Too Bad She’s Bad

Peccato che sia una canaglia
Alessandro Blasetti

Mayhem ensues when an honest cabbie (Marcello Mastroianni) gets caught in the middle of a car theft by a working-class, thieving father and daughter—a smooth-talking Vittorio De Sica and Loren.

DIRECTOR
Alessandro Blasetti
YEAR
1954
COUNTRY
Italy
RUNTIME
97 minutes
ORIGINAL TITLE
Peccato che sia una canaglia

“The spark between us was immediate… We played our roles guided by instinct, and with a panache that for me was a revelation,” Sophia Loren said of the film that announced her and Marcello Mastroianni as one of cinema’s most magnetic on-screen duos. Too Bad She’s Bad charts the mayhem that ensues when an honest cabbie (Mastroianni, in his first major comedic role) gets caught in the middle of a car theft by a working-class, thieving father and daughter—a smooth-talking Vittorio De Sica and his soon-to-be muse Loren. Alessandro Blasetti’s irresistibly charming and funny adaptation of Alberto Moravia’s short story “Il fanatico” roots its screwball antics and rapid-fire, overlapping dialogue in the economic reality of postwar Rome, and gives Loren a role tailor-made for her inimitable, commanding power to mince and subvert male desire. 4K digital restoration by Cinecittà. 

Too Bad She’s Bad
Too Bad She’s Bad
Too Bad She’s Bad
Too Bad She’s Bad

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