
Canícula
Green Screens: Cinema Planeta
June 1 - 3, 2012
Director José Álvarez in person for Q&A!
Canícula lyrically weaves together the daily routines in the American Indian village of Zapotal, showing us traditions that endure in despite the encroachment of the modern world.
Director José Álvarez in person for Q&A!
Canícula brings us a different view of Mexican life from what we have learned on the news. The Totonac people in Santa Cruz offer a different narrative that is as timeless as the landscape that surrounds the village of Zapotal, where Álvarez brings his camera. They continue to live their traditions despite the encroachment of modern outside influences. The film weaves together their daily routines, focusing on the women creating skilled pottery and the awe-inspiring religious rites of the voladores, young men who suspend themselves upside down from a high pole “flying in the wind.” The imagery is bolstered by the marvelous soundtrack composed by Martin Delgado. Awarded first prize for best foreign production by the International Federation of Film Critics at the Thessaloniki Documentary Festival.



Read More
Kamal Aljafari on With Hasan in Gaza and ‘The Camera of the Dispossessed’
Our 63rd New York Film Festival Talks featured a special conversation with With Hasan in Gaza director Kamal Aljafari, moderated by Film Comment editor Devika Girish.
Lucrecia Martel on Our Land (Nuestra Tierra), the Filmmaker’s First Feature Documentary
On the latest episode of FLC Luminaries, our video series that spotlights talent at all levels of the filmmaking process who uplift the art and craft of cinema, Our Land (Nuestra Tierra) director Lucrecia Martel discusses her expansive and enlightening first feature documentary.
Carla Simón on Her Poignantly Autobiographical Romería
This week we’re excited to present a conversation from the 63rd New York Film Festival with Romería director Carla Simón, moderated by NYFF Main Slate selection committee member Florence Almozini.


