#NYFF62 opens tomorrow with RaMell Ross’s visionary masterpiece NICKEL BOYS! ✨
We’ve just released a few tickets for the 6pm premiere featuring a Q&A with Ross, Ethan Herisse, Brandon Wilson, Aunjanue Ellis-Taylor, and Jomo Fray. Daveed Diggs, Hamish Linklater, Fred Hechinger, Joslyn Barnes, Dede Gardner, and Jeremy Kleiner also in person!
Reserve now at filmlinc.org/nickelboys 🎟️
Here she is, world…Tickets are NOW on sale for ANORA, an #NYFF62 Main Slate selection opening in our theaters on Oct. 18 (with a sneak preview on Oct. 16)!
Director Sean Baker and lead actress Mikey Madison will join us in person at select screenings opening weekend (and select screenings will be presented on 35mm 🎞️)!
View full screening schedule and available 🎟️: filmlinc.org/anora
We've just released limited tickets to previously sold-out #NYFF62 screenings of THE SHROUDS, CAUGHT BY THE TIDES, ALL WE IMAGINE AS LIGHT, PAVEMENTS, DAHOMEY, and RUMOURS, all featuring in-person appearances!
Act fast at filmlinc.org/tix 🎟️
We’re thrilled to unveil the #NYFF62 Talks lineup, complementing the film selection with a robust lineup of lively and in-depth conversations among NYFF artists and audiences.
The schedule:
- THE 2024 AMOS VOGEL LECTURE: Jia Zhangke | Tuesday, October 8 at 5pm
Presented in partnership with @rolex.
- Deep Focus: @ramellross, in Conversation with @BarryJenkins | Sunday, September 29 at 6pm |
Sponsored by @hollywoodreporter.
- NO OTHER LAND filmmakers discussion | Tuesday, October 1 at 6pm
- Sigrid Nunez | Saturday, October 5 at 1pm
- CROSSCUTS: Alex Ross Perry & Andrei Ujică | Thursday, October 3 at 6pm
- CROSSCUTS: Zeinabu irene Davis & Madeleine Hunt-Ehrlich | Sunday, October 6 at 6pm
- CROSSCUTS: Miguel Gomes & Payal Kapadia | Wednesday, October 9 at 4pm
- CROSSCUTS: Julia Loktev & Roberto Minervini | Wednesday, October 9 at 6pm
- Roundtable: New Asian Auteurs | Monday, September 30 at 4:30pm
- Roundtable: on EXERGUE – ON DOCUMENTA 14 | Wednesday, October 2 at 5pm
- @FilmComment Live: Collective Protagonists | Saturday, October 5 at 7pm
- @FilmComment
Live: Festival Report | Friday, October 11 at 7pm
- Special Event: @cinephilegame Night: #NYFF62 Edition | Saturday, September 28 at 7:30pm, Sunday, September 29 at 8:00pm, Monday, September 30 at 7:30pm, and Tuesday, October 8 at 7:30pm
Sponsored by @thetravelagency.co.
- Special Event: @IndieWire
Presents: Screen Talk Live | Monday, October 7 at 4pm
Learn more about each talk (as well as the participants) at filmlinc.org/nyff62talks
NYFF62 Talks are presented by @hbo.
“[A] visionary masterpiece... staggeringly beautiful.” - @davidehrlich, @indiewire
#NYFF62 begins this Friday and we’ve just added three additional screenings of RaMell Ross’s Opening Night selection NICKEL BOYS!
🎟️ on sale now at filmlinc.org/nickelboys
Rare is the film of a major book that maintains the power and precision of its source material while also generating its own singular aesthetic. Yet RaMell Ross’s extraordinary realization of Colson Whitehead’s Pulitzer Prize–winning 2019 novel, about two Black teenagers who become wards of a barbaric juvenile reformatory in Jim Crow–era Florida, achieves just this. In breakout performances that cut to the bone, Ethan Herisse and Brandon Wilson play Elwood and Turner, whose close friendship helps sustain their hope even as the horrors mount around them at the Nickel Academy, which becomes a microcosm of American racism in the mid-20th century. Ross, whose unforgettable Oscar-nominated documentary Hale County This Morning, This Evening (Closing Night of New Directors/New Films, 2018) portrayed an Alabama community in moments of revelatory intimacy, has here fashioned a film of equal daring and intensity, buoyed by expressive, shallow-focus cinematography by Jomo Fray (All Dirt Roads Taste of Salt), pinpoint-precise editing by Nicholas Monsour (NOPE), and deeply felt supporting performances from Aunjanue Ellis-Taylor, Hamish Linklater, and Daveed Diggs. Inspired by actual events, this harrowing tale comes to vivid life via an ingenious visual approach that brilliantly adapts the novel’s exercise in subjectivity. Ross’s Nickel Boys sets the beauty of the natural world against the cruel realities of American racism, and confirms its maker’s status as a visionary cinematic artist. An Orion Pictures/Amazon MGM Studios release.
Kicking off our special #NYFF62 editions of the @filmlinc podcast, NYFF Artistic Director Dennis Lim (@brighter_later) previews this year's festival with Jordan Raup (@jpraup), Associate Director of Marketing at FLC.
Subscribe to the Film at Lincoln Center podcast for a breakdown of the films and events you can’t miss throughout this year’s 18-day festival, including NICKEL BOYS, THE ROOM NEXT DOOR, BLITZ, QUEER, APRIL, MY UNDESIRABLE FRIENDS: PART I – LAST AIR IN MOSCOW, TRANSAMAZONIA, AFTERNOONS OF SOLITUDE, EXERGUE – ON DOCUMENTA 14, JIMMY, THE SEALED SOIL, and more, plus tips on how to get tickets to standby-only screenings, and more.
Available at filmlinc.org/podcast 🎧
“[A] visionary masterpiece... staggeringly beautiful.” - @davidehrlich, @indiewire
#NYFF62 begins this Friday and we’ve just added three additional screenings of RaMell Ross’s Opening Night selection NICKEL BOYS!
🎟️ on sale now at filmlinc.org/nickelboys
Rare is the film of a major book that maintains the power and precision of its source material while also generating its own singular aesthetic. Yet RaMell Ross’s extraordinary realization of Colson Whitehead’s Pulitzer Prize–winning 2019 novel, about two Black teenagers who become wards of a barbaric juvenile reformatory in Jim Crow–era Florida, achieves just this. In breakout performances that cut to the bone, Ethan Herisse and Brandon Wilson play Elwood and Turner, whose close friendship helps sustain their hope even as the horrors mount around them at the Nickel Academy, which becomes a microcosm of American racism in the mid-20th century. Ross, whose unforgettable Oscar-nominated documentary Hale County This Morning, This Evening (Closing Night of New Directors/New Films, 2018) portrayed an Alabama community in moments of revelatory intimacy, has here fashioned a film of equal daring and intensity, buoyed by expressive, shallow-focus cinematography by Jomo Fray (All Dirt Roads Taste of Salt), pinpoint-precise editing by Nicholas Monsour (NOPE), and deeply felt supporting performances from Aunjanue Ellis-Taylor, Hamish Linklater, and Daveed Diggs. Inspired by actual events, this harrowing tale comes to vivid life via an ingenious visual approach that brilliantly adapts the novel’s exercise in subjectivity. Ross’s Nickel Boys sets the beauty of the natural world against the cruel realities of American racism, and confirms its maker’s status as a visionary cinematic artist. An Orion Pictures/Amazon MGM Studios release.
“[A] visionary masterpiece... staggeringly beautiful.” - @davidehrlich, @indiewire
#NYFF62 begins this Friday and we’ve just added three additional screenings of RaMell Ross’s Opening Night selection NICKEL BOYS!
🎟️ on sale now at filmlinc.org/nickelboys
Rare is the film of a major book that maintains the power and precision of its source material while also generating its own singular aesthetic. Yet RaMell Ross’s extraordinary realization of Colson Whitehead’s Pulitzer Prize–winning 2019 novel, about two Black teenagers who become wards of a barbaric juvenile reformatory in Jim Crow–era Florida, achieves just this. In breakout performances that cut to the bone, Ethan Herisse and Brandon Wilson play Elwood and Turner, whose close friendship helps sustain their hope even as the horrors mount around them at the Nickel Academy, which becomes a microcosm of American racism in the mid-20th century. Ross, whose unforgettable Oscar-nominated documentary Hale County This Morning, This Evening (Closing Night of New Directors/New Films, 2018) portrayed an Alabama community in moments of revelatory intimacy, has here fashioned a film of equal daring and intensity, buoyed by expressive, shallow-focus cinematography by Jomo Fray (All Dirt Roads Taste of Salt), pinpoint-precise editing by Nicholas Monsour (NOPE), and deeply felt supporting performances from Aunjanue Ellis-Taylor, Hamish Linklater, and Daveed Diggs. Inspired by actual events, this harrowing tale comes to vivid life via an ingenious visual approach that brilliantly adapts the novel’s exercise in subjectivity. Ross’s Nickel Boys sets the beauty of the natural world against the cruel realities of American racism, and confirms its maker’s status as a visionary cinematic artist. An Orion Pictures/Amazon MGM Studios release.
“Without a doubt one the most compelling, nerve-wracking, and timely films of recent years” - @CinemaScopeMag
Don’t miss the U.S. Premiere of EXERGUE – ON DOCUMENTA 14, a monumental documentary portrait where politics collide with global contemporary art.
In its breathtaking breadth and specificity, Athiridis’s fully engrossing film is as extensive a look behind the scenes of the contemporary art world as we have ever seen, and a supremely compelling and timely examination of the complex intersections of art, money, and power.
All NYFF62 feature documentaries are presented by
@hbo.
NYFF62 Currents features are sponsored by @mubi.
View all available 🎟️: filmlinc.org/tix
Because one night just isn’t enough: Luca Guadagnino, Daniel Craig, and Drew Starkey will now also join us in person for an intro and Q&A at the Monday, October 7 screening of QUEER at #NYFF62! Don’t miss the U.S. Premiere of the Spotlight Gala selection. 🎟️ now on sale at filmlinc.org/queer
Limited $500 VIP tickets also available for the Oct. 6 premiere, featuring prime orchestra seating and invite to a special reception with the cast and crew. ✨ Contact [email protected] to purchase.
Written in the early 1950s yet not published until 1985, William S. Burroughs’s Queer has come to be considered a canonical work in the career of the Beat Generation author and a cornerstone of transgressive gay literature. In his wildly ambitious adaptation, Luca Guadagnino (Call Me by Your Name, NYFF55) expertly evokes the book’s post–World War II time period and cinematically translates Burroughs’s iconoclasm with panache. In a transformative role, Daniel Craig immerses himself into Burroughs’s alter ego William Lee, a habitual heroin user luxuriating in freedom and desiccation among a disconnected group of gay American expatriates in Mexico City in the late 1940s. When enigmatic, preppy ex-military kid Eugene Allerton (Drew Starkey) catches Lee’s eye, he swoons into a headlong love affair, commencing an odyssey that will take them all the way to the Ecuadorian jungle in pursuit of the ultimate high. Buoyed by go-for-broke performances from Craig and Starkey, and rollicking, unexpected supporting turns from Lesley Manville and Jason Schwartzman, Queer is a dazzling showcase for many in Guadagnino’s stable of collaborators, including Challengers screenwriter Justin Kuritzkes, cinematographer Sayombhu Mukdeeprom, and music composers Trent Reznor and Atticus Ross. It’s a film that finds Guadagnino in his most formidable, gutsiest mode yet, a universal love story featuring expressionistic flights of fancy, gratifying moments of psychedelic surrealism, and surprising tenderness. An A24 release.
