fi-tinged tale of dislocation and regeneration starring George MacKay and Callum Turner.

In this delicate and poignantly autobiographical film from Carla Simón (Alcarràs, NYFF60), 18-year-old Marina negotiates her idealized memories of her parents, whom she lost at a young age, when she arrives in sun-kissed Galicia to meet her extended family for the first time.

Set entirely across one anxious night, Elaine May’s emotionally tremulous third feature stars John Cassavetes as a Philly gangster running for his life and Peter Falk as his childhood friend who—unbeknownst to him—is helping his pursuers.

Among the most disarmingly funny and cathartic entries in Tsai Ming-liang’s filmography, The Hole sets one of cinema’s strangest and most tender end-of-the-world romances in a crumbling Taipei apartment block.

Jane Campion’s ravishing, Palme d’Or–winning breakthrough, starring Holly Hunter and Anna Paquin in Oscar-winning roles, returns to the big screen in a new 4K restoration—and still feels startlingly alive.

Kiyoshi Kurosawa’s stately, meticulously composed period drama, set in 16th-century Japan, is a tense and metaphysical whodunit with the director’s characteristic philosophical overtones.

In Kent Jones’s marvelously witty second feature, a once-upon-a-time New York poet (Willem Dafoe) gets an ego boost when he is welcomed into the world of an emerging literary salon, but must reckon with the authenticity of his newfound circle of twentysomething admirers.

Winner of the Silver Bear at the 1993 Berlinale and newly restored in 4K, the great Burkinabé writer-director Idrissa Ouédraogo’s Samba Traoré remains one of the decisive works of African cinema.

Inspired by the true story of a “fake” invention, Kevin Walker and Jack Auen’s Chronovisor follows a Columbia professor deep into a Borgesian labyrinth of textual clues pointing to a time-travel device rumored to have been suppressed by the Vatican.

Frequently hailed as the greatest Czech film ever made, František Vláčil’s staggering medieval epic, shot in stark widescreen black and white, plunges into the blood-soaked borderlands of 13th-century Bohemia amid the uneasy transition from paganism to Christianity.