A mesmerizing account of a woman’s reconnection with her long-suppressed desires, THE AFFAIR is one of director Kijū Yoshida & actress Mariko Okada’s greatest collaborations.Again using the melodrama genre as an instrument of oblique social critique, Yoshida’s ninth feature stars Mariko Okada as a woman trapped in a loveless marriage to a philandering businessman who finds herself mysteriously drawn toward an old lover of her deceased mother’s. She resented her mother’s own infidelities while she was alive but now, caught in an unfulfilling relationship of her own, she begins to see things differently…The film screens on 35mm 🎞️ this Saturday evening at 6pm and Wednesday, Dec. 6 at 1pm! 🎟️: filmlinc.org/yoshida
We're thrilled to announce the lineup and schedule for Desire/Expectations: The Films of Edward Yang (Dec. 22-Jan. 4), a comprehensive retrospective honoring one of cinema’s most celebrated and deeply missed surveyors of the human condition.Presented with the support of @janus_films, the series features newly restored and rarely screened films from the pioneering filmmaker’s profound body of work including the world premiere of the new 4K restoration of MAHJONG and restorations of A CONFUCIAN CONFUSION, A BRIGHTER SUMMER DAY, YI YI, THAT DAY, ON THE BEACH, TAIPEI STORY, and TERRORIZERS. The series also features the seminal anthology film IN OUR TIME; THE WINTER OF 1905, directed by Yu Wei-cheng from Yang’s sensitive script; and Yang’s unfinished animated martial arts film THE WIND, whose production was halted after his death. Explore the lineup and schedule at filmlinc.org/yang 🎥Tickets go on sale Thursday, November 30 at noon with an early access period for FLC Members starting Wednesday, November 29 at noon. 🎟️
Showcasing director Kijū Yoshida’s idiosyncratic reflections upon the alienation that marked a period of profound social and cultural flux in Japan, BLOOD IS DRY screens on 35mm 🎞️ this Friday, Dec. 1, at 4:15pm and Dec. 2 at 8:30pm.Get 🎟️ to “The Radical Cinema of Kijū Yoshida,” a retrospective of one of Japan’s greatest cinematic rebels, running from December 1 through 8: filmlinc.org/yoshida
Among the greatest of all political films and perhaps the work that best embodies the spirit of Kijū Yoshida’s artistic projects, EROS + MASSACRE (1969) is an epic, historiographic examination of the points of intersection between the domains of desire and politics. The film screens on 35mm 🎞️ on Friday, Dec. 1 at 7pm & Tuesday, Dec. 5 at 2pm as part of our retrospective The Radical Cinema of Kijū Yoshida.🎟️: filmlinc.org/yoshida
Director Wim Wenders joins us in two weeks for Q&As throughout opening weekend of his new 3D film ANSELM, a remarkable documentary about one of the most innovative and influential fine artists working today, Anselm Kiefer.Opens Dec. 8. Get 🎟️: filmlinc.org/anselm
Eye-popping news: Wim Wenders will join us opening weekend for ANSELM, the filmmaker's 3D documentary about the life of one of the most innovative and influential fine artists working today, Anselm Kiefer.Opens Dec. 8 in our theaters and 🎟️ are now on sale ➡️ filmlinc.org/anselm
Congratulations to Wim Wenders and his ANSELM team: the 3D documentary is nominated for Outstanding Direction, Outstanding Cinematography, and Outstanding Original Score at this year’s @cinema.eye.honors! The film will open in our theaters (in eye-popping, big screen 3D!) on Friday, Dec. 8.Oscar-nominated director Wim Wenders traces the life of Anselm Kiefer, one of the most innovative and influential fine artists working today. For more than five decades, Kiefer’s paintings and sculptures have confronted his native Germany’s dark past through a vast network of cultural references in a dazzling mixture of 35mm and 16mm film stocks, with a distinctive focus on physical elements: from lead, glass, and textiles to found and incinerated organic matter. As he did for his sublime portrait of Pina Bausch in 2011, Wenders (born the same year as Kiefer during the last months of World War II) employs groundbreaking stereoscopic cinematography to transport us to key chapters of Kiefer’s early life in post-Nazi Germany and throughout his 100-acre studio in France, a present-day labyrinth of the artist’s haunting obsessions. ANSELM, which debuted at this year’s Cannes Film Festival, is a portrait of an artist at work like you’ve never seen before—an indelible visual experience and a vivid tour of Kiefer’s imposing yet intricately textured works.🎟️ on sale soon at filmlinc.org/anselm
🚨 We're excited to announce that lead actor Franz Rogowski and director Ira Sachs will join us in person for a special screening of PASSAGES on Tuesday, Nov. 28 at 7pm!Don't miss one of the year's best films on the big screen. 🎟️ are now on sale: filmlinc.org/passages 🥰🥵 a caption...
Discover one of Japan’s greatest cinematic rebels with The Radical Cinema of Kijū Yoshida, our retrospective running Dec. 1-8 completely on 16mm or 35mm 🎞️.Experience an oeuvre that endures as one of Japanese cinema’s wildest & most intellectually stirring. 🎟️: filmlinc.org/yoshida📸: Courtesy of Gendai Eiga Sha
Well folks, it's officially sweater weather in New York City! Bundle up! 🧥Pictured above: a still from Edward Yang's TAIPEI STORY, which will be screening next month as part of our upcoming retrospective Desire/Expectations: The Films of Edward Yang. 🎟️ on sale soon!