#lucaguadagnino #danielcraig #drewstarkey
Being this demonic takes work: don’t miss everyone’s favorite leader of the dark world, Doug Bradley, on screen as Pinhead in the North American Premiere of the new 4K restoration of HELLRAISER (1987), screening in the Revivals section of #NYFF62 on Sept. 28, Oct. 5 & 9!
Don’t miss Clive Barker’s debut feature! 🎟️: filmlinc.org/tix
Still looking for #NYFF62 tickets? Limited available for:
AFTERNOONS OF SOLITUDE
APRIL
BLITZ
DAHOMEY
DIRECT ACTION
EEPHUS
ELTON JOHN: NEVER TOO LATE
FOUR NIGHTS OF A DREAMER
THE FRIEND
GRAND TOUR
HARVEST
HELLRAISER
LÁZARO AT NIGHT
MISERICORDIA
MY UNDESIRABLE FRIENDS: PART I – LAST AIR IN MOSCOW
NICKEL BOYS
ON BECOMING A GUINEA FOWL
PEPE
QUEER
SCENARIOS
TRANSAMAZONIA
UNION
WHO BY FIRE
YOU BURN ME
YOUTH (HARD TIMES) & YOUTH (HOMECOMING)
& more!
Reserve your 🎟️ at filmlinc.org/tix
🚨 #NYFF62 tickets just released for previously sold-out screenings, including:
CAUGHT BY THE TIDES
EEPHUS
EMILIA PÉREZ
THE FRIEND
HARD TRUTHS
MARIA
OH, CANADA
PAVEMENTS
QUEER
A REAL PAIN
RUMOURS
THE SEED OF THE SACRED FIG
THE SHROUDS
Act fast: filmlinc.org/tix 🎟️
We’ve just added screenings of three #NYFF62 Gala selections!
✨ RaMell Ross’s Opening Night selection NICKEL BOYS
✨ Steve McQueen’s Closing Night selection BLITZ
✨ Luca Guadagnino’s Spotlight Gala selection QUEER
🎟️ on sale now. Act fast: filmlinc.org/tix
The #NYFF62 virtual queue has ended and limited tickets to select screenings are still available now! ✨ Including…
AFTERNOONS OF SOLITUDE
APRIL
BLITZ
DAHOMEY
ELTON JOHN: NEVER TOO LATE
EMILIA PÉREZ
THE FRIEND
GRAND TOUR
HARVEST
HELLRAISER
NICKEL BOYS
ON BECOMING A GUINEA FOWL
MISERICORDIA
MY UNDESIRABLE FRIENDS
PEPE
QUEER
YOUTH (HARD TIMES) & YOUTH (HOMECOMING)
& many more!
Act fast at filmlinc.org/tix 🎟️
Tickets for the 62nd New York Film Festival go on sale today at noon ET! ✨
⭐ See all available 🎟️ at filmlinc.org/tix
⭐ See ticket info at filmlinc.org/ticketinfo
⭐ Follow NYFF on Reddit for tips & tricks at filmlinc.org/reddit
⭐ Everyone will be placed in a virtual waiting room and order will be randomized at noon. Join now at purchase.filmlinc.org
⭐ We recommend using a desktop computer with a strong connection and Safari if on Mac.
⭐ If an #NYFF62 screening is standby only, on the day of the screening or event, a standby line will form at the corresponding venue’s box office prior to showtime. Tickets may become available to the standby line on a first-come, first-served basis, with priority to Express Pass holders Grab your Express Pass before they sell out at filmlinc.org/passes
⭐ Have any additional questions? Message us or reply below.
Now on American soil: The 70mm 🎞️ print of @bradycorbet’s THE BRUTALIST has finally arrived at @filmlinc and we can’t wait to welcome you to the U.S. Premiere in the Main Slate of #NYFF62!
Co-written by Corbet and @fastvold, this richly detailed recreation of postwar America is alternately hopeful and nightmarish in its portrayal of immigrant living, accruing in meaning and power as it builds to its overwhelming final passages. Interweaving a provocative tapestry of ideas around privilege, money, religious identity, architectural aesthetics, and the persistence of historical trauma, THE BRUTALIST is an absorbing, brilliantly acted American epic that reminds us the past is always present. Also starring Felicity Jones, Joe Alwyn, Isaach De Bankolé, Stacy Martin, and Alessandro Nivola. An A24 release.
#NYFF62 single 🎟️ will go on sale to the general public this Tuesday, September 17 at noon ET. Plan your schedule in advance by viewing all available 🎟️ at filmlinc.org/tix
Released four years after the 🇧🇷 national team’s World Cup victory, Luiz Carlos Barreto’s directorial debut, THIS IS PELÉ (1974), works from seemingly hundreds of hours of footage taken of the record-breaking footballer.
Newly restored, the film screens this Sunday evening at 8:30pm on the last day of our retrospective Isso é Brasil: Cinema According to L.C. Barreto Productions! View remaining schedule and get 🎟️: filmlinc.org/barreto
We’re excited to officially unveil the #NYFF62 partner venue schedule!
This year’s participating venues across all five boroughs are the Alamo Drafthouse Staten Island, Brooklyn Academy of Music, The Bronx Museum of the Arts, and Museum of the Moving Image.
Above artwork by @fathers_puka_shells.exe. Be sure to pick up his limited edition #NYFF62 t-shirt at the Alice Tully Hall and Elinor Bunin Munroe Film Center merch booths during the festival!
THE SCHEDULE:
- @drafthouse Staten Island
(2636 Hylan Blvd Suite 230, Staten Island, NY 10306)
MARIA
Saturday, October 5, 6:00pm
NICKEL BOYS
Saturday, October 5, 9:00pm
- @bamfilmbrooklyn
(30 Lafayette Ave, Brooklyn, NY 11217)
THE BALLAD OF SUZANNE CÉSAIRE
Sunday, October 6, 4:00pm
LA MUSICA
Sunday, October 6, 6:00pm
NO OTHER LAND
Sunday, October 6, 8:45pm
LITTLE, BIG, AND FAR
Monday, October 7, 6:00pm
PAVEMENTS
Monday, October 7, 8:45pm
JIMMY
Tuesday, October 8, 6:00pm
QUEER
Tuesday, October 8, 8:00pm
NICKEL BOYS
Wednesday, October 9, 6:00pm
THE SEALED SOIL
Wednesday, October 9, 9:00pm
MY UNDESIRABLE FRIENDS: PART I — LAST AIR IN MOSCOW
Thursday, October 10, 4:00pm
- @bronxmuseum
(1040 Grand Concourse, Bronx, NY 10456)
LITTLE, BIG, AND FAR (free screening!)
Tuesday, October 8, 7:00pm
- @movingimagenyc
(36-01 35th Ave, Queens, NY 11106)
DAHOMEY
Thursday, October 3, 6:00pm
NICKEL BOYS
Thursday, October 3, 7:45pm
HARD TRUTHS
Thursday, October 10, 6:00pm
THE SHROUDS
Thursday, October 10, 8:00pm
🎟️ on sale for all venues this Tuesday, September 17 at noon! View the schedule: filmlinc.org/nyff62partners
Do you want a chance to win tickets to sold-out NYFF screenings of THE BRUTALIST, ANORA, NICKEL BOYS, and many more? Test your movie trivia knowledge at special #NYFF62 editions of #CinephileGameNight! ✨ 🎟️
The first two will take place on Sept. 18 & 25 at @thetravelagency.co, NY’s premier c*nn*bis destination, in Union Square, followed by four more events to be announced at @filmlinc during the festival. Valid 21+ ID required, no consumption onsite.
RSVP now for FREE at filmlinc.org/cinephile 🎞️
Featuring Cinephile Game Night co-hosts Jordan Raup and Conor O’Donnell of @thefilmstage, the events will feature multiple trivia rounds, including NYFF history and beyond, with chances to win tickets to this year’s NYFF62 and many more prizes. Come meet and mingle with your fellow movie buffs for an evening of festival fun. There’s no need to bring your Cinephile cards to participate––only your movie-loving brain is required.
Alongside brand partners @ayrloom_ny, @hudsoncannabis, @rovebrand.us, and @sillynicenyc, these elevated game nights offer the perfect venue to get the goods to make any seat great.
Buckle up: we’re thrilled to unveil our lineup of festival, repertory, and new release programming for the 2024 fall/winter season, from October to December, and the 2025 partner festival schedule!
The upcoming lineup (with more to come!):
- ANORA | #NYFF62 Main Slate selection | Opens October 18 (Sneak Preview on October 16 with Sean Baker in person!). Presented on 35mm 🎞️ from October 16-20.
- DAHOMEY | #NYFF62 Main Slate selection | Opens October 25
- SHADOWS OF FORGOTTEN ANCESTORS (1965) | New 4K Restoration | Opens October 25
- BLITZ | #NYFF62 Closing Night selection | Opens November 1
- NO OTHER LAND | #NYFF62 Main Slate selection | #NYFF62 Main Slate selection | Opens November 1
- ALL WE IMAGINE AS LIGHT | #NYFF62 Main Slate selection | Opens November 15
- A TRAVELER'S NEEDS | #NYFF62 Main Slate selection | Opens November 22 (Sneak Preview with Isabelle Huppert in person on November 21!)
- HARD TRUTHS | #NYFF62 Main Slate selection | Opens December 6 for an exclusive one-week run (returning to FLC on January 10)
- Robert Siodmak: Dark Visionary retrospective | December 11–19
- @FilmComment Live: Best of 2024 | December 12
- THE ROOM NEXT DOOR | #NYFF62 Centerpiece selection | Opens December 20
- New York Jewish Film Festival | January 15–29
- Rendez-Vous with French Cinema | March 6–16
- New Directors/New Films | Spring dates to be announced
- New York African Film Festival | May 7-13
- Open Roads: New Italian Cinema | May 29–June 5
- Summer for the City Outdoor Film Series | Summer dates to be announced
Learn more: filmlinc.org/Q4programming
Act fast! #NYFF62 Express Passes are now officially on sale for only $150!
At standby-only screenings, Express Pass holders must line up in the Express Pass line at least 15 minutes prior to showtime, and available tickets will be sold to Pass holders first-come, first-served for $15. Pass holder may purchase one (1) ticket, subject to availability. Express Pass holders may also claim one (1) free ticket to to-be-announced Rush screenings at the screening venue’s box office beginning one hour before showtime, subject to availability. Express Pass benefits are available only at Lincoln Center venues, not valid for free Talks or events. Passes may be picked up at the Elinor Bunin Munroe Film Center box office beginning September 27 at 5:15pm.
Learn more and purchase your 🎟️ today at filmlinc.org/passes.
