Todd Haynes: The Other Side of Dreams
The films of Todd Haynes are at once subversive and sleek. They feature glamorous movie stars, unfold in immaculate domestic spaces, and unfurl with seductive, pleasurable rhythms, yet raise provocative questions about politics, psychology, and pop culture. Haynes, who studied semiotics at Brown, gained notoriety early in his career with a Barbie-doll deconstruction of the life of Karen Carpenter (Superstar: The Karen Carpenter Story). His debut feature, the New Queer Cinema milestone Poison, came under fire from the American Family Association sight unseen. A bold iconoclast, he is also a canny updater of directors like Max OphĂźls, John M. Stahl, and Douglas Sirk. But his filmsâmore than theoretical treatises or referential grab bagsâare richly textured, emotionally astute, and grounded in specific, tumultuous moments in American history.
Since Haynesâs 1995 breakthrough, Safe, an ominous illness drama anchored by an extraordinary Julianne Moore, this most unpredictable of major American filmmakers has made two fractured, inside-out studies of iconic rock stars (Velvet Goldmine deals with the knotty legacy of David Bowie; Iâm Not There, with that of Bob Dylan) and two magisterial updates of the Hollywood melodrama centered on women who defy rigid social orders (Far from Heaven and the HBO miniseries Mildred Pierce). His latest, Carol, an adaptation of Patricia Highsmithâs pioneering lesbian-themed romance novel The Price of Salt, is one of his boldest films, and perhaps his most moving to date. The Film Society is proud to present this comprehensive survey of Haynesâs deeply influential body of work, supplemented by a selection of his own influences: each title is paired with a filmâchosen by the director himselfâthat informed it in some way.
20 YEARS OF KILLER FILMS
Killer Films, which Haynesâs fearless producer Christine Vachon founded in the mid-â90s, has been getting risky, forward-thinking films made for two decades. Since helping launch the New Queer Cinemaâshe produced Poison and Tom Kalinâs Swoon, another landmark film in the movement, before she had a company to her nameâand joining forces with Pamela Koffler and Katie Roumel, Vachon has taken on a remarkable roster of movies: Boys Donât Cry, One Hour Photo, Kids, Happiness, Postcards from America, Go Fish. This special screening of two of the companyâs most epochal films celebrates their ongoing efforts to clear the stage for voices marginalized, forgotten, or unheard.
Programmed by Dennis Lim
Todd Haynes has always been a bold iconoclast as well as a canny updater of directors like Max OphĂźls, John M. Stahl, and Douglas Sirk. But his subversive and sleek films are more than theoretical treatises or referential grab bags: they are richly textured, emotionally astute, and grounded in specific, tumultuous moments in American history. His latest, Carol, an adaptation of Patricia Highsmithâs pioneering lesbian-themed romance novel The Price of Salt, is one of his boldest films, and perhaps the most moving to date. The Film Society is proud to present this comprehensive survey of Haynesâs deeply influential body of work, supplemented by a selection of his own influences.
An Evening with Todd Haynes + A Place in the Sun
An Evening With Todd Haynes
Q&A with Todd Haynes
Join us for a special double-feature event with screenings of Carol and Lovers and Lollipops, plus an extended conversation with Todd Haynes.A Place in the Sun
Shelley Wintersâs performance as the doomed young woman at the center of one of Stevensâs biggest runaway successesâthe Dreiser adaptation won six Oscars in 1952âis a prototype for many of Haynesâs tragic heroines.
