Our Media Center takes you inside Film at Lincoln Center with photos, videos, and podcasts from our screenings, talks, and events, plus announcements of upcoming programs and coverage of our artist and education initiatives.
By Jordan Raup on March 7, 2019
The Film Society of Lincoln Center has announced the full lineup of repertory, festival, and new release programming for the spring 2019 season.
By Jordan Raup on March 4, 2019
Ahead of his Academy Award win for BlacKkKlansman, Spike Lee joined us for an in-depth Film Comment conversation with Lawrence O'Donnell.
Attention Emerging Critics: Enter to Win a Trip to Paris by Submitting to Rendez-Vous with French Cinema’s Review Contest!
By Jordan Raup on February 4, 2019
Participate in our review contest for a chance to win a trip to Paris and other perks!
By Michael Odmark on January 23, 2019
On this week's podcast, we’re sharing a special extended conversation with director Yorgos Lanthimos, whose The Favourite has been nominated for ten Academy Awards including Best Picture and Best Director.
By Jordan Raup on January 22, 2019
The cinema of Hong Sangsoo returns to the Film Society of Lincoln Center next month with Hotel by the River, opening here exclusively on February 15.
By Jordan Raup on January 10, 2019
This week, the Film Society kicked off 2019 by giving a warm welcome to some of this season’s most talented filmmakers and actors.
September 2018 Special Events Announced, Featuring Dennis Cooper, Ethan Hawke, Karl Ove Knausgaard & More
By Jordan Raup on August 10, 2018
The lineup of special events this September at the Film Society of Lincoln Center has been announced, featuring conversations with Dennis Cooper, Ethan Hawke, and Karl Ove Knausgaard, plus a special presentation of Alfred Hitchcock's Marnie, and more.
By Jordan Raup on August 9, 2018
The Czechoslovak New Wave was one of the most radical and brilliant bursts of creativity in film history. Join us for a selection of five films this September.
By Thomas Beard on August 7, 2018
Pixelvision had a look like nothing else, a dreamy visual texture, fuzzy as a faded memory, and the format had a surprise second act in the hands of experimental filmmakers, who used the device to shoot some truly remarkable movies,