❤️ Remembering the legendary screen icon James Earl Jones (1931-2024).
Feast your brain on the poster for Guy Maddin, Evan Johnson, and Galen Johnson's RUMOURS, making its U.S. Premiere in the Spotlight section of #NYFF62 on Sept. 28 & 29!
The world’s wealthy democratic world leaders have come together for the annual G7 summit, trading quips and nervous smiles as they do their best to diplomatically discuss vague matters of international emergency and draft statements of import between sips of wine. Yet a major, unforeseen crisis looms on the horizon for the presidents, prime ministers, and chancellors—nothing less than potential human apocalypse, hastened by the arrival of unearthed “bog men” from the Iron Age and a giant pulsating brain perched ominously in the woods. This sci-fi pulp satire finds Canadian trickster extraordinaire Guy Maddin and fellow Manitoban co-directors Evan Johnson and Galen Johnson in a particularly wacky mood, corralling an outstanding, starry cast—including Cate Blanchett, Alicia Vikander, Denis Ménochet, Charles Dance, and Nikki Amuka-Bird—for a merciless, midnight-movie skewering of the bureaucratic processes that govern our precarious reality. A Bleecker Street release.
NYFF62 single tickets will go on sale to the general public on Tuesday, September 17 at noon ET, with pre-sale access for FLC Members and Pass holders prior to this date.
Learn more at filmlinc.org/nyff
With our 13-film retrospective Isso é Brasil: Cinema According to L.C. Barreto Productions running through this Sunday, September 15, make sure to follow our @letterboxd list highlighting each of the great 🇧🇷 films featured in the series!
This retrospective commemorates 60 years of L.C. Barreto Film Productions, Brazil’s legendary production company, and celebrates their incomparable influence with a selection of canonical classics and under-seen gems, most of which will premiere in new 4K restorations. Producer Lucy Barreto and director Bruno Barreto—four of his films are in this series—will be in person at FLC to introduce select screenings and take part in Q&As.
Follow our @letterboxd list: boxd.it/y5qky
View screening schedule and get 🎟️ at filmlinc.org/barreto.
#NYFF62 pre-sales continue this week!
⭐ Explore the pre-sale guide at filmlinc.org/presale
⭐ Follow us on Reddit for tips & tricks at filmlinc.org/reddit
⭐ Secure pre-sale access before Friday with Pass at filmlinc.org/passes
⭐️ Bookmark the Ticket Availability page to see the latest updates on limited availability and standby screenings at filmlinc.org/tix
Have any questions? Ask below or send us a message. 👇
📸: Payal Kapadia’s Main Slate selection ALL WE IMAGINE AS LIGHT
🇧🇷 It’s been a great first weekend for our 13-film retrospective Isso é Brasil: Cinema According to L.C. Barreto Productions!
The series will run through Sunday, September 15, with additional Q&As at select screenings today and tomorrow! View remaining screening schedule and get 🎟️ at filmlinc.org/barreto.
📸: @photojuice
Congrats to the Venice Film Festival winners coming soon to #NYFF62! ✨
🎥 Golden Lion: THE ROOM NEXT DOOR (Pedro Almodóvar)
🎥 Silver Lion for Best Director: Brady Corbet, THE BRUTALIST
🎥 Special Jury Prize: APRIL (Déa Kulumbegashvili)
🎥 Best Screenplay: Murilo Hauser and Heitor Lorega, I’M STILL HERE
It’s your final chance to secure festival pre-sale access with a Pass: filmlinc.org/passes 🎞️
Single tickets go on sale Sept. 17 at noon. 🎟️
😍 Through September 15, experience a 13-film retrospective commemorating 60 years of 🇧🇷 L.C. Barreto Film Productions, Brazil’s legendary production company, helmed by the renowned family of filmmakers.
This series celebrates the Barretos’s incomparable influence with a selection of canonical classics and under-seen gems, most of which will premiere in new 4K restorations. Producer Lucy Barreto and director Bruno Barreto—four of his films are in this series—will be in person at FLC to introduce select screenings and take part in Q&As.
View screening & Q&A schedule and get 🎟️ at filmlinc.org/barreto.
We loved having HIS THREE DAUGHTERS director Azazel Jacobs, cast members Carrie Coon, Natasha Lyonne, & Elizabeth Olsen, and moderator Tamara Jenkins share the film on 35mm 🎞️ with us last night!
The Q&A will be featured on our YouTube channel and as an upcoming episode of the FLC podcast!
HIS THREE DAUGHTERS opens in select theaters this Friday and will be on @netflix beginning September 20.
📸: @photojuice
Now officially a New York Times Critic’s Pick, the César Award-winning film THE GOLDMAN CASE opens at FLC tomorrow!
One of the most acclaimed films from the 2023 Cannes Film Festival, this gripping courtroom drama from widely admired French filmmaker Cédric Kahn delves into the sensationalized 1976 trial of Pierre Goldman, a left-wing activist defending himself against multiple charges, including murder during an armed robbery. Arieh Worthalter is mesmerizing as the accused, a revolutionary and the son of Polish Jewish refugees who steadfastly maintained his innocence, while the facts of his case became a flash point for a generation, raising questions of antisemitism and political ideology.
Directed with vérité realism and pinpoint historical precision, THE GOLDMAN CASE is a focused, distilled dramatization that’s both subdued and electrifying, communicating so much about the complexity of Jewish identity in recent European history.
View showtimes and get 🎟️ to this incredibly gripping courtroom drama: filmlinc.org/goldman
Feast your eyes on the new poster for RaMell Ross's NICKEL BOYS, the criticially acclaimed Opening Night selection of #NYFF62!
Rare is the film of a major book that maintains the power and precision of its source material while also generating its own singular aesthetic. Yet RaMell Ross’s extraordinary realization of Colson Whitehead’s Pulitzer Prize–winning 2019 novel, about two Black teenagers who become wards of a barbaric juvenile reformatory in Jim Crow–era Florida, achieves just this. In breakout performances that cut to the bone, Ethan Herisse and Brandon Wilson play Elwood and Turner, whose close friendship helps sustain their hope even as the horrors mount around them at the Nickel Academy, which becomes a microcosm of American racism in the mid-20th century. Ross, whose unforgettable Oscar-nominated documentary Hale County This Morning, This Evening (Closing Night of New Directors/New Films, 2018) portrayed an Alabama community in moments of revelatory intimacy, has here fashioned a film of equal daring and intensity, buoyed by expressive, shallow-focus cinematography by Jomo Fray, pinpoint-precise editing by Nicholas Monsour, and deeply felt supporting performances from Aunjanue Ellis-Taylor, Hamish Linklater, and Daveed Diggs.
Inspired by actual events, this harrowing tale comes to vivid life via an ingenious visual approach that brilliantly adapts the novel’s exercise in subjectivity. Ross’s NICKEL BOYS sets the beauty of the natural world against the cruel realities of American racism, and confirms its maker’s status as a visionary cinematic artist. An Orion Pictures/Amazon MGM Studios release.
Secure your tickets with Festival Passes, limited quantities on sale now. NYFF62 single tickets will go on sale to the general public on Tuesday, September 17 at noon ET, with pre-sale access for FLC Members and Pass holders prior to this date.
Learn more at filmlinc.org/nyff
Director Mike Leigh and actress Marianne Jean-Baptise at Film at Lincoln Center to share SECRETS & LIES, the Opening Night selection of #NYFF34, in 1996.
The duo will return to the New York Film Festival for the U.S. Premiere of their latest collaboration, the #NYFF62 Main Slate selection HARD TRUTHS, this October! Learn more at filmlinc.org/nyff
📸: @godlis
We’re thrilled to announce the participants for the 2024 FLC Artists Academy and FLC Critics Academy!
Taking place during #NYFF62, the mission of these programs is to support the next generation of film artists and critics and to foster a film culture that embraces diverse storytelling and points of view.
The FLC Artists Academy, led by award-winning filmmaker Stacey Marbrey, taps into the rich New York film community to offer an immersive experience for early-career filmmakers, with an emphasis on creating opportunities for people from underrepresented communities. This year’s cohort will join a three-day intensive workshop during the New York Film Festival, getting an opportunity to gain invaluable insight from experienced filmmakers, industry leaders, and Academy alumni. Panels, case studies, roundtable discussions, and networking opportunities will focus on the participants’ career development, the collaborative process of filmmaking, and strategies for making a sustainable living in their field.
The participants for this year’s FLC Artists Academy are Nada Bedair, Zoë Hodge, Bianca Jones, Jard Lerebours, Mackie Mallison, Oliver McGoldrick, Philip Thompson, Bren Wyona, Tang Yi, and Kevin Yu.
The FLC Critics Academy is produced by Film Comment magazine and led by its editors Devika Girish and Clinton Krute. The program offers invaluable experience in both the craft and business of film criticism. Participants will join a two-day intensive workshop prior to the New York Film Festival where established members of the industry—including working critics, editors, programmers, distributors, and publicists—will cover topics including pitching and freelancing, the editorial process, covering festivals, interviewing, social media for critics, and more.
Learn more at filmlinc.org/academies
🚨 No need to stress: join us for a Q&A with BETWEEN THE TEMPLES director Nathan Silver and actress Dolly de Leon this Thursday, September 5 at our 6:15pm screening!
Directed by New York filmmaker Nathan Silver, who co-wrote the screenplay with C. Mason Wells, BETWEEN THE TEMPLES follows Jason Schwartzman as a bereaved cantor at an upstate New York synagogue, who has lost his wife, can’t sing anymore, lives with his two mothers, and has a newfound taste for mudslide cocktails. While he keeps kosher and remains devout, his ennui-addled regression seems all but terminal until his 70-year-old grade school music teacher (played by Carol Kane) walks back into his life and becomes his new adult Bat Mitzvah student… and maybe something more.
Don’t miss this widely acclaimed, New York Times Critic’s Pick! 🎟️: filmlinc.org/temples
A few behind the scenes 📸 of director RaMell Ross on the set of NICKEL BOYS, the highly anticipated Opening Night selection of #NYFF62!
NYFF62 single tickets will go on sale to the general public on Tuesday, September 17 at noon ET. Learn more at filmlinc.org/nyff
🇧🇷 From September 6-15, experience a 13-film retrospective commemorating 60 years of L.C. Barreto Film Productions, Brazil’s legendary production company, helmed by the renowned family of filmmakers. 🇧🇷
View screening schedule in the 🧵 below & get 🎟️ at filmlinc.org/barreto!
An #NYFF61 Revivals selection and one of the most mysterious and magisterial films of the 🇮🇷 Iranian New Wave, Bahram Beyzaie’s visionary 1974 drama THE STRANGER AND THE FOG is now playing daily at FLC!
An oneiric parable, the film begins with the titular stranger, named Ayat, arriving at a coastal village on the Persian Gulf aboard a drifting boat, unconscious and with no memory of how he arrived there. The villagers revive him and, some time later, he falls in love with a local widow, causing tensions with her deceased husband’s family. After years of peace, still more strangers descend upon the village from the sea in search of Ayat. This visually ravishing masterwork invents its own mythology of 1970s Iran. An NYFF61 Revivals selection. A Janus Films release.