Congrats to director Justine Triet and our friends at @neonrated for ANATOMY OF A FALL becoming Film at Lincoln Center's highest grossing new release of 2023! The #NYFF61 Main Slate selection continues its run in our theaters this week. Get 🎟️: filmlinc.org/anatomy🤔🧐 ➡️ didshedoit.com
Just announced: co-creator and co-star Benny Safdie will join us in person for our screening of THE CURSE episodes 4 & 5 on Thursday evening, Nov. 30!See the #NYFF61 Spotlight selection before it airs, only at Film at Lincoln Center: filmlinc.org/curse
Tickets are now on sale for The Radical Cinema of Kijū Yoshida, a retrospective of one of Japan’s greatest cinematic rebels, running from December 1-8 with all films presented on 35mm or 16mm! 🎞️An intrepid experimentalist whose films confront the political issues of his day with a keen interest in the taboo and a staunch refusal to be confined to any one formal approach, Yoshida’s oeuvre endures as one of Japanese cinema’s wildest and most intellectually stirring.🎟️: filmlinc.org/Yoshida
"Even by his high standards, Aki Kaurismäki's FALLEN LEAVES is close to perfect." - @theatlantic Cast members Alma Pöysti & Jussi Vatanen join us in person on Nov. 17 & 18 for our 6:15pm screenings of the #NYFF61 Main Slate selection FALLEN LEAVES!Sweet-souled in story, scalpel-sharp in filmmaking precision, this enchanting love story from Finnish virtuoso Aki Kaurismäki circles around two financially strapped Helsinkians who keep finding and losing one another in a world that seems to be falling apart. Evoking dark-comic romances from his early career, FALLEN LEAVES devotes its wry, humane gaze to grocery clerk Ansa (Alma Pöysti) and construction laborer Holappa (Jussi Vatanen), who commence an on-again, off-again relationship of extreme tentativeness, while seeking employment and stability. As with the greatest of Kaurismäki’s films, everyday details register as grand, meaningful cinematic gestures.Sweet-souled in story, scalpel-sharp in filmmaking precision, this enchanting love story from Finnish virtuoso Aki Kaurismäki circles around two financially strapped Helsinkians who keep finding and losing one another in a world that seems to be falling apart. Evoking dark-comic romances from his early career, the sardonic yet exquisitely melancholic FALLEN LEAVES devotes its wry, humane gaze to grocery clerk Ansa (Alma Pöysti) and construction laborer Holappa (Jussi Vatanen), who commence an on-again, off-again relationship of extreme tentativeness, while seeking employment and stability. As with the greatest of Kaurismäki’s films, everyday details register as grand, meaningful cinematic gestures.🎟️: filmlinc.org/leaves
“We acquire life experience through movies. Because I work constantly in films, I’ve begun to realize that when a film is projected on a screen, that’s another way for an animal to detect its environment. Just like a wild animal in the jungle, in nature. When you present something about the living creatures which we call ‘humans,’ there’s much more information that the viewer can sense when they see the whole, rather than just the parts."Happy birthday to the late Edward Yang, born #OTD in 1947. 🎂🥳🎉 Join us at FLC from Dec. 22-Jan. 2 for the career-spanning retrospective, Desire/Expectations: The Films of Edward Yang. 🎟️ on sale soon at filmlinc.org
FLC is thrilled to announce “The Radical Cinema of Kijū Yoshida,” a retrospective of one of Japan’s greatest cinematic rebels, running from December 1 through 8, with all films presented on 35mm or 16mm at FLC’s Walter Reade Theater, the Elinor Bunin Munroe Film Center, and the @jsfilmnyc.Of the iconoclastic Japanese filmmakers who rose to prominence in the 1960s, perhaps none worked as fearlessly and concertedly toward crafting an unapologetically subversive body of work than Kijū Yoshida (1933–2022).🎟️ for the retrospective go on sale Nov. 8 at noon with an early access period for FLC Members starting Nov. 7 at noon.
✅ Do you love movies? ✅ Do you love people who love movies?✅ Are you between the ages of 17 and 25? FLC 25 & Under is a free one-year FLC Innovator membership for anyone between the ages of 17 and 25. Enrollment is now open through Nov. 30 ONLY! ➡️ Enroll today: filmlinc.org/flc25📸: @juliecfoto
The #NYFF61 Main Slate selection continues its run in our theaters this week!➡️ 🎟️: filmlinc.org/delinquents
“The word ‘consistency’—I don’t know what it is. I’ve never been consistent. All my life, people said I should be consistent. Who said that being consistent is good? I don’t think it’s good, nor is it possible.”Happy birthday to Hong Sangsoo, born #OTD in 1960. 🎉 🎂 🎈Watch Hong Sangsoo’s @TheNYFF Directors Dialogue from #NYFF55 in 2017 on @filmlinc’s YouTube channel!📸: Maren McGlashan
Learning to love means learning to say goodbye: Jacques Rivette's L'AMOUR FOU concludes its run in our theaters this Thursday!Don't miss the new 4K restoration of Rivette's 250-minute masterpiece on the big screen. Get 🎟️: filmlinc.org/amour
Michael Mann, Adam Driver, and Jim Jarmusch at the #NYFF61 Closing Night premiere of FERRARI. 😲 🏎️📸: @seandiserio #michaelmann #adamdriver #jimjarmusch
Nathan Fielder, Benny Safdie, and Ari Aster following the #NYFF61 Closing Night premiere of Michael Mann's FERRARI. 🏎️📸: @seandiserio
Missed Justine Triet's masterpiece, ANATOMY OF A FALL, in the Main Slate of #NYFF61? Good news: the film is now playing daily at FLC!Visit didshedoit.com to weigh in on the debate everyone's talking about and then get your 🎟️: filmlinc.org/anatomy
An #NYFF6 Main Slate selection, L’AMOUR FOU is one of the most remarkable of Jacques Rivette’s many explorations of the intersection of life and art.Shooting in a dazzling mixture of 35mm and 16mm film stocks, Rivette cuts between an experimental theater company’s rehearsals for a production of Racine’s ANDROMAQUE, a television crew shooting a documentary of the performance, and the imploding relationship of the director Sebastian (Jean-Pierre Kalfon) and his actress wife Claire (Bulle Ogier). Gradually, Sebastian and Claire pull each other deeper into a violent emotional vortex until, in the film’s startling, hour-long pièce de résistance, they lock themselves inside their apartment and embark on what the critic Tom Milne termed “a veritable orgy of passion which can be called neither love nor hate.”Rivette’s 1969 classic opens in a new 4K restoration this Friday! 🎟️: filmlinc.org/amour
Now on the Film at Lincoln Center podcast and @filmlinc YouTube channel, listen to/watch our #NYFF61 conversation with @ferrarithemovie director Michael Mann and cast members Adam Driver, Penélope Cruz, & Gabriel Leone.Listen to the episode at filmlinc.org/nyff or wherever you subscribe to podcasts.🎧Prefer to watch the conversation? Head on over to our @filmlinc YouTube channel!The #NYFF61 Closing Night selection opens in theaters on Dec. 25.📸: @seandiserio
Now on the Film at Lincoln Center podcast and YouTube channel, THE BEAST director Bertrand Bonello discusses his #NYFF61 Main Slate selection, melodrama, and the timelessness of his lead actress Léa Seydoux.
Check out the new teaser poster for Michael Mann’s @ferrarithemovie! The film will make its North American Premiere tonight as the Closing Night selection of #NYFF61. Stay tuned for exclusive red carpet photos and video.View latest 🎟️ availability: filmlinc.org/tixClosing Night is presented by @campariusa.
