Our sense of German film history is founded largely upon the prewar masterpieces by Fritz Lang, F. W. Murnau, and G. W. Pabst, and then the iconoclasm of the New German Cinema directors of the 1960s and ’70s, such as Rainer Werner Fassbinder, Alexander Kluge, Wim Wenders, Margarethe von Trotta, and Volker Schlöndorff. Less well-known are the films produced after the fall of the Third Reich and before the signing of the Oberhausen Manifesto in 1962, which jump-started a new kind of national cinema. Closer inspection of this in-between period reveals a wealth of eclectic and innovative filmmaking, featuring established masters (like Lang and Robert Siodmak) returning to Germany to conclude their careers, foreign directors passing through, and under-recognized talents (such as Helmut Käutner) reinventing the genre film. This series, presented in collaboration with the Locarno Film Festival and the Goethe-Institut, spotlights this rich, unsung, and fascinating period and its exceptionally diverse body of films, capturing a generation’s effort to newly define German identity.
Organized by Dennis Lim and Dan Sullivan, and co-presented with the Goethe-Institut. This program was selected from the retrospective curated by Olaf Möller and Roberto Turigliatto at the 2016 Locarno Film Festival, organized in partnership with the Deutsches Filminstitut, in collaboration with the Cinémathèque suisse and German Films.
Tuesday, November 21
Wednesday, November 22
New digital restoration!The underrecognized Kautner’s best-known film is this rugged, paranoiac noir set in the West German village of Sohnen around the site of an American airbase in progress, where a trucker and his former lover scramble to cover up both their affair and a bit of manslaughter.
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3+ Film Package – Minimum of 3 films required. Tickets just $8 Members / $9 Students & Seniors / $11 General Public.
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