View showtimes and get 🎟️ at filmlinc.org/fog
Behold the first look at Brandon Wilson and Ethan Herisse in RaMell Ross’s NICKEL BOYS, the Opening Night selection of #NYFF62!
Rare is the film of a major book that maintains the power and precision of its source material while also generating its own singular aesthetic. Yet RaMell Ross’s extraordinary realization of Colson Whitehead’s Pulitzer Prize–winning 2019 novel, about two Black teenagers who become wards of a barbaric juvenile reformatory in Jim Crow–era Florida, achieves just this.
In breakout performances that cut to the bone, Ethan Herisse and Brandon Wilson play Elwood and Turner, whose close friendship helps sustain their hope even as the horrors mount around them at the Nickel Academy, which becomes a microcosm of American racism in the mid-20th century. Ross, whose unforgettable Oscar-nominated documentary HALE COUNTY THIS MORNING, THIS EVENING (Closing Night of New Directors/New Films, 2018) portrayed an Alabama community in moments of revelatory intimacy, has here fashioned a film of equal daring and intensity, buoyed by expressive, shallow-focus cinematography by Jomo Fray), pinpoint-precise editing by Nicholas Monsour, and deeply felt supporting performances from Aunjanue Ellis-Taylor, Hamish Linklater, and Daveed Diggs. An Orion Pictures/Amazon MGM Studios release.
The film will make its NYFF Premiere on Friday, September 27. Secure your tickets with Festival Passes, limited quantities on sale now. NYFF62 single tickets will go on sale to the general public on Tuesday, September 17 at noon ET, with pre-sale access for FLC Members and Pass holders prior to this date.
Learn more at filmlinc.org/nyff
Check out the new poster for ELTON JOHN: NEVER TOO LATE, an #NYFF62 Spotlight selection making its U.S. Premiere at this year’s festival!
Co-directed by R.J. Cutler and David Furnish, this rousing, intensely personal documentary finds a legendary musician in a richly reflective mood during his final concert tour, the multiyear, globe-spanning Farewell Yellow Brick Road. Filled with revealing interviews and rare archival material, ELTON JOHN: NEVER TOO LATE offers keen insight into a life and career marked by soaring highs and crushing lows, and contemplates a legacy defined equally by advocacy and artistry. A Disney+ release.
Featuring a special in-person appearance by Elton John and directors R.J. Cutler and David Furnish.
All NYFF62 feature documentaries are sponsored by @hbo.
NYFF single tickets will go on sale to the general public on Tuesday, September 17 at noon ET. Learn more at filmlinc.org/nyff
Limited VIP Tickets also available now for the general public! Get prime orchestra seating at the Tuesday, October 1, 6pm screening at Alice Tully Hall, featuring Elton John in person, and enjoy a private reception following the screening. Space is limited. $2,000 per person ($1,780 tax-deductible). Contact [email protected] to reserve your VIP Tickets.
Limited 🎟️ remain for our special Scary Movies screening of the genre-bending #Sundance2024 darling IT’S WHAT’S INSIDE with director Greg Jardin in person for a Q&A on Monday, September 16 at 7pm!
When a co-ed group of plugged-in twentysomethings reunite on the eve of their friend’s wedding at his affluent family’s secluded estate, their plans for a night of nostalgic revelry are disrupted by the surprise appearance of a long-estranged college classmate, who arrives at the mansion bearing the beta-test prototype of a mysterious new party game. With pitch-black humor, prodigiously stylized fun-house visuals, and a crackling ensemble cast, Jardin has crafted a wickedly entertaining fable about how the obsessive curation of online personae—and the unstable correlation between a person’s public image and their inner life—produces a tangled web of interpersonal relationships built on half-truths, omissions, and outright lies, where secrets left to fester can detonate in spectacular, blood-soaked fashion when identity itself is gamified. A Netflix release.
Discover for yourself what’s inside...👻🎟️: filmlinc.org/inside
🇧🇷 Don’t miss the North American Premiere of the 4K restoration of BYE BYE BRAZIL (1980), one of Cinema Novo godfather Carlos Diegues’s most essential works, screening with producers Lucy and Bruno Barreto in person on Saturday, September 7 for a Q&A!
The film concerns a motley crew of traveling performers entertaining various audiences across Brazil’s northwestern Amazonian landscape. Accordionist Ciço (Fábio Júnior) and his wife Dasdô (Zaira Zambelli) join the rollicking caravan, leading to a string of adventures and good songs.
Diegues’s low-key road movie-cum-musical captures the country’s changing times—both the myth and the reality of Brazil’s underdevelopment—with documentary-like specificity. Upon its release, Vincent Canby in The New York Times called it “a psychological inventory of a country on the verge of extraordinary economic and industrial development, a travelogue through a nation that doesn’t yet exist.”
The film screens as part of FLC's retrospective Isso é Brasil: Cinema According to L.C. Barreto Productions. View full screening schedule and get 🎟️ at filmlinc.org/barreto
“We get three screenings of HELLRAISER?!”
QUEER co-stars Daniel Craig and Drew Starkey are crying tears of joy now that the #NYFF62 schedule is officially out! 😍
Single tickets for the general public go on sale September 17 at noon ET, with pre-sale access for FLC Members and Pass holders prior to this date.
Plan your festival schedule here: filmlinc.org/schedule
We’re thrilled to announce that Albert Serra’s AFTERNOONS OF SOLITUDE, in which the Catalan filmmaker trains a patient and poetic lens on the dazzling pomp and devastating brutality of bullfighting, will make its North American Premiere as an #NYFF62 Spotlight selection!
In his new documentary portrait of the charismatic Peruvian-born star torero Andrés Roca Rey, Serra expertly balances the visceral thrill of the battle inside the ring, pitting animal instinct against human technique, with a meditative filmmaking style that allows the viewer to appreciate the emotional and physical toll the violence takes on both man and beast. Unflinching yet reflective, Serra’s film is a monumental depiction of the persistence of the primitive in the present day, while acknowledging the extraordinary skill of the man who puts his life and spiritual endurance at risk as he faces down rampaging nature.
Secure your seats to the NYFF Premiere with a festival Pass: filmlinc.org/passes
We're thrilled to reveal the #NYFF62 poster, designed by visionary artist David Byrne!
NYFF posters are a yearly artistic signature of the film festival, and Byrne joins a stellar lineup of renowned artists who have contributed their work to the festival, including Andy Warhol, Roy Lichtenstein, David Hockney, Saul Bass, John Waters, Cindy Sherman, Pedro Almodóvar, Kara Walker, Nan Goldin, and Jim Jarmusch.
Byrne says of his design: “I am honored to be invited to do this poster. Ever since I’ve lived in New York, the NYFF posters have been iconic—the invited artists—a who’s who of artists and designers. I thought to myself, ‘Won’t it be nice to remind folks what going to the movies feels like?’ During the pandemic we missed that experience, but I wanted to let folks know we can enjoy it again. So I wrote down all the things people do in movie theaters besides watching the movie—kissing, sleeping, eating, laughing, crying, terror, joy—we’re in a room with strangers, all experiencing the same thing. Thanks to all the volunteers, the Walter Reade Theater staff, Todomundo, Pace Gallery, and Artists for Humanity.”
The limited-edition posters are now available for purchase via @posteritati. Additionally, a limited number of posters will be available for purchase during the festival at Film at Lincoln Center’s merchandise store located in Alice Tully Hall. FLC Members receive a 10% discount on the poster.
Purchase yours today at posteritati.com/nyff62
It was a thrill hosting a special preview screening of SEEKING MAVIS BEACON with director @jazminrjones, cinematographer Yeelen Cohen, producer @daughtersoftressie, and guest moderator Kirsten Johnson in attendance for a fun post-screening Q&A! Stay tuned to the Film at Lincoln Center YouTube channel to view the insightful conversation in the coming weeks.
The most recognizable woman in technology lives in our collective imagination. Mavis Beacon Teaches Typing taught millions globally, but the software’s Haitian-born cover model vanished decades ago. In Jazmin Jones’s feature documentary, we follow two DIY detectives as they search for the model while posing questions about identity and artificial intelligence.
This event was held for Film at Lincoln Center’s New Wave, FLC's unique membership community (open to filmgoers in their 20s and 30s) who are given access to exclusive special events, screenings, film clubs, and much more.
SEEKING MAVIS BEACON opens in select theaters this Friday, August 30. Get tickets at seekingmavisbeacon.com
📸: @photojuiceh
Director Bruno Barreto was 20 years old when he injected new life into 🇧🇷 Brazilian cinema and announced Sônia Braga to the world with the sensuous comedy-fantasy DONA AND HER TWO HUSBANDS (1976).
Braga stars as Flor, whose gambling, unfaithful husband Vadinho (José Wilker) drops dead while dancing in the streets of Bahia during carnival. Eight years later, Flor gets the respectable husband she’s always yearned for in Dr. Teodoro Madureira (Mauro Mendonça), but her neglected libido calls her first husband from the grave….
DONA FLOR became Brazil’s most successful film upon its domestic release in 1976, and remained its highest grossing film for 35 years. Internationally, it received Golden Globe and BAFTA nominations and was the highest-grossing Brazilian film worldwide for more than 30 years
Bruno and Lucy Barreto will join us for a Q&A following our screening of the film (in a new 4K restoration!) next Friday, Sept. 6 at 6pm as part of our 13-film retrospective Isso é Brasil: Cinema According to L.C. Barreto Productions!
View full schedule and get 🎟️ at filmlinc.org/barreto
Happy National Dog Day everyone! 🐶🐕🐶🐕
Starring Naomi Watts and Bill Murray, Scott McGehee & David Siegel’s 🐕🦺-centric THE FRIEND is an #NYFF62 Spotlight selection.
Novelist and creative writing teacher Iris (Naomi Watts) finds her comfortable, solitary New York life thrown into disarray after her closest friend and mentor (Bill Murray) commits suicide and bequeaths his beloved Great Dane to her. The regal yet intractable beast, named Apollo, immediately creates problems for Iris, from furniture destruction to eviction notices, as well as more existential ones, his looming presence constantly reminding her of her friend’s choice to take his own life. Yet as Iris finds herself unexpectedly bonding to the animal, she begins to come to terms with her past, her lost friend, and her own creative inner life. Featuring a warm, emotionally present central performance from Watts, this deeply fulfilling adaptation of Sigrid Nunez’s beloved, slyly shape-shifting National Book Award winner is a rare kind of contemporary American film—humane, philosophical, curious, yet never diagnostic about loss, grief, and anger.
Secure your seats to the NYFF Premiere with a festival Pass: filmlinc.org/passes
Now on the FLC podcast and YouTube channel, listen to/watch BETWEEN THE TEMPLES director Nathan Silver and cast members Carol Kane, Robert Smigel, and Cindy Silver discuss the comedic touch of their new hit feature.
Directed by New York filmmaker Nathan Silver, who co-wrote the screenplay with C. Mason Wells, BETWEEN THE TEMPLES follows Jason Schwartzman as a bereaved cantor at an upstate New York synagogue, who has lost his wife, can’t sing anymore, lives with his two mothers, and has a newfound taste for mudslide cocktails. While he keeps kosher and remains devout, his ennui-addled regression seems all but terminal until his 70-year-old grade school music teacher (played by Carol Kane) walks back into his life and becomes his new adult Bat Mitzvah student… and maybe something more.