Sean Price Williams’s THE SWEET EAST made its North American Premiere on Tuesday night in the Spotlight section of #NYFF61!Watch the lively Q&A (featuring director Sean Price Williams, screenwriter @xnickpinkertonx, and cast members @taliaryder, @simonrex415, @jeremyoharris, Rish Shah, & Earl Cave) for the film exclusively on @filmlinc’s YouTube channel!📸: @seandiserio
Check out the new poster for Aki Kaurismäki's FALLEN LEAVES, an #NYFF61 Main Slate selection, opening in our theaters on Nov. 17!Sweet-souled in story, scalpel-sharp in filmmaking precision, this enchanting love story from Finnish virtuoso Aki Kaurismäki circles around two financially strapped Helsinkians who keep finding and losing one another in a world that seems to be falling apart. Evoking dark-comic romances from his early career such as SHADOWS IN PARADISE and ARIEL (#NYFF27), the sardonic yet exquisitely melancholic FALLEN LEAVES devotes its wry, humane gaze to grocery clerk Ansa (Alma Pöysti) and construction laborer Holappa (Jussi Vatanen), who commence an on-again, off-again relationship of extreme tentativeness, while seeking employment and stability. As with the greatest of Kaurismäki’s films, everyday details register as grand, meaningful cinematic gestures. This filmmaker has scrupulously carved another fictive universe out of a handful of specific, vivid locations, yet FALLEN LEAVES very much takes place in the world we’re living in, which makes its surrender to hope all the more affecting. Winner of the Jury Prize at the 2023 Cannes Film Festival. Finland’s official entry for Best International Feature Film at the 2024 Academy Awards.🎟️ are now on sale: filmlinc.org/leaves
Limited #NYFF61 tickets just released for THE CURSE, JANET PLANET, CLOSE YOUR EYES, PERFECT DAYS, GREEN BORDER, AGGRO DR1FT, THE FEELING THAT THE TIME FOR DOING SOMETHING HAS PASSED, INSIDE THE YELLOW COCOON SHELL & more!Act fast at filmlinc.org/tix 🎟️
Koji Yakusho returns to #NYFF61 this evening for our second screening of his Cannes-winning Best Actor performance in Wim Wenders’s PERFECT DAYS!View latest 🎟️ availability: filmlinc.org/tix📸: @juliecfoto
Behind the scenes of ANATOMY OF A FALL director Justine Triet seeing our 📸 of her being developed in real time at #NYFF61.
After 10 long years, the great Catherine Breillat finally returned to #NYFF last night with the U.S. Premiere of her latest feature, LAST SUMMER. Joined on stage by her lead actress Léa Drucker, Breillatt was in New York to discuss her first directorial work since the #NYFF51 Main Slate selection, ABUSE OF WEAKNESS, in 2013. 💜 🇫🇷 #NYFF61📸: @mettieostrowski
THE ZONE OF INTEREST director Jonathan Glazer, stars Christian Friedel and Sandra Hüller, sound designer Johnnie Burn, and producer James Wilson joined us at #NYFF61 to discuss sound design, physicality, and morality.Watch their full conversation on @filmlinc's YouTube channel or listen on the Film at Lincoln Center podcast.📸: @richardjopson
Starting tonight, we are thrilled to partner with @britishfilminstitute to present the joint world premiere of the new restoration of the late Horace Ové's PRESSURE, one of the most important British films of the 1970s and an enduringly potent document on the social conditions known by West Indian immigrant families.While tonight's 6pm screening is standby only, get $15 Rush 🎟️ for Thursday's 3:15pm screening & Friday's 3:30pm screening. Learn more at filmlinc.org/tixOvé's fiction feature debut chronicles the experience of Tony, a young man caught between his parents’ submissiveness and his brother’s militancy. As Tony’s professional prospects grow ever dimmer, he finds community with other young Black Brits whose sense of social alienation has driven them into the streets in search of purpose and enrichment. Mesmerizingly performed by a cast of professional and non-professional actors, PRESSURE remains a richly forceful work of political cinema that examines the formation of identity by Black British people within a miserably racist society.
Had a great #NYFF61 Filmmaker Brunch on Sunday morning, presented by our friends at @topicstudiosofficial! How many filmmakers can you spot?This year’s brunch took place at @theribbonnyc. 📸: @richardjopson
Today at 12:30pm, don't miss our FREE #NYFF61 talk with Frederick Wiseman, Kleber Mendonça Filho & Rosine Mbakam at @filmcommentmagazine Live: Trust Issues, a discussion about the slippery nature of truth on the screen. Also, get $15 Rush 🎟️ for Mbakam's MAMBAR PIERRETTE at 3pm, the new restoration of Tewfik Saleh's THE DUPES at 12pm, and Currents shorts programs at 3pm & 5:15pm.Learn more at filmlinc.org/tix📸: @juliecfoto + @lyramur
#NYFF61 comes to @bamfilmbrooklyn today! 🎥 A few tickets remain for THE TASTE OF THINGS tonight + don't miss THE SHADOWLESS TOWER, NOWHERE NEAR, THE HUMAN SURGE 3 & INSIDE THE YELLOW COCOON SHELL through Tuesday.See the full schedule + get 🎟️ at bam.org/film
TODAY: Get $15 Rush 🎟️ for the U.S. premiere of Marco Bellocchio's KIDNAPPED at 12pm & the North American premiere of the new restoration of Manoel de Oliveira's ABRAHAM'S VALLEY at 2:15pm!Learn more at filmlinc.org/tix #NYFF61
Scenes from a marriage: view a few 📸 of last night’s red carpet coverage of the North American Premiere of @sofiacoppola’s @priscillamovie, the Centerpiece selection of #NYFF61.We were joined by @caileespaeny (Priscilla Presley), @jacobelordi (Elvis Presley), and many more of the film’s talented cast and creative team.PRISCILLA opens in theaters on November 3, courtesy of @a24.📸: @seandiserio
🚨 Just announced! 🚨 We've added an #NYFF61 encore screening of Nathan Fielder, Benny Safdie & Emma Stone's THE CURSE on Oct. 14 + limited passes now available to see all episodes at @FilmLinc this fall/winter.Act fast at filmlinc.org/curse 🎟️
Just announced - Laurie Anderson, the incredible artist, musician, & filmmaker, will join director Neo Sora in person for the North American Premiere of the #NYFF61 Spotlight selection RYUICHI SAKAMOTO | OPUS on Wednesday evening at 9pm in Alice Tully Hall!When Ryuichi Sakamoto died in March 2023 at age 71, the world lost one of its greatest musicians: a classical orchestral composer, a techno-pop artist, and a piano soloist who elevated every genre he worked in and inspired and influenced music-lovers across the globe. As a final gift to his legions of fans, filmmaker Neo Sora (Sakamoto’s son) has constructed a gorgeous elegy starring Sakamoto himself in one of his final performances. Recorded in late 2022 at NHK Studio in Tokyo, this filmed concert is an intimate, melancholy, and achingly beautiful one-man show, featuring just Sakamoto and a Yamaha grand, as the composer glides through a playlist of his most haunting, delicate melodies (including “Lack of Love, “The Wuthering Heights,” “Aqua,” “Opus,” and many more). Shot in pristine black-and-white by Bill Kirstein and edited by Takuya Kawakami, this stirring film brings us so close to a living, breathing artist that it feels like pure grace.Learn more & get 🎟️ at filmlinc.org/tix.
