
First Name: Carmen
Jean-Luc Godard – The Spirit of the Forms
October 9 - 31, 2013
Presented in 35mm!
Godard’s powerfully physical modern rendering, which goes deep into sexual desire and longing and moves with the rhythms of Beethoven’s final quartet, with Maruschka Detmers, Jacques Bonnaffé, Myriem Roussel and JLG himself.
Screening with: Armide (1987, 12m)
The early 80s brought no less than four new re-imagined versions of Prosper Mérimée’s 1845 novella: Peter Brook’s pared down stage version and Francesco Rosi’s full-throttled film, both based on Bizet’s opera; Carlos Saura’s flamenco Carmen; and Godard’s powerfully physical modern rendering, which goes deep into sexual desire and longing and moves with the rhythms of Beethoven’s final quartet, with Maruschka Detmers, Jacques Bonnaffé, Myriem Roussel and JLG himself.
Screening with:
Armide
France | 1987 | 12m | 35mm
Godard’s contibution to the 1987 omnibus film Aria includes portions of Jean-Baptiste Lully’s 1686 opera, in which two lovely naked woman try, and fail, to attract a series of muscle men, hard at work in the gym.
Armide courtesy of Don Boyd and Lightyear Entertainment.



Read More
Kamal Aljafari on With Hasan in Gaza and ‘The Camera of the Dispossessed’
Our 63rd New York Film Festival Talks featured a special conversation with With Hasan in Gaza director Kamal Aljafari, moderated by Film Comment editor Devika Girish.
Lucrecia Martel on Our Land (Nuestra Tierra), the Filmmaker’s First Feature Documentary
On the latest episode of FLC Luminaries, our video series that spotlights talent at all levels of the filmmaking process who uplift the art and craft of cinema, Our Land (Nuestra Tierra) director Lucrecia Martel discusses her expansive and enlightening first feature documentary.
Carla Simón on Her Poignantly Autobiographical Romería
This week we’re excited to present a conversation from the 63rd New York Film Festival with Romería director Carla Simón, moderated by NYFF Main Slate selection committee member Florence Almozini.