🎧 💻: filmlinc.org/flcpodcast
🎟️: filmlinc.org/temples
📸: @photojuice
Just two #NYFF62 filmmakers officially on Dad duty.
Pictured above: #NYFF62 Main Slate selection THE SHROUDS director David Cronenberg and #NYFF62 Revivals selection HELLRAISER director Clive Barker on the set of the 1990 film NIGHTBREED. 😱 🩸
We are thrilled to announce the Revivals selections of #NYFF62, including recently restored classics, rarities, and discoveries that were groundbreaking in their time and regarded for their artistic innovation, cultural impact, or bold storytelling. Each retains a resonance and relevance that is still impactful today. Explore the full lineup at filmlinc.org/nyff
The NYFF62 Revivals selections:
BONA (Lino Brocka) | U.S. Premiere of 4K Restoration
CAMP DE THIAROYE (Ousmane Sembène, Thierno Faty Sow) | U.S. Premiere of 4K Restoration
COMPENSATION (Zeinabu irene Davis) | World Premiere of 4K Restoration
THE FALL OF OTRAR (Ardak Amirkulov) | World Premiere of 4K Restoration
FOUR NIGHTS OF A DREAMER (Robert Bresson) | N.A. Premiere of 4K Restoration
HELLRAISER (Clive Barker) | N.A. Premiere of 4K Restoration
LA MUSICA (Marguerite Duras, Paul Seban) | U.S. Premiere of 4K Restoration. Preceded by J’AI FAIM, J’AI FROID (Chantal Akerman) | U.S. Premiere of 4K Restoration
MODEL (Frederick Wiseman)| N.A. Premiere of 4K Restoration
NIGHTSHIFT (Robina Rose) | World Premiere of 4K Restoration
NORTHERN LIGHTS (John Hanson, Rob Nilsson) | World Premiere of 4K Restoration
REPORTERS (Raymond Depardon) | World Premiere of 2K Restoration
THE SEALED SOIL (Marva Nabili)
Secure your seats with Festival Passes, limited quantities on sale now. NYFF62 single tickets will go on sale to the general public on Tuesday, September 17 at noon ET, with pre-sale access for FLC Members and Pass holders prior to this date.
Check out the newly released poster for Yeo Siew Hua’s STRANGER EYES, an #NYFF62 Main Slate selection making its North American Premiere at this year’s festival!
Young married Singaporean couple Junyang (Chien-Ho Wu) and Peiying (Anicca Panna) must confront the unimaginable when one morning their baby daughter goes missing from the playground. As the police begin their investigation, Junyang and Peiying receive an unsettling package at their doorstep: surreptitious video footage of their daily lives, taken before and after the child’s disappearance. Soon, their voyeur neighbor Wu (Lee Kang-sheng, the Taiwanese star of Tsai Ming-liang’s films, in a delicate, multilayered performance) falls under suspicion, revealing multiple secret inner lives among a group of interconnected characters. From this gripping set-up, writer-director Yeo Siew Hua constructs an unpredictable thriller that is as compelled by the mysteries of the human heart as it is by the ambiguities of living in a constant surveillance culture.
Learn more: filmlinc.org/nyff
The 35mm 🎞️ print for Michelangelo Antonioni’s THE PASSENGER (1975) has now arrived!
Antonioni’s epic of existential malaise and identity slippage stars Jack Nicholson at the top of his game, as an American journalist who, on a whim, assumes the identity of a deceased, look-alike gunrunner caught up in a revolutionary conflict in Chad. Whether intentionally or not, Antonioni’s portrayal of the African rebels, whose leader is interviewed by Nicholson’s reporter in a key scene, casts a decidedly Fanonian light on a film that, at its core, is about a man’s political paralysis in the face of a revolutionary uprising and his blindness to the limits of his knowing. Throughout the film, Antonioni emphasizes the influence off-screen reality exerts on his globe-trotting work of fiction, even inserting a few moments of shockingly real violence that rupture the Western protagonist’s self-created, and alienated, dreamworld.
The film screens on 35mm 🎞️ on Thursday, August 29 at 7pm as part of @FilmComment Live: The Rebel’s Cinema—Frantz Fanon on Screen, a four-day series of screenings and talks will take place at Film at Lincoln Center, Maysles Documentary Center, BAM (Brooklyn Academy of Music), and Anthology Film Archives.
🎟️ now on sale at filmlinc.org!
🎟️ Secure your #NYFF62 Pass by TONIGHT (Tuesday, August 20 at 11:59pm ET) and save!
NYFF62 Passes give you access to one of the earliest pre-sale periods, plus single ticket fees are waived. Maximum of one pass per transaction and two tickets per screening when redeeming pass, subject to availability. Passes can be used for tickets to Lincoln Center venues only—Alice Tully Hall (ATH), Walter Reade Theater (WRT), and Elinor Bunin Munroe Film Center (EBM).
Single tickets for the general public go on sale September 17 at noon ET, with pre-sale access for FLC Members and Pass holders prior to this date.
Don’t delay! 🎟️: filmlinc.org/passes
🎟️ are now on sale for our upcoming 13-film retrospective Isso é Brasil: Cinema According to L.C. Barreto Productions, running in our theaters September 6-15!
The series will celebrate the Barretos’s incomparable influence with a selection of canonical classics and under-seen gems, most of which will premiere in new 4K restorations. Producer Lucy Barreto and director Bruno Barreto—four of his films are in this series—will be in person at FLC to introduce select screenings and take part in Q&As.
The lineup and screening schedule is as follows:
- BARREN LIVES / VIDAS SÊCAS | 4K Restoration | September 7 (with introduction) and 13
- GARRINCHA, THE PEOPLE’S JOY / GARRINCHA, ALEGRIA DO POVO | 2K Restoration | September 8 & 14
- THE HOUR AND TURN OF AUGUSTO MATRAGA / A HORA E VEZ DE AUGUSTO MATRAGA | N. A. Premiere of 4K Restoration | September 7 (with intro), 12, & 15
- ENTRANCED EARTH / TERRA EM TRANSE | September 6, 11, & 14
- THIS IS PELÉ / ISTO É PELÉ | 2K Restoration | September 10 and 15
- DONA FLOR AND HER TWO HUSBANDS / DONA FLOR E SEUS DOIS MARIDOS | 4K Restoration | September 6 (with Q&A), 10, & 14
- AMOR BANDIDO | World Premiere of 4K Restoration | September 8 (with intro) and 11
- BYE BYE BRAZIL / BYE BYE BRASIL | N.A. Premiere of 4K Restoration | September 7 (with Q&A), 11, & 13
- MEMOIRS OF PRISON / MEMÓRIAS DO CÁRCERE | 4K Restoration | September 10 and 15
- O QUATRILHO | 2K Restoration | September 9 and 14
- FOUR DAYS IN SEPTEMBER / O QUE É ISSO, COMPANHEIRO? | World Premiere of 4K Restoration | September 8 (with Q&A) and 12
- THE MIDDLE OF THE WORLD / O CAMINHO DAS NUVENS | September 9 and 12
- REACHING FOR THE MOON / FLORES RARAS | World Premiere of 4K Restoration | September 9 (w/ Q&A) and 13
🎟️: filmlinc.org/barreto
🇧🇷 From September 6-15, FLC and Cinema Tropical are proud to present Isso é Brasil: Cinema According to L.C. Barreto Productions, a 13-film retrospective commemorating 60 years of Brazil’s legendary production company.
The series will celebrate the Barretos’s incomparable influence with a selection of canonical classics and under-seen gems, most of which will premiere in new 4K restorations. Producer Lucy Barreto and director Bruno Barreto—four of his films are in this series—will be in person at FLC to introduce select screenings and take part in Q&As.
🎟️ on sale this Monday! View the lineup and schedule at filmlinc.org/barreto
Join us next week for special in-person Q&As at select screenings of Nathan Silver’s new hit comedy BETWEEN THE TEMPLES!
Directed by New York filmmaker Nathan Silver, who co-wrote the screenplay with C. Mason Wells, BETWEEN THE TEMPLES follows Jason Schwartzman as a bereaved cantor at an upstate New York synagogue, who has lost his wife, can’t sing anymore, lives with his two mothers, and has a newfound taste for mudslide cocktails. While he keeps kosher and remains devout, his ennui-addled regression seems all but terminal until his 70-year-old grade school music teacher (Carol Kane) walks back into his life and becomes his new adult Bat Mitzvah student… and maybe something more.
We recommend bringing your mom! 🎟️: filmlinc.org/temples
🇫🇷 Now through August 22, FLC & @janusfilms present Jacques Rozier: Chronicler of Summer, a retrospective of the French New Wave filmmaker’s influential career, featuring all five of his features and a selection of shorts!
Across five idiosyncratic, episodic features, and an assortment of fiction and documentary short films, Rozier distinguished himself from his peers through his fixation on the idea of vacations as theatrical staging grounds upon which his magnetic actors could play and simply be, making him something like a more lighthearted (though no less complex) counterpart to his fellow New Waver, Jacques Rivette. It is remarkable that Rozier’s influence has been so profoundly felt considering how rarely his singular films have screened outside of France.
View the schedule below and get 🎟️ at filmlinc.org/rozier.
We are thrilled to announce the Currents selections of #NYFF62, including 12 feature films and 28 shorts that represent more than 20 countries and trace a more complete picture of contemporary cinema with an emphasis on new and innovative forms and voices. Explore the full lineup at filmlinc.org/nyff
The NYFF62 Currents selections:
LITTLE, BIG, AND FAR (Jem Cohen) | World Premiere | Currents Centerpiece
7 WALKS WITH MARK BROWN (Pierre Creton, Vincent Barré) | U.S. Premiere
THE BALLAD OF SUZANNE CÉSAIRE (Madeleine Hunt-Ehrlich)
BLUISH (Lilith Kraxner, Milena Czernovsky) | N.A. Premiere
DIRECT ACTION (Guillaume Cailleau, Ben Russell) | N. A. Premiere
EXERGUE – ON DOCUMENTA 14 (Dimitris Athiridis) | U.S. Premiere
FIRE OF WIND (Marta Mateus) | N.A. Premiere
JIMMY (Yashaddai Owens)
LÁZARO AT NIGHT (Nicolás Pereda) | U.S. Premiere
THE SUIT (Heinz Emigholz) | N. A. Premiere
UNIVERSAL LANGUAGE (Matthew Rankin)
YOU BURN ME| Matías Piñeiro
Currents Program 1: The Will to Change
Currents Program 2: Identification Marks
Currents Program 3: Signal to Noise
Currents Program 4: Space Is the Place
Currents Program 5: Material Worlds
Currents Program 6: Poetry Is Not a Luxury
Secure your seats with Festival Passes, limited quantities on sale now with discounts through Tuesday, August 20. NYFF62 single tickets will go on sale to the general public on Tuesday, September 17 at noon ET, with pre-sale access for FLC Members and Pass holders prior to this date. Become an FLC Member by Tuesday to secure pre-sale access.