#NYFF61 tickets just released for PRISCILLA tonight, plus JANET PLANET, PICTURES OF GHOSTS, ALL DIRT ROADS TASTE OF SALT & more! 🎟️Also, limited encore screening tickets available for THE SETTLERS, THE FEELING THAT THE TIME FOR DOING SOMETHING HAS PASSED, DO NOT EXPECT TOO MUCH FROM THE END OF THE WORLD, EUREKA, GREEN BORDER, INSIDE THE YELLOW COCOON SHELL, THE BEAST & more! 🎥Act fast at filmlinc.org/tix
It's been a busy and exciting start to #NYFF61! Swipe through a few exclusive behind-the-scenes photos from the first week above and then set your plans to join us at the festival through Sunday, Oct. 15.For latest 🎟️ availability, visit filmlinc.org/tix📸: @juliecfoto, @seandiserio, @mettieostrowski, & @colleen_sturtevant_photography
We were delighted to welcome Emma Stone and Yorgos Lanthimos for the North American premiere of their entrancing, black-and-white short BLEAT, which secured a SAG interim agreement.The unforgettable evening featured live accompaniment by an ensemble of musicians and a choir, performing pieces by J.S. Bach, Knut Nystedt, and Toshio Hosokawa. Stay tuned to the @filmlinc podcast for Emma Stone and Yorgos Lanthimos's full conversation. #NYFF61@greeknationalopera @neongreece @snforg📸: @colleen_sturtevant_photography #bleat #emmastone #yorgoslanthimos
Yorgos Lanthimos's BLEAT makes its North American Premiere on gorgeous 35mm 🎞️ tonight with live accompaniment by an ensemble of musicians and a choir, performing pieces by J.S. Bach, Knut Nystedt, and Toshio Hosokawa.Director Yorgos Lanthimos and star Emma Stone have worked together before, but never in black-and-white on a remote Greek island with a herd of goats. In this entrancing, wordless collaboration, Stone gives a mesmerizing performance as a young widow who, along with her late husband (Damien Bonnard), embarks on a singularly unclassifiable journey through sex, death, and resurrection. Showing for the first time since its Athens premiere last year and designed never to be presented with a recorded soundtrack.View latest #NYFF61 🎟️ availability: filmlinc.org/tix📸: @lifilmmaniac
It's Day 6 of #NYFF61! 🎥 See all screenings & events with available tickets:· 12pm: LA ROUE — $15 Rush 🎟️· 1:15pm: Jean-Luc Godard + Wang Bing + Pedro Costa — $15 Rush 🎟️· 3:30pm: GOING TO MARS: THE NIKKI GIOVANNI PROJECT — $15 Rush 🎟️· 4:45pm: THE STRANGLER· 6pm: Free Talk: The 2023 Amos Vogel Lecture - Paul B. Preciado· 9pm: MUSIC — $15 Rush 🎟️$15 Rush tickets are available at the box office starting one hour prior to showtime. Rush 🎟️ are free to Express Pass holders.See all 🎟️ availability at filmlinc.org/tix
Courtesy of our friends at @campariusa, we’re inviting you to #NYFF61 Closing Night to walk the red carpet, enjoy a classic Campari cocktail in the VIP lounge, and attend the screening, filmmaker Q&A, & after-party for the North American premiere of Michael Mann’s FERRARI!Follow @CampariUSA & @TheNYFF and tag one friend in the comments of our Campari Sweepstakes IG post from September 27 using the hashtags #CampariCinema and #CampariSweepstakes. We’ll randomly select five winners to attend #NYFF61 Closing Night with a friend!NO PURCHASE NECESSARY. Open only to legal residents of CT, NJ, & NY only, 21+. Void outside of the listed states & where prohibited. Entry period ends at 11:59 pm ET on 10/4/23. For full Official Rules including prizes, odds, & all details: https://campaign.rtm.com/camparicinemaexperience/. Sponsor: Campari America LLC.
