
The Hypothesis of the Stolen Painting
Life Is a Dream: The Films of Raúl Ruiz (Part 1)
December 2 - 22, 2016
The film that arguably put Ruiz on the map was this beguiling art-historical whatsit—an investigation, co-written by Pierre Klossowski, into the connections between a series of paintings (conjured through painstaking tableaux vivants) by the unheralded 19th-century French painter Frédéric Tonnerre and human sacrifices carried out by a Baphometic cult.
The film that arguably put Ruiz on the map was this beguiling art-historical whatsit—an investigation, informed equally by scholarship and speculation, into the connections between a series of paintings by the unheralded 19th-century French painter Frédéric Tonnerre and human sacrifices carried out by a Baphometic cult. An art collector and his unseen interviewer seek to unravel the increasingly bizarre and sordid links between the paintings and their historical moment by staging painstakingly crafted tableaux vivants to conjure their mystery, menace, and erotic energy. However, one of the paintings went missing many years ago… Co-written by Pierre Klossowski, The Hypothesis of the Stolen Painting announces one of Ruiz’s key concerns: the terrifying encounter between human imagination and the unknowable. 35mm copy from the collection of La Cinémathèque de Toulouse.
Read More
Kamal Aljafari on With Hasan in Gaza and ‘The Camera of the Dispossessed’
Our 63rd New York Film Festival Talks featured a special conversation with With Hasan in Gaza director Kamal Aljafari, moderated by Film Comment editor Devika Girish.
Lucrecia Martel on Our Land (Nuestra Tierra), the Filmmaker’s First Feature Documentary
On the latest episode of FLC Luminaries, our video series that spotlights talent at all levels of the filmmaking process who uplift the art and craft of cinema, Our Land (Nuestra Tierra) director Lucrecia Martel discusses her expansive and enlightening first feature documentary.
Carla Simón on Her Poignantly Autobiographical Romería
This week we’re excited to present a conversation from the 63rd New York Film Festival with Romería director Carla Simón, moderated by NYFF Main Slate selection committee member Florence Almozini.