NYFF62 Press and Industry accreditation is now open through Monday, August 19 at filmlinc.org/nyffpi.
The Currents features are sponsored by @mubiusa.
Remembering the great Gena Rowlands (1930-2024), star of the #NYFF6 Main Slate selection FACES, the #NYFF12 Main Slate selection A WOMAN UNDER THE INFLUENCE, and the #NYFF26 Main Slate selection OPENING NIGHT, all from director John Cassavetes, Rowland’s partner on set and in life.
Jacques Audiard’s highly anticipated EMILIA PÉREZ is now an #NYFF62 Spotlight selection.
From the moment it introduces its titular antiheroine, a Mexican drug-cartel boss seeking gender-affirming surgery, this boldly genre-dissolving tour de force is predicated on the power of astonishing transformations. The most ambitious and exuberant film to date by Jacques Audiard, one of contemporary cinema’s most versatile filmmakers, EMILIA PÉREZ is at once a darkly funny crime drama and a jaw-dropping musical, powered by a quartet of superb actors—Zoe Saldaña, Karla Sofía Gascón, Selena Gomez, and Adriana Paz—whose fearless performances defy every expectation. Winner of the Jury Prize at this year’s Cannes Film Festival, where its four leads also shared the Best Actress prize. A Netflix release.
Presented by @filmlinc, the New York Film Festival is an annual showcase of the best in world cinema. The 62nd edition of the festival takes place September 27–October 14, 2024. Learn more at filmlinc.org/nyff
We are thrilled to announce the Spotlight selections of #NYFF62, a showcase of the fall’s most notable films, featuring must-see literary adaptations, portraits of musical artists, Cannes award winners, the final film of Jean-Luc Godard, and much more. Explore the full lineup at filmlinc.org/nyff
The NYFF62 Spotlight selections:
QUEER (Luca Guadagnino) | U.S. Premiere | Spotlight Gala
APOCALYPSE IN THE TROPICS (Petra Costa)
ELTON JOHN: NEVER TOO LATE (R.J. Cutler, David Furnish) | U.S. Premiere
EMILIA PÉREZ (Jacques Audiard)
THE FRIEND (Scott McGehee, David Siegel)
I’M STILL HERE (Walter Salles) | U.S. Premiere
IT’S NOT ME (Leos Carax) | N.A. Premiere
MARIA (Pablo Larraín)
PAVEMENTS (Alex Ross Perry) | N.A. Premiere
A REAL PAIN (Jesse Eisenberg)
RUMOURS (Guy Maddin, Evan Johnson, Galen Johnson) | U.S. Premiere
SCÉNARIOS + EXPOSÉ DU FILM ANNONCE DU FILM “SCÉNARIO” (Jean-Luc Godard) | U.S. Premiere
TWST / THINGS WE SAID TODAY (Andrei Ujică) | N.A. Premiere UNION (Brett Story, Stephen Maing)
Secure your seats with Festival Passes, limited quantities on sale now with discounts through Tuesday, August 20. NYFF62 single tickets will go on sale to the general public on Tuesday, September 17 at noon ET, with pre-sale access for FLC Members and Pass holders prior to this date. Become an FLC Member by August 20 to secure pre-sale access.
NYFF62 Press and Industry accreditation is now open through Monday, August 19 at filmlinc.org/nyffpi.
🇫🇷 ☀️ Perfectly capturing both the liberating promise and the melancholic effervescence of summer, Jacques Rozier’s NEAR OROUËT (1971) is a minor masterpiece of the post–New Wave era and a beautiful meditation on the fleeting nature of youth, love, and time.
The film screens on August 17, 20, and 21 (via a new 4K restoration) as part of our upcoming retrospective Jacques Rozier: Chronicler of Summer!
View full schedule and get 🎟️ at filmlinc.org/rozier
On Monday, September 16, Scary Movies Presents, a pop-up installment of New York City’s premier showcase for the best in new genre cinema from around the globe, hosts a special sneak screening of IT’S WHAT’S INSIDE, the mind-and genre-bending feature debut from filmmaker Greg Jardin that captivated Sundance and SXSW audiences earlier this year.
When a co-ed group of plugged-in twentysomethings reunite on the eve of their friend’s wedding at his affluent family’s secluded estate, their plans for a night of nostalgic revelry are disrupted by the surprise appearance of a long-estranged college classmate, who arrives at the mansion bearing the beta-test prototype of a mysterious new party game. With pitch-black humor, prodigiously stylized fun-house visuals, and a crackling ensemble cast, Jardin has crafted a wickedly entertaining fable about how the obsessive curation of online personae—and the unstable correlation between a person’s public image and their inner life—produces a tangled web of interpersonal relationships built on half-truths, omissions, and outright lies, where secrets left to fester can detonate in spectacular, blood-soaked fashion when identity itself is gamified. A Netflix release.
🎟️ on sale this Wednesday August 14 at 2pm, with early access for FLC Members at noon!
Learn more at filmlinc.org/inside
A New York Times Critic’s Pick, India Donaldson’s GOOD ONE is now playing daily at FLC!
The first three ticket holders who arrive for our Saturday & Sunday (4:30pm & 6:30pm) screenings this weekend will receive a complimentary GOOD ONE lithograph (pictured above), courtesy of Metrograph Pictures!
A seemingly small incident has monumental implications in the extraordinary feature debut of India Donaldson, a film of expertly harnessed naturalism and restrained emotional intensity. Seventeen-year-old high school senior Sam (a revelatory Lily Collias) has agreed to join her father Chris (James Le Gros) and his longtime buddy Matt (Danny McCarthy) on a camping trip in the Catskills, though she’d rather be hanging with her friends for the weekend. Affable and wise, Sam at first seems to enjoy the intergenerational bonding experience with the two divorced dads, yet the men’s own festering, middle-aged resentments begin to change the emotional tenor of the trip—until something happens that alters Sam’s perception of the men and her place in their orbit.
🎟️: filmlinc.org/goodone
On the occasion of the publication of Carrie Rickey’s A COMPLICATED PASSION: THE LIFE AND WORK OF AGNÈS VARDA, FLC welcomes the author for a special double bill of Varda’s LE BONHEUR (1965) and LES CRÉATURES (1966) on Tuesday, September 17!
A book signing will take place in between the two screenings. Additionally, LE BONHEUR will be followed by a discussion between Rickey and critic Molly Haskell about Varda’s fascinating life and indelibly iconic career.
🎟️ now on sale: filmlinc.org/varda
We’re thrilled to announce QUEER, Luca Guadagnino’s wildly ambitious adaptation of William S. Burroughs’s novel starring Daniel Craig, as the #NYFF62 Spotlight Gala, making its U.S. Premiere on October 6!
“I am so privileged and elated to present a movie of mine for the third time at NYFF, QUEER in particular,” said Guadagnino. “It is a very personal movie about the inescapable quest for being recognized in the gaze of another through the lens of the great William Burroughs.”
“Luca Guadagnino is one of contemporary cinema’s most versatile filmmakers, and one of its biggest risk-takers,” said Dennis Lim, Artistic Director, New York Film Festival. “QUEER is his most fearless, inventive, and surprising film, one that brings its subcultural world to brilliant life and creates the role of a lifetime for a tremendous Daniel Craig.”
Written in the early 1950s yet not published until 1985, William S. Burroughs’s QUEER has come to be considered a canonical work in the career of the Beat Generation author and a cornerstone of transgressive gay literature. In his wildly ambitious adaptation, Luca Guadagnino (CALL ME BY YOUR NAME, #NYFF55) expertly evokes the book’s post–World War II time period and cinematically translates Burroughs’s iconoclasm with panache. In a transformative role, Daniel Craig immerses himself into Burroughs’s alter ego William Lee, a habitual heroin user luxuriating in freedom and desiccation among a disconnected group of gay American expatriates in Mexico City in the late 1940s. When enigmatic, preppy ex-military kid Eugene Allerton (Drew Starkey) catches Lee’s eye, he swoons into a headlong love affair, commencing an odyssey that will take them all the way to the Ecuadorian jungle in pursuit of the ultimate high.
Learn more at filmlinc.org/queer
FLC Members get #NYFF62 pre-sale access & discounted tickets year-round! Become a Member by August 13 to secure NYFF62 benefits: filmlinc.org/members
The first poster for Pedro Almodóvar’s #NYFF62 Centerpiece selection THE ROOM NEXT DOOR starring Julianne Moore and Tilda Swinton.
Secure your seats to the U.S. Premiere with a festival Pass at filmlinc.org/passes 🎟️
In ADIEU PHILIPPINE (1962), Jacques Rozier’s bold yet playful feature debut about a developing love triangle between three friends searching for an unscrupulous director in Corsica while on holiday, the 🇫🇷 filmmaker satirizes several major cultural currents of early-1960s France.
ADIEU PHILIPPINE screens August 16-22 as part of the upcoming retrospective Jacques Rozier: Chronicler of Summer! View full screening schedule and get 🎟️ at filmlinc.org/rozier.
We are thrilled to announce the official Main Slate selections of #NYFF62, featuring 32 of the most exceptional new films from around the world. Explore the full lineup at filmlinc.org/nyff
The NYFF62 Main Slate:
- ALL WE IMAGINE AS LIGHT (Payal Kapadia)
- ANORA (Sean Baker)
- APRIL (Dea Kulumbegashvili) | U.S. Premiere
- BLITZ (Steve McQueen) | N.A. Premiere | Closing Night
- THE BRUTALIST (Brady Corbet) | U.S. Premiere
- BY THE STREAM (Hong Sangsoo) | U.S. Premiere
- CAUGHT BY THE TIDES (Jia Zhangke) | U.S. Premiere
- DAHOMEY (Mati Diop)
- THE DAMNED (Roberto Minervini) | U.S. Premiere
- EEPHUS (Carson Lund) | N.A. Premiere
- GRAND TOUR (Miguel Gomes)
- HAPPYEND (Neo Sora) | U.S. Premiere
- HARD TRUTHS (Mike Leigh) | U.S. Premiere
- HARVEST (Athina Rachel Tsangari) | U.S. Premiere
- MISERICORDIA (Alain Guiraudie)
- MY UNDESIRABLE FRIENDS: PART I — LAST AIR IN MOSCOW (Julia Loktev) | World Premiere
- NICKEL BOYS (RaMell Ross) | Opening Night
- NO OTHER LAND (Basel Adra, Hamdan Ballal, Yuval Abraham, Rachel Szor)
- OH, CANADA (Paul Schrader)
- ON BECOMING A GUINEA FOWL (Rungano Nyoni) | U.S. Premiere
- PEPE (Nelson Carlos de los Santos Arias) | U.S. Premiere
- THE ROOM NEXT DOOR (Pedro Almodóvar) | U.S. Premiere | Centerpiece
- THE SEED OF THE SACRED FIG (Mohammad Rasoulof)
- THE SHROUDS (David Cronenberg) | U.S. Premiere
- STRANGER EYES (Yeo Siew Hua) | N.A. Premiere
- SUBURBAN FURY (Robinson Devor) | World Premiere
- TRANSAMAZONIA (Pia Marais) | N.A. Premiere
- A TRAVELER’S NEEDS (Hong Sangsoo) | N.A. Premiere
- VIỆT AND NAM (Trương Minh Quý) | U.S. Premiere
- WHO BY FIRE (Philippe Lesage) | U.S. Premiere
- YOUTH (HARD TIMES) (Wang Bing) | U.S. Premiere
- YOUTH (HOMECOMING) (Wang Bing) | U.S. Premiere
Secure your seats with Festival Passes, limited quantities on sale now with discounts through August 20. NYFF62 single tickets will go on sale to the general public on Tuesday, September 17 at noon ET, with pre-sale access for FLC Members and Pass holders prior to this date. Become an FLC Member by August 13 to secure pre-sale access.
