The life of a true cinephile is one constantly haunted by the dead, as the history of the movies is a corridor of ghosts. Brazilian filmmaker and unrepentant cinema obsessive Kleber Mendonça Filho’s new documentary serves as a poignant testament to the liminal state of movie love, telling, in three chapters, the story of his cinematic world—namely the city of Recife, where his youthful film education took place. At theaters like the Veneza and the São Luiz, Mendonça discovered a popular art form that would change his life; today, with the landscape of the city altering drastically, he surveys its empty rooms now pregnant with memories. This moving and playful film, as much about the architectural and social structures of a city as about the movies that inspire and haunt us, honors the personal spaces that are also the communal lifeblood of our urban centers. A Grasshopper Film release.
Pier Paolo Pasolini – Agnès Varda – New York – 1967
Agnès Varda, 2022, France, 4m
North American Premiere
In 1966, two legendary filmmakers, in town for the 4th New York Film Festival, took a walk through Times Square. Armed with 16mm color film, Agnès Varda captured Pier Paolo Pasolini. A year later, she edited the footage and recorded his brief commentary track, discussing the uses of documentary filmmaking, Christianity, and the nature of reality. The elements were only discovered in 2021 and restored by Cine-Tamaris, in collaboration with L’Immagine Ritrovata, to their lustrous expressivity.
All NYFF61 feature documentaries are presented by:
Recommended Film Comment reading:
- The Film Comment Podcast: Pictures of Ghosts (Cannes 2023)
- The Film Comment Podcast: Kleber Mendonça Filho & Juliano Dornelles
- Interview: Kleber Mendonça Filho and Juliano Dornelles on Bacurau (2019)
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