It's Day 5 of #NYFF61! 🎥 See all screenings & events with available tickets: · 1pm: NOWHERE NEAR — $15 Rush 🎟️· 3:15pm: THE HUMAN SURGE 3 — $15 Rush 🎟️· 3:30pm: TELL ME A RIDDLE — $15 Rush 🎟️· 6pm: ORLANDO, MY POLITICAL BIOGRAPHY — $15 Rush 🎟️· 6:15pm: UN RÊVE PLUS LONG QUE LA NUIT· 6:30pm: Free Talk: Sandra Adair & Jonathan Alberts · 8:30pm: Free Event: @cinephilegame Night: #NYFF61 Edition· 8:45pm: MANGOSTEEN + WE DON'T DON'T TALK LIKE WE USED TO — $15 Rush 🎟️$15 Rush tickets are available at the box office starting one hour prior to showtime. Rush 🎟️ are free to Express Pass holders.See all 🎟️ availability at filmlinc.org/tix
Pedro Almodóvar meets Noah Baumbach + more scenes from the #NYFF61 premiere of STRANGE WAY OF LIFE.Watch the legendary Spanish filmmaker's conversation with @brighter_later on crafting his western and working with Ethan Hawke and Pedro Pascal on @filmlinc's YouTube channel.📸: @mettieostrowski #pedroalmodovar #strangewayoflife #pedropascal #ethanhawke #noahbaumbach
Thanks to everyone who came out for the first two FREE @CinephileGame Nights at #NYFF61, featuring movie trivia from NYFF history & beyond! 🍿For our final two nights, we'll be giving away tickets to standby only #NYFF61 screenings incl. PRISCILLA, FERRARI, EVIL DOES NOT EXIST, THE CURSE & more + signed posters by Bong Joon Ho, Song Kang Ho, Apichatpong Weerasethakul + @cinephilegame items & more!Don't miss them this Tuesday, Oct. 3 at 8:30pm & next Tuesday, Oct. 10 at 8pm in the EBM Amphitheater! Learn more at filmlinc.org/cinephile 🎞️Supported by @campariusa.📷: @photojuice
It's Day 4 of #NYFF61! 🎥 Check out screenings with 🎟️ below, including $15 Rush screenings, available at the box office starting one hour prior to showtime. Rush 🎟️ are free to Express Pass holders.· 12:45pm: TELL ME A RIDDLE (HGT) — $15 Rush 🎟️· 6pm: IN WATER (FBT) · 6:30pm: Free Talk: @arnowjo & Nancy Savoca (AMPH)· 8:45pm: THE SETTLERS (WRT)· 9pm: MANGOSTEEN + WE DON'T TALK LIKE WE USED TO (HGT) — $15 Rush 🎟️See all 🎟️ availability at filmlinc.org/tix
Limited #NYFF61 tickets just released for GREEN BORDER, BLEAT, FOE, INSIDE THE YELLOW COCOON SHELL, ORLANDO, THE STRANGLER, and more!Act fast at filmlinc.org/tix 🎟️
1988 ➡️ 2023: 35 years since Pedro Almodóvar’s first appearance at NYFF, this afternoon he’s back with his 14th (!) selection, STRANGE WAY OF LIFE. #NYFF61Almodóvar has spent his career creating gorgeous works of cinematic pastiche without sacrificing the essential human core. In his dazzling new short, he has created something unexpected, a hyper-male Western melodrama of vivid colors and explosive homoeroticism starring Ethan Hawke as a small-town sheriff who, after 25 years, rekindles a sexual relationship with a former lover, played by Pedro Pascal, when the latter’s son is suspected of a local killing. Gorgeously shot and scored by Almodóvar’s standbys José Luis Alcaine and Alberto Iglesias, STRANGE WAY OF LIFE captures the rarely dramatized intensity of middle-aged romance.
It's Day 2 of #NYFF61! 🎥 Check out screenings with available 🎟️ below, including $15 Rush screenings, available at the box office starting one hour prior to showtime. Rush 🎟️ are free to Express Pass holders.· 12:30pm: NOWHERE NEAR (FBT)· 12:30pm: THE PIGEON TUNNEL (ATH) — $15 Rush 🎟️· 4:00pm: Free Talk: Todd Haynes (AMPH)· 6:15pm: THE HUMAN SURGE 3 (WRT) — $15 Rush 🎟️ · 7:30pm: @CinephileGame Night: #NYFF61 Edition (AMPH) — Win tickets to standby only screenings & more at this FREE event!See all 🎟️ availability at filmlinc.org/tix
Don’t be a stranger: get to know the cast of the #NYFF61 Main Selection @aoustrangers, screening on October 1, 2, & 8!British director Andrew Haigh, whose 2011 feature breakthrough WEEKEND is among the most widely beloved queer romances of the 21st century, has returned with an expertly modulated, emotionally overwhelming love story suspended in a metaphysical realm. Adam (Andrew Scott), a melancholy screenwriter living alone in a newly built, nearly empty high-rise on the outskirts of London, meets and tentatively begins a passionate relationship with the more extroverted Harry (Paul Mescal), his apparent only neighbor in the building. At the same time, Adam begins another, parallel journey, venturing out to the city’s suburbs to confront his troubled past and perhaps reconcile his unsettled present. Adapted from a 1987 novel by Taichi Yamada, ALL OF US STRANGERS is uncommonly perceptive about the desires, fears, and traumas of a specific generation of gay men while extending into the universal—or perhaps the cosmic—in its depiction of familial love and estrangement. And in a quartet of superb performances, Scott, Mescal, Jamie Bell, and Claire Foy pierce straight to the heart.View the latest 🎟️ availability: filmlinc.org/tix
Announcing our Fall/Winter 2023 programming, including hit #NYFF61 selections, filmmaker retrospectives, a new release in 3D, a limited series, and much more!ANATOMY OF A FALL | Opens Oct. 18🎟️ on sale now! filmlinc.org/anatomyTHE DELINQUENTS | Opens Oct. 18 🎟️ on sale now! filmlinc.org/delinquentsL'AMOUR FOU (New 4K restoration) | Opens Oct. 20🎟️ on sale now! filmlinc.org/amourALL DIRT ROADS TASTE OF SALT | Opens Nov. 3🎟️ on sale now! filmlinc.org/saltMAY DECEMBER | Opens Nov. 17FALLEN LEAVES | Opens Nov. 17 🎟️ on sale now! filmlinc.org/fallenleavesTHE CURSE | November 2023 – January 2024 Following the world premiere of episodes 1–3 at #NYFF61, Film at Lincoln Center is pleased to present the remaining seven episodes from this genre-defying, riotously funny series, directed by Fielder and David and Nathan Zellner.The Radical Cinema of Kijū Yoshida | December 1-7ANSELM (in 3D) | Opens Dec. 8Desire/Expectations: The Films of Edward Yang | December 22, 2023 – January 2, 2024Film Comment Live: Best of 2023 – Free! | December 14Learn more at filmlinc.org/Q4programming
Todd Haynes joins us this Saturday afternoon at 4pm for the U.S. premiere of IMAGE BOOK (Haynes's new short exploring the making of his #NYFF61 Opening Night selection, @maydecemberfilm) followed by a conversation with playwright & actor @jeremyoharris! This event will take place in the Amphitheater of the Elinor Bunin Munroe Film Center. Free tickets for #NYFF61 Talks will be distributed on a first-come, first-served basis beginning one hour prior to the event at the Elinor Bunin Munroe Film Center box office. Tickets are limited to one per person, subject to availability.
