
The Unforgiven
Let There Be Light: The Films of John Huston
December 19, 2014 - January 11, 2015
Huston hoped to make a frank statement on racial prejudice in America with this saga of a frontier family and their adopted Indian daughter; though it fell short of his expectations, it remains a sober and intelligent film with fine performances.
This Texas-set saga of a frontier family whose adopted daughter (Audrey Hepburn, in her only Western) may possess Native American blood, was Huston’s response to John Ford’s The Searchers. Huston hoped to make a frank statement on racial prejudice in America, and though studio interference blocked him from fully realizing his goal, the finished product is a sober and intelligent film with fine performances, including Audie Murphy as Hepburn’s bigoted brother, Lillian Gish as the family matriarch, and Burt Lancaster as the family’s eldest son whose monomaniacal drive to protect his loved ones rivals that of The Searchers’ Ethan Edwards.


Read More
FLC and NYAFF Announce Lineup and Awards of the 25th New York Asian Film Festival, July 10–26
The New York Asian Film Festival (NYAFF) and Film at Lincoln Center today unveil the second wave of programming for its landmark 25th edition, adding more than 40 films to an already wide-ranging lineup, with very special final titles still to come.
Mark Jenkin and Mary Woodvine on Their Sci-Fi-Tinged Rose of Nevada
This week we’re excited to present a conversation from the 63rd New York Film Festival with Rose of Nevada director Mark Jenkin and actress Mary Woodvine.
Experience 10 Films Entirely on 70mm at “It’s All a Big Conspiracy,” July 1–9 at Film at Lincoln Center
Exploring conspiracy across Hollywood genres, from espionage and sci-fi to superhero cinema, political biography, Shakespearean adaptation, crime drama, cult psychodrama, and the modern action blockbuster, the series includes the first New York City theatrical screening of Tim Burton’s Batman on 70mm since its original release in 1989.


