
Yoshimitsu Morita Retrospective
Film at Lincoln Center presents Yoshimitsu Morita, a retrospective of the Japanese filmmaker’s career, running from December 2–11.
Yoshimitsu Morita
1985|
Japan|
130 minutes|
Japanese with English subtitles
Morita’s award-winning first foray into period films is an adaptation of master of literary modernism Sōseki Natsume’s celebrated novel of the same title. Morita’s second and final collaboration with the iconic Yūsaku Matsuda (The Family Game), who stars alongside legendary actors like Chishū Ryū of Ozu fame.
Yoshimitsu Morita
1999|
Japan|
118 minutes|
Japanese with English subtitles
In Morita’s provocative and utterly absorbing midcareer feature (and first horror film), an insurance agent receives a phone call from a suicidal woman, setting in motion a chain of increasingly unnerving events.
Yoshimitsu Morita
1984|
Japan|
105 minutes|
Japanese with English subtitles
A visually arresting mood piece shrouded in mystery follows a young man as he prepares for a deadly hit job under orders from a shadowy organization. Awe-inducing camerawork abounds, and Morita’s powerful direction is heightened by Osamu Shiomura’s unforgettable 1980s synth score.
Yoshimitsu Morita
1983|
Japan|
106 minutes|
Japanese with English subtitles
Visually inventive, bitingly sharp, audacious, and full of wit, The Family Game announced the arrival of Morita as a remarkable new voice in Japanese cinema whose influence still sends out ripples today. This 1984 New Directors/New Films selection finally returns in a new 4K remaster.
Yoshimitsu Morita
1996|
Japan|
118 minutes|
Japanese with English subtitles
Before Nora Ephron’s You’ve Got Mail, there was Haru—an off-kilter tale of boy-meets-girl-virtually in the early days of internet chat rooms. Intrigued by the power of words as a visual medium, Morita inventively incorporates onscreen text into his pop avant-garde sensibility.
Yoshimitsu Morita
1999|
Japan|
130 minutes|
Japanese with English subtitles
A spellbinding synthesis of the courtroom drama and the psychological thriller, Keiho follows a young actor as he stands trial for a gruesome double murder—but his strange behavior in custody makes the police and criminal psychologists alike suspicious that there’s more to this story than meets the eye.
Yoshimitsu Morita
1997|
Japan|
119 minutes|
Japanese with English subtitles
Adapted from a novel by Junichi Watanabe, Morita’s sixteenth feature is an expansive mood piece and a meditative tale of forbidden love, starring Hitomi Kuroki and Kōji Yakusho as passionate paramours in a society in which infidelity is eminently taboo.
Yoshimitsu Morita
1984|
Japan|
101 minutes|
Japanese with English subtitles
This star vehicle for pop idol Hiroko Yakushimaru is a coming-of-age romance between an apprentice magician and a former preschool teacher who has lost her way. Morita uses his sizable, industry-backed budget to present an irreverent road movie full of delightful tricks and confetti.
Yoshimitsu Morita
2006|
Japan|
119 minutes|
Japanese with English subtitles
A charming, tender comedy that recalls Morita’s earliest narrative features, The Mamiya Brothers follows two siblings who live together and have created an entire world unto themselves—a world that changes radically when the elder brother falls for a video rental store clerk.
Yoshimitsu Morita
1981|
Japan|
103 minutes|
Japanese with English subtitles
Morita’s debut theatrical feature is a charming and comical coming-of-age tale set in the worlds of rakugo, a traditional form of Japanese sit-down comedy, and sex work. Real-life rakugo artists are featured in abundance, lending the film an authenticity that enhances Morita’s stylized viewpoint.
Yoshimitsu Morita
1982|
Japan|
67 minutes|
Japanese with English subtitles
Morita’s early feature marked his foray into the pink film and is a coming-of-age tale suffused with anarchic energy and a rebellious touch all his own. It follows a young man who falls in love with a local exotic dancer, setting the stage for a host of disappointments and triumphs.
Film at Lincoln Center presents Yoshimitsu Morita, a retrospective of the Japanese filmmaker’s career, running from December 2–11.
Tickets on sale now!
Across a 30-plus-year career, Yoshimitsu Morita (1950–2011) amassed one of the most fascinatingly idiosyncratic and prolific bodies of work in modern Japanese cinema. From his irreverently comic 1981 Something Like It to his 1983 breakout black comedy, The Family Game (a New Directors/New Films 1984 selection), to forays into melodrama (And Then, 1985), the hard-boiled film (Deaths in Tokimeki, 1984), the pink film/roman porno (Top Stripper, 1982), horror (The Black House, 1999), and romantic drama (Haru, 1996), Morita’s work is marked by an incomparable sensitivity to the peaks and valleys of the inner landscape of Japanese society, a penchant for subtle injections of surreality to highlight the absurdity of certain aspects of Japanese life, an omnipresent sense of irony, and a boldly iconoclastic approach to visual composition. Morita’s films deal with many of the same subjects as those of his better-known predecessors and successors, but from a wholly singular point of view, yielding a richly heterogeneous and perpetually surprising oeuvre overdue for discovery. Join Film at Lincoln Center for a special retrospective of Morita’s films and get lost with us in his cinematic labyrinth of desire, chaos, and joy. This retrospective was organized by Dan Sullivan and Aiko Masubuchi.
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