NYFF62 Press & Industry accreditation is now open through August 19 at filmlinc.org/nyffpi.
A 2024 New Directors/New Films selection, @indiaadonaldson’s GOOD ONE opens at FLC next Friday, August 9! The August 9 screening at 6:30pm will feature a Q&A with Donaldson, moderated by I SAW THE TV GLOW (and 2021 New Directors/New Films director!)’s @janedoesnotknow.
A seemingly small incident has monumental implications in the extraordinary feature debut of India Donaldson, a film of expertly harnessed naturalism and restrained emotional intensity. Seventeen-year-old high school senior Sam (a revelatory Lily Collias) has agreed to join her father Chris (James Le Gros) and his longtime buddy Matt (Danny McCarthy) on a camping trip in the Catskills, though she’d rather be hanging with her friends for the weekend. Affable and wise, Sam at first seems to enjoy the intergenerational bonding experience with the two divorced dads, yet the men’s own festering, middle-aged resentments begin to change the emotional tenor of the trip—until something happens that alters Sam’s perception of the men and her place in their orbit.
🎟️ ➡️ filmlinc.org/goodone
We’re thrilled to announce that Pedro Almodóvar’s first English-language feature THE ROOM NEXT DOOR, starring Julianne Moore and Tilda Swinton, is the #NYFF62 Centerpiece selection, making its U.S. Premiere on October 4!
Secure your seats and get pre-sale access with a Festival Pass or FLC Membership. Learn more at filmlinc.org/nyff.
“I am delighted that The Room Next Door will be the Centerpiece of the New York Film Festival,” said director Pedro Almodóvar. “This festival has been my bridge to New York audiences for decades, so it only felt natural that the two protagonists go see a film at the Alice Tully Hall in one of the scenes of the movie. It was very moving for me to shoot in a place that holds so very dear memories to me, and where I hope to keep on treasuring them in a not so distant future.”
“Few filmmakers are as closely associated with the New York Film Festival as Pedro Almodóvar, and it is a true pleasure to present his first English-language feature as this year’s Centerpiece selection,” said Dennis Lim, Artistic Director, New York Film Festival. “The Room Next Door is the work of an artist at the height of his powers: a wise, exquisitely acted, achingly beautiful film that feels perfectly calibrated to this moment.”
Learn more at filmlinc.org/nextdoor.
Cesar Romero is caught between Rebeca Iturbide and Katy Jurado in the first 3-D feature ever produced in Mexico, a visually inventive swashbuckler set in the twilight years of Moorish Spain.
Edward Dein & Carlos Véjar Jr.’s THE SWORD OF GRANADA (1953) screens in 3-D this Wednesday at 6:15pm and on August 4 at 1:30pm! 🇲🇽 🎟️: filmlinc.org/mexican
“A lot of people think I take myself seriously because I come off so serious sometimes. But it’s not that I take myself seriously, I take what I do seriously.”
Happy 63rd birthday 🎂 🥳 to Laurence Fishburne, born #OTD in 1961.
Thanks to everyone who attended opening weekend of our retrospective Spectacle Every Day: 🇲🇽 Mexican Popular Cinema! View a few 📸 (courtesy of @colleen_sturtevant_photography) from our Opening Night reception above.
With new restorations of many works rarely screened or some never before seen theatrically in the United States, and standout performances from the biggest screen stars of their day, this series offers New York audiences the rare opportunity to experience the breadth of this unique period (1940s-60s) of Mexican film history on the big screen.
The series runs through Thursday, August 8! View remaining screening schedule and get 🎟️ at filmlinc.org/mexican
With our retrospective Spectacle Every Day: Mexican Popular Cinema now underway through August 8, follow our Letterboxd list highlighting each of the great 📽️ 🇲🇽 selections!
With new restorations of many works rarely screened or some never before seen theatrically in the United States, and standout performances from the biggest screen stars of their day, this series offers New York audiences the rare opportunity to experience the breadth of this unique period of Mexican film history on the big screen.
Letterboxd list: boxd.it/wTumg
View screening schedule & get 🎟️: filmlinc.org/mexican
Tickets are now on sale for the long overdue New York theatrical release of Shinji Sōmai’s highly anticipated MOVING (1993)! The films opens at FLC next Friday, August 2.
A noted influence on Ryûsuke Hamaguchi, Hirokazu Kore-eda, and Kiyoshi Kurosawa, among many others, Shinji Sōmai was a consummate filmmaker’s filmmaker, and MOVING is one of his most remarkable achievements. It follows the gradual, frequently messy untangling of love between a divorced couple in Kyoto as experienced by their 11-year-old daughter Renko (Tomoko Tabata, giving easily one of the greatest child performances in film), but evolves into something altogether stranger and more elemental by its conclusion. What’s so exceptional about MOVING Is its frank understanding of adolescent feeling and the emotional fluctuations borne out by loss and growing up, rendered in an exquisite color palette and via dexterous long takes. It’s a film that is as genuinely heartbreaking as it is funny and touching.
All screenings will come accompanied by a new pre-recorded video introduction by Academy Award winner Ryûsuke Hamaguchi! View showtimes and get 🎟️ at filmlinc.org/moving.
Tonight! Don't miss our FREE outdoor screening of Andrew Fleming's DICK, starring Kirsten Dunst and Michelle Williams, in celebration of its 25th anniversary. Our final summer outdoor screening begins at 9pm at Damrosch Park. 🎥 ✨
Learn more at lincolncenter.org/series/summer-for-the-city
We’re thrilled to announce that Steve McQueen’s Blitz, starring Saoirse Ronan and Elliott Heffernan, will make its North American premiere on October 10 as the #NYFF62 Closing Night selection!
Secure your seats and get pre-sale access with a Festival Pass or FLC Membership. Learn more at filmlinc.org/nyff.
“It is with immense pride, gratitude, and fondness that I’m able to return to the New York Film Festival with Blitz,” said McQueen. “I’ve been lucky enough to have enjoyed a number of memorable experiences at the festival and with New York audiences, and I’m enormously grateful to have been invited back for Closing Night.”
“Blitz is a vivid and visceral depiction of life during wartime, a meticulous historical account that resonates unmistakably with our current age of endless war,” said Dennis Lim, Artistic Director, New York Film Festival. “We are thrilled to welcome back to the festival Steve McQueen, one of the most daring artists at work today, with one of the greatest achievements of his career.”
Learn more at filmlinc.org/blitz
Beginning this Friday and through August 8, we’re excited to present Spectacle Every Day: Mexican Popular Cinema, a sweeping retrospective of 🇲🇽 cinema from the 1940s through the 1960s!
With new restorations of many works rarely screened or some never before seen theatrically in the United States, and standout performances from the biggest screen stars of their day, this series offers New York audiences the rare opportunity to experience the breadth of this unique period of Mexican film history on the big screen.
Scroll through the screening schedule above and then get 🎟️ at filmlinc.org/mexican.
Class conflicts and erotic torments come to a head in Julio Bracho’s formally daring masterpiece TAKE ME IN YOUR ARMS (1954), one of the most important melodramas of the decade.
The film screens on July 26, August 1 & 4 as part of our upcoming retrospective 🇲🇽 Spectacle Every Day: Mexican Popular Cinema! 🎟️: filmlinc.org/mexican
🚨: Ticketholders are invited to attend our Opening Night Reception on July 26 in the Furman Gallery from 7:30pm-8:30pm!
With Alfred Hitchcock’s NORTH BY NORTHWEST (1959) now screening on a newly restored 70mm 🎞️ print through Thursday (12 showtimes only), scroll through a few behind-the-scenes photos of the film’s production (and pre-production) on set.
NORTH BY NORTHWEST was filmed in VistaVision and released in 1.85. Motion Picture Imaging scanned the original 8 perf 35mm VistaVision camera negative in 13k with all restoration work completed in 6.5k. The 70mm film print was created by filming out a new 65mm negative. The @thefilmfoundation_official has given approval of the restoration.
Don’t miss the film worth outrunning a crop duster for. Get your 🎟️ now at filmlinc.org/northwest
We’re thrilled to announce that RaMell Ross’s NICKEL BOYS, the extraordinary feature adaptation of Colson Whitehead’s Pulitzer Prize–winning novel, is the #NYFF62 Opening Night selection, premiering on September 27!
Secure your seats and get pre-sale access with a Festival Pass or FLC Membership. Learn more at filmlinc.org/nyff
“What an absolute honor for NICKEL BOYS to open the 62nd New York Film Festival... a daydream really, for the crew, the cast, and team who’ve committed so wholeheartedly to its vision,” said Ross. “It feels almost full circle, given HALE COUNTY THIS MORNING, THIS EVENING’s selection in 2018’s New Directors/New Films program. The New York Film Festival in particular constellates much of what one aspires toward through filmic production. Since just after my undergrad when I was wooed by the still and moving image, it has been an extraordinary compendium for global aesthetics.”
“NICKEL BOYS signals the emergence of a major filmmaking voice,” said Dennis Lim, Artistic Director, New York Film Festival. “RaMell Ross’s fiction debut, like his previous work in photography and documentary, searches for new ways of seeing and, in so doing, expands the possibilities of visual language. It’s the most audacious American movie I have seen in some time, and we are excited and honored to open the New York Film Festival with it.”
Learn more at filmlinc.org/nickelboys
Now on the FLC podcast and YouTube channel, listen to/watch DÌDI director Sean Wang at the @newyorkasianfilmfestival discuss getting personal for his narrative feature debut.
Wang’s nonfiction background lends authenticity and an insightful touch to this resonant dramedy, reminding us that the journey to self-discovery is universal, regardless of one’s background, and that the path to understanding oneself is often paved with both laughter and tears.
🎧 💻: filmlinc.org/flcpodcast
📸: @photojuice & @francis_ces
🎟️ are now on sale for Jacques Rozier: Chronicler of Summer, a retrospective of the 🇫🇷 French New Wave filmmaker’s influential career that features all five of his features and a selection of short films!
The series takes place in our theaters August 16-22!
The lineup and schedule is as follows:
- ADIEU PHILIPPINE | August 16-22 (various showtimes)
- NEAR OROUËT | August 17 at 4:30pm, August 20 at 3pm, and August 21 at 8:30pm
- THE CASTAWAYS OF TURTLE ISLAND | August 18 at 3pm and August 19 at 8:45pm
- MAINE-OCÉAN EXPRESS | August 17 at 8pm, August 19 at 6pm, and August 22 at 1:30pm
- FIFI MARTINGALE | August 18 at 5:45pm and August 20 at 6:30pm
- Rozier Shorts Program | August 16 at 8:30pm and August 18 at 1pm
Get 🎟️ at filmlinc.org/rozier
A work of unsullied camp that revels in its own paradoxes and the lurid fantasy of B-movies, Janell Shirtcliff’s HABIT (INTERNATIONAL VERSION) makes its North American Premiere this Tuesday at 8:45pm with actress Josie Ho in person as part of the @newyorkasianfilmfestival!