Happy birthday Pedro Almodóvar, born #OTD in 1949. 🥳🎂Almodóvar has joined us at #NYFF many times over the past five decades & will be back in town this Saturday afternoon for the #NYFF61 Spotlight selection, STRANGE WAY OF LIFE!Keep up to date with 🎟️ availability ➡️ filmlinc.org/tix
Writer & philosopher Paul B. Preciado's first feature, the documentary ORLANDO, MY POLITICAL BIOGRAPHY, casts 26 trans and non-binary people as different versions & evocations of Virginia Woolf’s 1928 title character.The #NYFF61 Main Slate selection screens Oct. 3 & 4 with director in person! 🎟️ ➡️ filmlinc.org/tix
Limited 🎟️ remain for the North American premiere of our #NYFF61 Spotlight Gala selection, @maestrofilm, on Monday, October 2 from David Geffen Hall!In his directorial follow-up to A STAR IS BORN, Bradley Cooper dramatizes the public and private lives of legendary musician Leonard Bernstein with sensitivity, visual ingenuity, and symphonic splendor. Coasting on the boundless energy of its subject’s runaway genius, MAESTRO transports the viewer back to a vividly re-created postwar New York, when Bernstein (Cooper) began his stratospheric rise to international fame as both a conductor and composer, and also when he first met Felicia (Carey Mulligan), the actress whom he would marry and spend his life with. MAESTRO is a tender, often intensely emotional film about the different faces one wears when living in the public eye, depicting the complicated yet devoted decades-spanning relationship between Leonard and Felicia. Fueled by Cooper and Mulligan’s perfectly matched duet of towering performances, Matthew Libatique’s balletic cinematography, and, of course, Bernstein’s thrilling music, MAESTRO is a tour de force for its director.The New York Film Festival audience will experience MAESTRO with the ultra-vivid colors of Dolby Vision and the immersive sound of Dolby Atmos. A Dolby Vision projection system and a Dolby Atmos sound system will be installed by Dolby and its technical partners in David Geffen Hall specifically for the MAESTRO premiere, transforming the venue into a state-of-the-art cinema equipped with Dolby’s cutting-edge technology for the one-night-only experience.Secure your tickets to our 6pm and 9:45pm screenings now ➡️ filmlinc.org/tix.
Lovely seeing Justine Triet (director of the #NYFF61 Main Slate selection, ANATOMY OF A FALL) grace the cover of the latest issue of @filmmakermag, an issue also featuring an interview with Todd Haynes, director of the Opening Night selection, MAY DECEMBER! We truly ❤️ to see it!
Hayao Miyazaki, outside the Walter Reade Theater in 1999, visiting New York for the #NYFF37 Main Slate selection, PRINCESS MONONOKE.The U.S. Premiere of Miyazaki's latest film, THE BOY AND THE HERON, will screen in the Spotlight section of #NYFF61 on October 1, 2, 12 & 14!📸: @godlis
It's a hit, man!With the news that Richard Linklater's HIT MAN has been acquired for distribution by @netflix, be sure to catch the film's U.S Premiere in the Spotlight section of #NYFF61 on October 3, 4 & 7.In a wily and charismatic star turn, Glen Powell plays straight-laced philosophy professor Gary Johnson, who moonlights as an undercover hit man for the New Orleans Police Department. Preternaturally gifted at inhabiting different guises and personalities to catch hapless people hoping to bump off their enemies, Gary begins to descend into morally dubious territory when he finds himself attracted to one of those potential criminals, a young woman named Madison (Adria Arjona)—setting off a chain reaction of play-acting and false selves. Richard Linklater’s peppy sunlit neo-noir—based on an improbable true story, with a few wild embellishments—is a continually surprising delight: co-written by Linklater and Powell, it’s a cleverly existential comedy about identity that deepens in meaning as it escalates in absurdity.Single 🎟️ go on sale tomorrow at 12pm EST: filmlinc.org/tix📸 courtesy of @glenpowell.
R.I.P. to the great photographer & filmmaker Horace Ové (1936-2023). We will honor his legacy at this year’s festival with the joint World Premiere of a new restoration of his fiction feature debut, PRESSURE, an #NYFF61 Revivals selection screening on October 11, 12 & 13.
A reminder to all #NYFF61 Pass holders & @FilmLinc Members: pre-sale ends TONIGHT at midnight, with sales resuming this Tuesday at noon ET for the general public.Get 🎟️ while you still can: filmlinc.org/tix
Now on the FLC podcast, listen to a conversation with REMEMBERING EVERY NIGHT director Yui Kiyohara from this year’s edition of New Directors/New Films.Listen to the episode at filmlinc.org/flcpodcast or wherever you subscribe to podcasts.🎧REMEMBERING EVERY NIGHT and the director's first feature, OUR HOUSE, are now playing at FLC with special 2-for-1 pricing! Learn more and get 🎟️: filmlinc.org/night
🎂 Happy birthday Bong Joon-ho, born #OTD in 1969! 🎉Bong has had three films featured in the #NYFF Main Slate, including THE HOST (#NYFF44), MOTHER (#NYFF47), and PARASITE (#NYFF57).
🗓️ In just one week, #NYFF61 single tickets will go on sale! ⏰ What are you most looking forward to? We recommend planning your @thenyff viewing schedule in advance to prepare for next Tuesday, September 19, at 12pm ET ➡️ filmlinc.org/guide.