Todd Haynes: Rarities + Beyond the Valley of the Dolls
Todd Haynes: Rarities
Q&A with Todd Haynes at 7pm screening
A one-night-only event featuring a rare screening of Dottie Gets Spanked, a conversation with Todd Haynes, and a special surprise.Beyond the Valley of the Dolls
Introduction by Todd Haynes on 11/21
Russ Meyer and Roger Ebertâs manic, hysterical assault on American celebrity culture is a true oddityâan X-rated, tonally berserk black comedy commissioned when a major studio decided to fund a parody of one of its own filmsâand a clear antecedent to Haynesâs three films about the perils and ecstasies of fame.20 Years of Killer Films
Since helping launch the New Queer Cinemaâshe produced Poison and Tom Kalinâs Swoonâand joining forces with Pamela Koffler and Katie Roumel, Christine Vachon has been getting risky, forward-thinking films made for two decades. This special screening of two of Killer Filmsâ most epochal films celebrates their ongoing efforts to clear the stage for voices marginalized, forgotten, or unheard.
Boys Donât Cry
Q&A with Christine Vachon & Pamela Koffler
Kimberly Peirceâs wrenching re-creation of the events leading up to a widely publicized hate crimeâthe rape and murder of a Nebraska trans man in 1993âwas one of Killer Filmsâ major critical and popular successes.I Shot Andy Warhol
Intro by Mary Harron and special guests
In June 1968, Valerie Solanas shot Americaâs most famous artist. Harronâs film follows the entry of this womanâmagnetically played by Lili Taylorâinto, and out of, Warholâs rarified inner circle.Far from Heaven + The Reckless Moment
The Reckless Moment
The last of the exquisite, turbulent, gaspingly moving melodramas that Max OphĂźls made in the U.S. after World War II is this dark melodrama, a suburban nightmare that occupies strikingly Haynesian territory.
Iâm Not There and Assassins: A Film Concerning Rimbaud + Eat the Document
Iâm Not There
How do you film the life of an artist as protean, elusive, surprising, and heavily mythologized as Bob Dylan? Haynesâs biopic, in which six actors take turns embodying the singer, considers that question and swallows it whole. An NYFF45 Selection.
Eat the Document
Bob Dylanâs ultimate cinematic testamentânever officially releasedâis this blissful, digressive chronicle of his 1966 UK tour with The Hawks (soon to be The Band) immediately following his debilitating motorcycle accident. Screening with: Assassins: A Film Concerning Rimbaud (Todd Haynes, 43m).
Mildred Pierce + Klute
Klute
Alan J. Pakula (All the Presidentâs Men) assembled a remarkable team of collaborators for this seamy underworld thriller about a small-town Pennsylvania PI (Donald Sutherland) drawn into the web of intrigue and murder surrounding a New York call girl (Jane Fonda).
Poison + Fox and His Friends
Poison
None of Haynesâs films have been so instantly, visibly influential as his groundbreaking feature debut: an intercut trio of explicitly gay-themed stories saturated with the angry, death-haunted, theory-mad atmosphere of early-â90s LGBT culture. Screening with Decodings (Michael Wallin, 15m).
Fox and His Friends
Rainer Werner Fassbinder, whose desperate, operatic movies are one of Haynesâs formative influences, himself starred in this bleak moral fable, one of the great tragedies of European cinema. An NYFF13 Selection.
Safe + Imitation of Life
Safe
Q&A with Todd Haynes on 11/20
The unnamed disease afflicting the housewife at the center of Haynesâs indelible AIDS allegoryâwidely considered one of his masterpiecesâhas taken on new, unexpected meanings since the filmâs release, but nothing has changed the uncanny precision of its setting, look, and tone.Velvet Goldmine + Performance
Velvet Goldmine
Free screening! ¡ Introduction by Alex Ross Perry ¡ Post-Screening Reception
Todd Haynesâs delirious rock opera about a journalist (Christian Bale) hired to reconstruct the sordid life story of the failed glam star (Jonathan Rhys Meyers) heâd idolized as a young man is as colorful, noisy, and chaotic as Haynesâs Safe had been clinically restrained.Performance
With its narrative logic and polymorphous sexual dynamics, this devilish cult classic from Nicolas Roeg and Donald Cammell starring James Fox and Mick Jagger would become a foundational text for generations of glam films.
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Special Event Pricing: An Evening With Todd Haynes + Todd Haynes: Rarities
$20 â Member, Student & Senior
$25 â General Public
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