Though Ester Krumbachová was considered by director Věra Chytilová to be the boldest personality of the Czechoslovak New Wave, her contributions to the movement have been largely overlooked. A costume and set designer, scriptwriter, and director, the multi-hyphenate artist shared her puckishly surreal and trenchant, radical vision with such trailblazing directors as Chytilová (Daisies), Karel Kachyňa (The Ear), Jaromil Jireš (Valerie and Her Week of Wonders), and Jan Němec (Diamonds of the Night), who married Krumbachová and considered her a muse. But shortly after making her directorial debut with the hilarious yet criminally underseen fantasy The Murder of Mr. Devil, she was blacklisted by the Czechoslovak Communist government. This May, Film at Lincoln Center looks back on Krumbachová’s singular imprint on the Czechoslovak New Wave, and reexamines some of the movement’s most beloved, important works in a new light. Presented in collaboration with the Czech Center New York.

Acknowledgements
Czech Center New York, Marie Dvorakova; Czech National Film Archive, Kateřina Fojtová & Eva Urbanová