Yoshimitsu Morita Retrospective

Film at Lincoln Center presents Yoshimitsu Morita, a retrospective of the Japanese filmmaker’s career, running from December 2–11.

And Then

Yoshimitsu Morita

And Then

1985|

Japan|

130 minutes|

Japanese with English subtitles

Morita’s award-winning first foray into period films is an adaptation of master of literary modernism Sōseki Natsume’s celebrated novel of the same title. Morita’s second and final collaboration with the iconic Yūsaku Matsuda (The Family Game), who stars alongside legendary actors like Chishū Ryū of Ozu fame.

The Black House

Yoshimitsu Morita

The Black House

1999|

Japan|

118 minutes|

Japanese with English subtitles

In Morita’s provocative and utterly absorbing midcareer feature (and first horror film), an insurance agent receives a phone call from a suicidal woman, setting in motion a chain of increasingly unnerving events.

Deaths in Tokimeki

Yoshimitsu Morita

Deaths in Tokimeki

1984|

Japan|

105 minutes|

Japanese with English subtitles

A visually arresting mood piece shrouded in mystery follows a young man as he prepares for a deadly hit job under orders from a shadowy organization. Awe-inducing camerawork abounds, and Morita’s powerful direction is heightened by Osamu Shiomura’s unforgettable 1980s synth score.

The Family Game

Yoshimitsu Morita

The Family Game

1983|

Japan|

106 minutes|

Japanese with English subtitles

Visually inventive, bitingly sharp, audacious, and full of wit, The Family Game announced the arrival of Morita as a remarkable new voice in Japanese cinema whose influence still sends out ripples today. This 1984 New Directors/New Films selection finally returns in a new 4K remaster.

Haru

Yoshimitsu Morita

Haru

1996|

Japan|

118 minutes|

Japanese with English subtitles

Before Nora Ephron’s You’ve Got Mail, there was Haru—an off-kilter tale of boy-meets-girl-virtually in the early days of internet chat rooms. Intrigued by the power of words as a visual medium, Morita inventively incorporates onscreen text into his pop avant-garde sensibility.

Keiho

Yoshimitsu Morita

Keiho

1999|

Japan|

130 minutes|

Japanese with English subtitles

A spellbinding synthesis of the courtroom drama and the psychological thriller, Keiho follows a young actor as he stands trial for a gruesome double murder—but his strange behavior in custody makes the police and criminal psychologists alike suspicious that there’s more to this story than meets the eye.

Kitchen

Yoshimitsu Morita

Kitchen

1989|

Japan|

106 minutes|

Japanese with English subtitles

A sui generis film about mourning and starting anew, Kitchen follows an orphan who moves in with a friend of her grandmother’s and his trans mother and looks to the kitchen as a means of coping with her grief.

Lost Paradise

Yoshimitsu Morita

Lost Paradise

1997|

Japan|

119 minutes|

Japanese with English subtitles

Adapted from a novel by Junichi Watanabe, Morita’s sixteenth feature is an expansive mood piece and a meditative tale of forbidden love, starring Hitomi Kuroki and Kōji Yakusho as passionate paramours in a society in which infidelity is eminently taboo.

Main Theme

Yoshimitsu Morita

Main Theme

1984|

Japan|

101 minutes|

Japanese with English subtitles

This star vehicle for pop idol Hiroko Yakushimaru is a coming-of-age romance between an apprentice magician and a former preschool teacher who has lost her way. Morita uses his sizable, industry-backed budget to present an irreverent road movie full of delightful tricks and confetti.

The Mamiya Brothers

Yoshimitsu Morita

The Mamiya Brothers

2006|

Japan|

119 minutes|

Japanese with English subtitles

A charming, tender comedy that recalls Morita’s earliest narrative features, The Mamiya Brothers follows two siblings who live together and have created an entire world unto themselves—a world that changes radically when the elder brother falls for a video rental store clerk.

Something Like It

Yoshimitsu Morita

Something Like It

1981|

Japan|

103 minutes|

Japanese with English subtitles

Morita’s debut theatrical feature is a charming and comical coming-of-age tale set in the worlds of rakugo, a traditional form of Japanese sit-down comedy, and sex work. Real-life rakugo artists are featured in abundance, lending the film an authenticity that enhances Morita’s stylized viewpoint.

Top Stripper

Yoshimitsu Morita

Top Stripper

1982|

Japan|

67 minutes|

Japanese with English subtitles

Morita’s early feature marked his foray into the pink film and is a coming-of-age tale suffused with anarchic energy and a rebellious touch all his own. It follows a young man who falls in love with a local exotic dancer, setting the stage for a host of disappointments and triumphs.

General Public
$15
Students, Seniors, and Persons with Disabilities
$12
Members
$10

Film at Lincoln Center presents Yoshimitsu Morita, a retrospective of the Japanese filmmaker’s career, running from December 2–11.

Tickets on sale now!

Across a 30-plus-year career, Yoshimitsu Morita (1950–2011) amassed one of the most fascinatingly idiosyncratic and prolific bodies of work in modern Japanese cinema. From his irreverently comic 1981 Something Like It to his 1983 breakout black comedy, The Family Game (a New Directors/New Films 1984 selection), to forays into melodrama (And Then, 1985), the hard-boiled film (Deaths in Tokimeki, 1984), the pink film/roman porno (Top Stripper, 1982), horror (The Black House, 1999), and romantic drama (Haru, 1996), Morita’s work is marked by an incomparable sensitivity to the peaks and valleys of the inner landscape of Japanese society, a penchant for subtle injections of surreality to highlight the absurdity of certain aspects of Japanese life, an omnipresent sense of irony, and a boldly iconoclastic approach to visual composition. Morita’s films deal with many of the same subjects as those of his better-known predecessors and successors, but from a wholly singular point of view, yielding a richly heterogeneous and perpetually surprising oeuvre overdue for discovery. Join Film at Lincoln Center for a special retrospective of Morita’s films and get lost with us in his cinematic labyrinth of desire, chaos, and joy. This retrospective was organized by Dan Sullivan and Aiko Masubuchi.

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Yoshimitsu Morita Retrospective
Yoshimitsu Morita Retrospective
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Yoshimitsu Morita Retrospective
Yoshimitsu Morita Retrospective
Yoshimitsu Morita Retrospective
Yoshimitsu Morita Retrospective
Yoshimitsu Morita Retrospective
Yoshimitsu Morita Retrospective
Yoshimitsu Morita Retrospective
Yoshimitsu Morita Retrospective
Yoshimitsu Morita Retrospective
Yoshimitsu Morita Retrospective

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