
The Hole
Among the most disarmingly funny and cathartic entries in Tsai Ming-liang’s filmography, The Hole sets one of cinema’s strangest and most tender end-of-the-world romances in a crumbling Taipei apartment block.
New York Premiere of New 35mm Print
Opens July 10! Tickets on sale soon. Sign up for updates.
Set on the eve of the 21st century, Tsai Ming-liang’s fourth feature turns a crumbling Taipei apartment block into one of cinema’s strangest and most tender end-of-the-world romances. Perennial muse Lee Kang-sheng (“the man upstairs”) and Yang Kuei-mei (“the woman downstairs”) are among the building’s last holdouts, refusing evacuation as a mysterious epidemic spreads outside and rain batters the city without end. When a plumber leaves behind an unfinished repair, the man’s floor opens into an accidental passage between two sealed-off lives, turning leaks, trash, pesticide, and petty territorial warfare into a strange form of courtship. Among the most disarmingly funny and cathartic entries in Tsai’s filmography, The Hole finds hope in a world that seems to be falling apart, breaking its deadpan plague scenario open with splendorous Grace Chang musical numbers and poker-faced slapstick. Returning to FLC for its first-ever New York theatrical release on a newly struck 35mm print, this 1998 vision of isolation remains uncannily, exhilaratingly prescient. A Big World Pictures release.




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