
Redhead
The Lost Years of German Cinema: 1949–1963
November 15 - 23, 2017
One of Kautner’s final films before his turn to television, about a German woman who, on the cusp of 40, flees to Venice and has an affair with an Englishman who harbors a secret, vengeful agenda, is also among his most personal and bitterly truthful.
One of Kautner’s final films before his turn to television is also among his most personal. Ruth Leuwerik stars as Franzizka, a woman who, on the cusp of 40, has grown terribly bored with her husband and their lifestyle; so she flees to Venice, stumbling into an affair with an Englishman. Soon, she discovers that he has a vengeful agenda stemming back to the Third Reich, and she finds her life in a state of upheaval once more. Kautner’s desire to tell postwar Germany bitter truths about itself anticipated the New German Cinema, and he said “[Leuwerik] who for many years was the immaculate lady of German society, the tender loving mother, was here a modern, broken figure, a secretary who lived with two men and fell prey to a third in Venice—that was something which people just didn’t want to see in her.” 35mm print courtesy of Deutsche Kinemathek.
Read More
Lucrecia Martel on Our Land (Nuestra Tierra), the Filmmaker’s First Feature Documentary
On the latest episode of FLC Luminaries, our video series that spotlights talent at all levels of the filmmaking process who uplift the art and craft of cinema, Our Land (Nuestra Tierra) director Lucrecia Martel discusses her expansive and enlightening first feature documentary.
Carla Simón on Her Poignantly Autobiographical Romería
This week we’re excited to present a conversation from the 63rd New York Film Festival with Romería director Carla Simón, moderated by NYFF Main Slate selection committee member Florence Almozini.
FLC and NYAFF Announce Lineup and Awards of the 25th New York Asian Film Festival, July 10–26
The New York Asian Film Festival (NYAFF) and Film at Lincoln Center today unveil the second wave of programming for its landmark 25th edition, adding more than 40 films to an already wide-ranging lineup, with very special final titles still to come.


