Vivre sa vie

Here is Manny Farber’s description of one of Godard's greatest films, made with, and for, his wife Anna Karina: “The fall, brief rise, and death of a Joan of Sartre, a prostitute determined to be her own woman. The format is a condensed Dreiserian novel: Twelve near-uniform segments with chapter headings, the visual matter used to illustrate the captions and narrator’s comments. This is an extreme documentary, the most biting of his films, with sharp and drastic breaks in the continuity, grim but highly sensitive newsreel photography, a soundtrack taped in real bars and hotels as the film was shot and then left untouched. The unobtrusive acting inches along in little, scuttling steps, always in one direction, achieving a parched, memory-ridden beauty. A film of extraordinary purity.”