🇧🇷 Kleber Mendonça Filho’s PICTURES OF GHOSTS has been chosen to represent Brazil in the International Feature category at next year's Academy Awards! 🇧🇷The film makes its U.S. Premiere in the Main Slate of #NYFF61 on Oct. 9, 10 & 12! The life of a true cinephile is one constantly haunted by the dead, as the history of the movies is a corridor of ghosts. Brazilian filmmaker and unrepentant cinema obsessive Kleber Mendonça Filho’s new documentary serves as a poignant testament to the liminal state of movie love, telling, in three chapters, the story of his cinematic world—namely the city of Recife, where his youthful film education took place. At theaters like the Veneza and the São Luiz, Mendonça discovered a popular art form that would change his life; today, with the landscape of the city altering drastically, he surveys its empty rooms now pregnant with memories. This moving and playful film, as much about the architectural and social structures of a city as about the movies that inspire and haunt us, honors the personal spaces that are also the communal lifeblood of our urban centers Single 🎟️ go on sale Tuesday, September 19 at 12pm ET: filmlinc.org/guide
Exciting news for Nuri Bilge Ceylan's ABOUT DRY GRASSES, as Turkey has submitted the film to represent the country in the International Feature race at next year’s Academy Awards. The film makes its U.S. Premiere in the Main Slate of #NYFF61 on October 9 & 10 with director in person! In a village nestled within the wintry landscape of the East Anatolia region of Turkey, an art teacher named Samet (Deniz Celiloglu) is struggling through what he hopes to be his final year at an elementary school. Already tiring of the unforgiving environment, where he has been assigned by the government’s public education system, Samet is further disillusioned and frustrated after a young girl in his class, Sevim, appears to accuse him of inappropriate behavior. The only light on the horizon for Samet is his growing friendship with—and clear attraction to—a teacher from a nearby school, Nuray (Merve Dizdar), a sharp, politically engaged woman unafraid to put the self-involved Samet in his place for his general apathy and narcissism. The latest deeply philosophical drama from Nuri Bilge Ceylan is a work of elegant, novelistic filmmaking, rigorously unpacking questions of belief versus action, the tangible versus the enigmatic, and who we wish to be versus how we live. A centerpiece conversation between Samet and Nuray—capped off by a provocative metacinematic flourish—ranks with Ceylan’s greatest sequences, and Dizdar, who won the Best Actress prize at this year’s Cannes Film Festival, commands every second she’s on screen. A Sideshow/Janus Films release.Single tickets go on sale next Tuesday, September 19 at 12pm ET. Plan your schedule: filmlinc.org/guide
Now on the FLC podcast, listen to a conversation with @koreanfilmarchive’s Young Jin Eric Choi, @subwaycinema’s @goranarts, and critic & lecturer @darcy.paquet about Yu Hyun-mok’s 1961 South Korean classic, AIMLESS BULLET. Listen to the episode at filmlinc.org/flcpodcast or wherever you subscribe to podcasts.🎧AIMLESS BULLET will screen again this Tuesday afternoon at 4pm as part of our new series, Korean Cinema’s Golden Decade: The 1960s! 🎟️: filmlinc.org/koreanyc📸: @photojuice
Congrats to each of this year's winners at #Venezia80, including #NYFF61 selections EVIL DOES NOT EXIST (Silver Lion), GREEN BORDER (Special Jury Prize), POOR THINGS (Golden Lion), and PRISCILLA (Cailee Spaeny for Best Actress)!Single tickets to all films at #NYFF61 go on sale Tuesday, September 19 at noon ET. View our screening schedule to prepare! ➡️ filmlinc.org/schedule
You have to see it to get it: Exciting news for #NYFF61 Main Slate selection, DO NOT EXPECT TOO MUCH FROM THE END OF THE WORLD from director Radu Jude, as today it was announced as Romania’s submission for Best International Feature at the 2024 Academy Awards!Radu Jude's film makes its U.S. Premiere at the festival on October 7 & 12. Single tickets go on sale September 19 at noon ET. Plan your schedule: filmlinc.org/schedule
A few photos of last Sunday's special screening of Chung Chang-wha's SPECIAL AGENT X-7, featuring a live DJ set (by Larry Love and @dedelovelace) performed from the projection booth of the Walter Reade Theater! 🎶 The film is included in our retrospective, Korean Cinema’s Golden Decade: The 1960s.The two DJs will return next Thursday, September 14, at 8:30pm for a second and final performance and screening of the film! 🎟️: filmlinc.org/koreanyc📸: @photojuice
Our giddy face upon learning everything an #NYFF61 Express Pass offers....Receive priority access to #NYFF61 standby 🎟️ and free access to Rush screenings with an Express Pass! Limited quantities are now available for ONLY $99.Learn more ➡️ filmlinc.org/passes
There's less than two weeks remaining in our series, Korean Cinema's Golden Decade: The 1960s, one of the largest retrospectives ever of 1960s Korean Cinema outside of Korea. Don’t miss rarely screened films, several presented on 35mm archival prints!Check out the full schedule above and get your 🎟️: filmlinc.org/koreanyc
"Since arriving in New York City decades ago, attending the NYFF has been my version of going to church. I’m honored to have been asked to create the poster for the 61st NYFF, joining a list of filmmakers, artists, and friends who have done so in the past.”We're beyond thrilled that @jim.jarmusch has created this year's heavenly gorgeous #NYFF61 poster! 😍 🥰Get your limited edition print today: posteritati.com/nyff61
Enjoy two films for the price of one with the animated double feature of Shin Dong-hun's THE STORY OF HONG GIL-DONG (South Korea’s first animated feature film) and his companion piece, HOPI AND CHADOL-BRAW!The two films screen together tomorrow, September 2, at 2:15pm & 4pm, and September 17 at 2:15pm & 3:45pm respectively, as part of our retrospective, Korean Cinema’s Golden Age: The 1960s. 🎟️: filmlinc.org/koreanyc
Check out the new poster for Yorgos Lanthimos’s POOR THINGS, an #NYFF61 Main Slate selection screening on September 30, October 1 & 12!Full schedule 🗓️: filmlinc.org/schedulePasses 🎟️: filmlinc.org/passes
Long considered lost, SPECIAL AGENT X-7 was legendary action director Chung Chang-wha's personal take on the spy genre, and a new version of the film will make its International Premiere this Sunday, September 3, at 8pm as part of Korean Cinema's Golden Decade: The 1960s! An additional screening will take place on Thursday, September 14, at 8:30pm.Screenings of SPECIAL AGENT X-7 will feature a live DJ set (by Larry Love and @dedelovelace) performing from the projection booth to bring their own spin on the film’s score for this spy thriller. 🎶🎟️: filmlinc.org/koreanyc
