Bluebeard’s Castle

Michael Powell
Part of

59th New York Film Festival

September 24 - October 10, 2021

The psychodrama of Bela Bartok and Bela Balázs’s expressionist opera based on the Bluebeard folktale is vividly evoked in Michael Powell’s second-to-last feature sans Pressburger.

DIRECTOR
Michael Powell
YEAR
1963
COUNTRY
West Germany
RUNTIME
60 minutes
LANGUAGE
German with English subtitles

Directed by Michael Powell without his co-Archer Emeric Pressburger, Bluebeard’s Castle is an adaptation of Béla Bartok’s expressionist opera (which itself featured a libretto by the Hungarian film theorist Béla Balázs), produced for West German television. Bass-baritone Norman Foster stars as the titular wife-killer as he takes on a new bride (the Uruguayan mezzo-soprano Ana Raquel Satre). At the time of its 1918 premiere, Bartok’s opera was thought to be nearly unperformable due to the sheer abstraction of its onstage action; Powell and production designer Hein Heckroth use that abstraction as a glorious pretext to craft a vividly colorful, intensely stylized mise en scène, indelibly visualizing the psychodrama of Bartok and Balázs’s take on the Bluebeard folktale. Restored by the BFI National Archive and The Film Foundation in association with The Ashbrittle Film Foundation. Restoration funding provided by the BFI National Archive, The Louis B. Mayer Foundation and The Film Foundation.

Bluebeard’s Castle is performed in German and is presented without English subtitles for the libretto. This was the choice of director Michael Powell who wanted audiences to be immersed in the imagery of the film rather than reading subtitles. Instead, Powell created limited English subtitles that set the scene and provide context where he felt audiences might require additional information.

Bluebeard’s Castle

Bluebeard’s Castle. Courtesy of BFI.

Read More

Announcements

Film at Lincoln Center announces Ava DuVernay’s 14th as the Closing Night selection of the 64th New York Film Festival, making its world premiere at Alice Tully Hall on Friday, October 9, with DuVernay and film participants in attendance.

Videos

On the latest episode of FLC Luminaries, our video series that spotlights talent at all levels of the filmmaking process who uplift the art and craft of cinema, Miroirs No. 3 director discusses his haunting, beautifully crafted new film.

Post

FLC is partnering with Piper-Heidsieck Champagne for a one-night-only special event featuring an archival 35mm print of Howard Hawks’s classic, Gentlemen Prefer Blondes. Click here to read more about the event. This special fundraiser auction features Marilyn Monroe-themed art, memorabilia, and an exclusive trip to Champagne, France, featuring a behind-the-scenes Piper-Heidsieck experience.