Films & Series

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Series • December 14 - January 03, 2019

Jacques Tourneur, Fearmaker

The Film Society is pleased to present a wide-ranging retrospective of Tourneur’s body of work, the largest in New York City in decades.

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New Release

Burning

South Korea's Best Foreign Language Film Oscar Entry · Critic's Pick at The New York Times

Korean master Lee Chang-dong’s expansion of Haruki Murakami’s short story “Barn Burning” is a love triangle (linked by rising star Steven Yeun) and a tense, haunting multiple-character study that bends the contours of the thriller genre to brilliant effect.

Directed by Lee Chang-dong

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New Release

The House That Jack Built

Boundary-pushing cinematic visionary Lars von Trier (Antichrist) returns with one of his most daring, masterfully provocative works yet.

Directed by Lars von Trier

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New Release • Opens January 25, 2019

The Image Book

With Jean-Luc Godard’s The Image Book, all barriers between the artist, his art, and his audience have dissolved. Predominantly comprised of pre-existing images, many of which will be familiar from Godard’s previous work, this is a film in which the relationship between image and sound is, as always, intensely physical and sometimes jaw-dropping.

Directed by Jean-Luc Godard

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New Release • Opens March 01, 2019

Transit

A hollowed-out European refugee who has escaped from two concentration camps, arrives in Marseille assuming the identity of a dead novelist whose papers he is carrying in Christian Petzold’s brilliant and haunting film.

Directed by Christian Petzold

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New Release • Opens March 08, 2019

An Elephant Sitting Still

The late Hu Bo’s epic feature debut—a modern reworking of the tale of Jason and the Argonauts—is a masterpiece that will be remembered as a landmark in Chinese cinema.

Directed by Hu Bo

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New Release • Opens April 12, 2019

Long Day’s Journey Into Night

This noir-tinged film about a solitary man haunted by loss and regret is told in two parts: the first an achronological mosaic, the second a nocturnal dream. Bi Gan has created a film like nothing you’ve seen before, especially in the second half’s hour-long, gravity-defying 3D sequence shot.

Directed by Bi Gan

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