Check out the new poster for Andrew Haigh’s ALL OF US STRANGERS, an #NYFF61 Main Slate selection screening on October 1, 2, & 8!British director Andrew Haigh, whose 2011 feature breakthrough WEEKEND is among the most widely beloved queer romances of the 21st century, has returned with an expertly modulated, emotionally overwhelming love story suspended in a metaphysical realm. Adam (Andrew Scott), a melancholy screenwriter living alone in a newly built, nearly empty high-rise on the outskirts of London, meets and tentatively begins a passionate relationship with the more extroverted Harry (Paul Mescal), his apparent only neighbor in the building. At the same time, Adam begins another, parallel journey, venturing out to the city’s suburbs to confront his troubled past and perhaps reconcile his unsettled present. Adapted from a 1987 novel by Taichi Yamada, ALL OF US STRANGERS is uncommonly perceptive about the desires, fears, and traumas of a specific generation of gay men while extending into the universal—or perhaps the cosmic—in its depiction of familial love and estrangement. And in a quartet of superb performances, Scott, Mescal, Jamie Bell, and Claire Foy pierce straight to the heart.Full schedule 🗓️: filmlinc.org/schedulePasses 🎟️: filmlinc.org/passes
An atmospheric work by an immensely talented filmmaker, Kim Soo-yong’s MIST has taken its place as one of the high points of 1960s South Korean cinema. MIST screens this Friday at 8:45pm & September 10 at 4pm as part of our retrospective, Korean Cinema's Golden Decade: The 1960s! 🎟️: filmlinc.org/koreanyc
Check out the new poster for Garth Davis's FOE, starring Saoirse Ronan & Paul Mescal, making its World Premiere in the Spotlight section of #NYFF61!#NYFF61 Passes are currently on sale and single tickets will go on sale to the general public on September 19: filmlinc.org/passes
There's no better reason IMO....A limited number of #NYFF61 6-Film and Premier Passes are now back on sale! Don't delay getting your 🎟️: filmlinc.org/passesFilm stills from Aleksei Balabanov's BROTHER 2.h/t @clydefolley
And with that, we bid adieu to our brief time housing the new 70mm print of Paul Thomas Anderson’s BOOGIE NIGHTS!Thanks to everyone who visited FLC over the past seven days to partake in the experience and to our mighty projectionists who had it all run so smoothly! 🎞️ 🎥📸: @photojuice
Feast your eyes on the newly released poster for Bertrand Bonello’s THE BEAST, a Main Slate selection of this year’s festival and making its U.S. premiere at #NYFF61.A filmmaker consistently unafraid to wade through the weird miasma of contemporary life, Bertrand Bonello works from the outside in, dramatizing the psychological toll of the political and cultural world around us. Here he has created a dynamic and disturbing parable that jumps between three different time periods (1910, 2014, and 2044) to diagnose our acute—and perhaps eternal—feelings of estrangement and alienation. Using Henry James’s haunting 1903 short story “The Beast in the Jungle” as his film’s provocative inspiration, Bonello tells the story of a young woman (Léa Seydoux) who undergoes a surgical process to have her DNA—and therefore memories of all her past lives—removed. In so doing, she realizes her fate has long been intertwined, for better and worse, with a young man (George MacKay). Touching on modern anxieties of AI and incel culture, which may recur throughout history as commonly as love and hate, THE BEAST, like all good science-fiction, asks essential questions about the ever-shifting status of humanity itself.#NYFF61 Passes are currently on sale and single tickets will go on sale to the general public on September 19. Learn more: filmlinc.org/passes
“As I watched the exquisite 4K restorations of these two films (a collaboration between StudioCanal and the Criterion Collection), I was struck by how much their stories harmonize with their embattled history. The works, which were Muratova’s first solo outings as a director, overflow with restless, disaffected women beating against the boxes in which society has confined them.”Now New York Times Critic’s Picks, Kira Muratova’s BRIEF ENCOUNTERS (1967) and THE LONG FAREWELL (1971) open, newly restored, in our theaters this Friday, with special 2-for-1 pricing at all screenings! Get 🎟️: filmlinc.org/farewell
Feast your eyes on a few of the gorgeous posters for our upcoming series, Korean Cinema’s Golden Decade: The 1960s!The fun kicks off next Friday, September 1! View the schedule and get 🎟️ now: filmlinc.org/koreanyc
We're thrilled to celebrate National Cinema Day this year! 🎟️ to all screenings at FLC this Sunday, August 27, will only cost $4 each and tickets are now on sale. Films include new 4K restorations of Kira Muratova’s BRIEF ENCOUNTERS & THE LONG FAREWELL, Christian Petzold’s AFIRE, and Ira Sachs’s PASSAGES. What will you see? Explore: filmlinc.org/newreleases
A late Sunday evening pick-me-up: Franz Rogowski in attendance at #NYFF56 to discuss his work in Christian Petzold’s Main Slate selection, TRANSIT.Rogowski can currently be seen at FLC in Ira Sachs’s new feature, PASSAGES, now playing in our theaters. 🎟️: filmlinc.org/passages📸: @juliecfoto
Swipe right and take a 😍 at the new 70mm 🎞️ print of Paul Thomas Anderson’s 1997 masterpiece, BOOGIE NIGHTS, currently playing in our theaters through Thursday only!🎟️: filmlinc.org/boogie📸: @photojuice
Our exclusive run of Paul Thomas Anderson’s BOOGIE NIGHTS on 70mm 🎞️ kicks off today! We’re concluding our tech check now (swipe through for additional videos!) and then it’s time for our screenings to begin. Get 🎟️: filmlinc.org/boogie
Happy 80th birthday to Robert De Niro, born on this day in 1943. 🎂🥳 🎉 De Niro was the recipient of Film at Lincoln Center’s prestigious Chaplin Award at the 44th annual Chaplin Award Gala in 2017.
Tickets are now on sale for #NDNF52 selection REMEMBERING EVERY NIGHT from director Yui Kiyohara!Opening September 15, the film is a treasure of unconventional filmmaking that abounds with simple pleasures, as mysterious & beautiful as everyday life itself.Yui Kiyohara’s first feature, the #NDNF47 selection OUR HOUSE, will also have a theatrical run at FLC beginning September 15! 🎟️: filmlinc.org/night
Happy birthday Wim Wenders, born #OTD in 1945 🥳. Wenders returns to the New York Film Festival this year for his #NYFF61 Main Slate selection, PERFECT DAYS. See PERFECT DAYS and more with an #NYFF61 Pass, on sale & discounted through Thursday! 🎟️: filmlinc.org/passes
Now on the FLC podcast, listen to our conversation with director Ira Sachs about his latest feature, PASSAGES, currently playing in our theaters.Listen to the episode at filmlinc.org/flcpodcast or wherever you subscribe to podcasts.🎧Get 🎟️ to PASSAGES, starring Adèle Exarchopoulos, Franz Rogowski, & Ben Whishaw, at filmlinc.org/passages📸: @photojuice
Director @dopevibrations makes her feature debut with the #NYFF61 Main Slate selection, ALL DIRT ROADS TASTE OF SALT.Check out the poster above and secure your #NYFF61 Pass, on sale & discounted through Thursday! 🎟️ ➡️ filmlinc.org/passes
Director Yorgos Lanthimos (THE LOBSTER #NYFF53, THE FAVOURITE #NYFF56) returns to the festival this year with the #NYFF61 Main Slate selection, POOR THINGS.Check out the poster above and then secure your #NYFF61 Pass, on sale and discounted through Thursday, August 17! 🎟️ ➡️ filmlinc.org/passes
Now on the FLC podcast, listen to our conversation with director Sofia Coppola about her 2013 docudrama, THE BLING RING.Listen to the episode at filmlinc.org/flcpodcast or wherever you subscribe to podcasts.🎧Coppola's new feature, @PriscillaMovie, is the Centerpiece selection of #NYFF61! Secure your pass to the festival and save: filmlinc.org/passes