Janell Shirtcliff’s wild, campy debut feature follows a ragtag group of young immigrants led by church-girl-gone-bad Mads (Bella Thorne) through a bizarre underworld ruled by the maniacal drug lord Queenie (Josie Ho).
Get 🎟️: filmlinc.org/asian
We’re excited to announce Jacques Rozier: Chronicler of Summer, a retrospective of the 🇫🇷 New Wave filmmaker’s influential career, featuring all five of his features and a selection of short films!
On the occasion of an assortment of new restorations of his signature films, FLC presents a long overdue (and appropriately summer-set) retrospective dedicated to this unheralded legend of French cinema. The series will be presented at FLC from August 16 through August 22 and will premiere several new restorations of Rozier’s signature works, including 4K restorations of NEAR OROUËT (1971) and MAINE-OCÉAN EXPRESS (1986).
🎟️ will go on sale on Tuesday, July 16 at 2pm, with an early access period for FLC Members starting Tuesday, July 16 at noon. Learn more about the lineup at filmlinc.org/rozier
With the 2024 edition of the @newyorkasianfilmfestival now underway at FLC through July 22, make sure to follow our @letterboxd list highlighting each of this year’s awesome 📽️ selections!
For over two decades, the New York Asian Film Festival has been an adrenaline defibrillator jolting audiences out of their seats. The 2024 edition promises to be no different: a 17-day gamma blast of Asia’s most electrifying voices and visions!
@letterboxd list: boxd.it/woiEg
View screening schedule & get 🎟️: filmlinc.org/asian
🎟️ are now on sale for our 35mm 🎞️ screening of Michelangelo Antonioni’s THE PASSENGER (1975) on Thursday, August 29!
Antonioni’s epic of existential malaise and identity slippage stars Jack Nicholson at the top of his game, as an American journalist who, on a whim, assumes the identity of a deceased, look-alike gunrunner caught up in a revolutionary conflict in Chad. Whether intentionally or not, Antonioni’s portrayal of the African rebels, whose leader is interviewed by Nicholson’s reporter in a key scene, casts a decidedly Fanonian light on a film that, at its core, is about a man’s political paralysis in the face of a revolutionary uprising and his blindness to the limits of his knowing.
The film will screen as part of @filmcommentmagazine’s upcoming series “Film Comment Live: The Rebel’s Cinema—Frantz Fanon on Screen “Aug. 29-Sept. 1), a four-day series of screenings and talks that will take place at Film at Lincoln Center, Maysles Documentary Center, BAM (Brooklyn Academy of Music), and Anthology Film Archives.
🎟️: filmlinc.org/films/the-passenger
🦇👊 🇲🇽 Sing it with us: Dunna dunna dunna dunna BATWOMAN!
Perhaps THE pinnacle of Mexican camp, THE BATWOMAN (1968) is an action-packed, delightfully deranged comic book movie screening on Wednesday, July 31 (8:15pm) and Saturday, August 3 (1:30pm) as part of our upcoming series Spectacle Every Day: Mexican Popular Cinema!
Ultra-prolific director René Cardona, whose career spanned Mexico’s Golden Age and beyond, laces his direction with an uncategorizable tone that swings somewhere between ironic and dead serious—a charming subversion that keeps the film as fun today as it was in 1968.
🎟️: filmlinc.org/mexican
Beginning this weekend, Film at Lincoln Center and the New York Asian Film Foundation present the 23rd edition of the @newyorkasianfilmfestival from July 12–22 at FLC!
View the complete screening schedule above and then learn more about each film & get your 🎟️ at filmlinc.org/asian
👏 to everyone who joined us at our Patron screening of (and post-screening reception for) Baltasar Kormákur’s TOUCH last night! Special thanks to @dassai_blue for supporting the reception for our Patron members!
TOUCH opens in select theaters this Friday, July 12 courtesy of @focusfeatures.
📸: @photojuice
👵💰 An emotional sucker punch masquerading as a snarky domestic charmer, Pat Boonnitipat’s massive 🇹🇭 Thai box office phenomenon HOW TO MAKE MILLIONS BEFORE GRANDMA DIES screens at this year’s @newyorkasianfilmfestival on Wednesday, July 17 at 5:45pm!
A masterclass in milking laughs from life’s bitter pills evolves into a transcendent, emotional awakening sparked by their contradictory life perspectives. Beneath the surface humor emerges a piercing distillation of life’s final chapters and the sacred, intergenerational bonds only family can forge. Exquisitely shaded personal dramas lend texture, as the director pirouettes through hairpin emotional turns with acrobatic grace. You’ll stagger out of this gem spiritually smitten to the core.
View full schedule and get 🎟️: filmlinc.org/asian
In FAQ, director Kim Da-min’s delightfully unorthodox feature debut, the filmmaker weaves a tapestry of magical realism and inventiveness, drawing upon her animation background to create a world where a bottle of rice wine leads a young girl on a series of strange adventures.
Don’t miss the U.S. Premiere this Saturday, July 13 at 1pm (with an in-person Q&A!) as part of this year’s @newyorkasianfilmfestival!
🎟️: filmlinc.org/asian
Get 🎟️ to Spectacle Every Day: Mexican Popular Cinema, a sweeping retrospective of 🇲🇽 cinema from the 1940s through the 1960s, taking place in our theaters July 26-August 8!
With new restorations of many works rarely screened or some never before seen theatrically in the United States, and standout performances from the biggest screen stars of their day, this series offers New York audiences the rare opportunity to experience the breadth of this unique period of Mexican film history on the big screen.
See 3+ films and save! 🎟️: filmlinc.org/mexican
The lineup and schedule is as follows:
- THE UNKNOWN POLICEMAN | July 27 at 3:30pm and August 8 at 8:30pm
- AMOK | July 30 at 8:15pm and August 4 at 3:30pm
- THE THREE GARCÍAS | July 27 at 1pm and August 2 at 3:45pm
- CORNER STOP! | July 30 at 3:45pm and August 3 at 3:30pm
- MAY GOD FORGIVE ME | July 28 at 6pm and August 8 at 4pm
- THE KING OF THE NEIGHBORHOOD | July 26 at 8:30pm and August 5 at 6pm
- THE GREAT CHAMPION | July 31 at 4pm and August 6 at 6pm
- PUEBLERINA | July 27 at 6pm and August 8 at 6pm
- THE SUAVE ONE | July 28 at 4pm and August 7 at 6pm
- SENSUALITY | August 1 at 6pm and August 6 at 8:15pm
-STREETWALKER | July 28 at 8pm and August 5 at 3:45pm
- THE NIGHT FALLS | July 27 at 8:30pm and August 2 at 6:15pm
- THE SWORD OF GRANADA – IN 3-D | July 31 at 6:15pm and August 4 at 1:30pm
- THE RIVER AND DEATH | July 29 at 6:15pm and August 4 at 8pm
- TAKE ME IN YOUR ARMS | July 26 at 6pm, August 1 at 4pm, and August 4 at 6pm
- WETBACKS | July 28 at 1:30pm and August 5 at 8:15pm
- THE SKELETON OF MRS. MORALES | July 29 at 8:15pm and August 3 at 8pm
- THE MIND AND THE CRIME | July 29 at 4pm and August 7 at 8pm
- THE WITCH'S MIRROR | August 2 at 8:15pm and August 7 at 4:15pm
- SANTO VS. THE VAMPIRE WOMEN | August 1 at 8:15pm and August 6 at 4pm
- AUTUMN DAYS | July 30 at 6pm and August 3 at 6pm
- THE BATWOMAN | July 31 at 8:15pm and August 3 at 1:30pm
🎟️: filmlinc.org/mexican
This series is sponsored by @mubiusa.
Beat the heat and catch four of the year's best films, all @TheNYFF selections, in our theaters this holiday week! ☀️
🎥 Catherine Breillat's LAST SUMMER
🎥 Annie Baker's JANET PLANET
🎥 Angela Schanelec's MUSIC
🎥 Ryusuke Hamaguchi's EVIL DOES NOT EXIST (returns Friday!)
🎟️ + showtimes at the link in bio.
We’re thrilled to announce Spectacle Every Day: Mexican Popular Cinema, a sweeping retrospective of Mexican cinema from the 1940s through the 1960s, presented at FLC in collaboration with @filmfestlocarno from July 26 through August 8! 🇲🇽 🎥
With new restorations of many works rarely screened or some never before seen theatrically in the United States, and standout performances from the biggest screen stars of their day, this series offers New York audiences the rare opportunity to experience the breadth of this unique period of Mexican film history on the big screen.
Explore the lineup at filmlinc.org/mexican
Tickets will go on sale on Tuesday, July 2 at 2pm, with an early access period for FLC Members starting Tuesday, July 2 at noon. 🎟️
Organized by Tyler Wilson and Cecilia Barrionuevo in partnership with the @filmfestlocarno and with support from @cinematropical. This program was selected from the retrospective curated by Olaf Möller and Roberto Turigliatto at the 2023 Locarno Film Festival. This series is made possible by the generous support of Almudena and Pablo Legorreta.
“Spectacle Every Day: Mexican Popular Cinema” is sponsored by @mubiusa, the global streaming service, production company and film distributor dedicated to elevating great cinema.
"An otherworldly revelation...Music is a beguiling film, one whose steady, exquisitely crafted frames only amplify the strength of emotions thrumming just beneath them." - @goileonardo at @thefilmstage
Angela Schanelec's Berlinale winner and @TheNYFF selection MUSIC opens today featuring introductions by Doug Tielli, the singer-songwriter featured in the film, at the 6:15pm screenings tonight and Saturday!
Get 🎟️ at filmlinc.org/music 🎵
Thank you to the legendary Catherine Breillat for stopping by our retrospective last night for Q&As at LAST SUMMER and FAT GIRL, now available to watch on our YouTube channel!
Don't miss the final day of the retrospective today and Q&As all weekend long with Breillat for LAST SUMMER:
☀️ Friday at 6pm (moderated by @alisonwillmore)
☀️ Saturday at 6pm (moderated by @irasachsfilm)
☀️ Sunday at 3:30pm (moderated by @bea_loayza)
📸: @photojuice
#lastsummer #catherinebriellat @asideshowfilm @janus_films @maddiemaxine
The one and only Catherine Breillat joins us in person tomorrow evening at 9pm for a Q&A following our 35mm 🎞️ screening of the #NYFF38 Main Slate selection FAT GIRL.
In what is still considered by many to be Breillat’s magnum opus, an overweight 12-year-old watches on as an Italian law student courts her beautiful older sister while they vacation in a seaside town, setting into motion a series of abject and disturbing events.
If you’ve never seen the film before, strap in. 🎟️: filmlinc.org/carnal
