A one-time-only screening made specially for this series, this hour-long, evolving 35mm print of film clips, commercials, trailers, and other surprising miscellany was handpicked and assembled by Owen Kline.

A struggling artist (Dean Martin) begins to use his comic book-obsessed roommate’s dreams as the basis for a successful comic book in Frank Tashlin’s eye-popping, hilarious satire of mid-1950s pop culture. Screening with Jerry Lewis’s Theater Chain Outtakes and Tashlin’s Swooner Crooner.

Robert Downey, Sr.’s seminal acid Western-cum-religious allegory transposes the life of Jesus to the American frontier to delirious effect. Screening with Friz Freleng’s Rabbit Every Monday.

A pinball-playing cartoonist named Michael Corleone escapes the shocking and brutal experiences of living in 1970s New York City by satirizing them into something altogether more outlandish in adult animator Ralph Bakshi’s second feature. Screening with Chuck Jones’s Rabbit of Seville.

An early hit for schlock factory Cannon Films, this leering but ultimately surprisingly serious-minded teen sex comedy follows a trio of suburban L.A. youths chasing girls and competing for the attentions of a cute transfer student. Preceded by Seymour Kneitel and James Tyer’s Puppet Love.

Robert Rossen’s deeply personal final film is set in a psychiatric institution and follows the emerging relationship between an occupational therapist trainee (Warren Beatty) and an alluring, creative patient who has been diagnosed with schizophrenia (Jean Seberg). Screening with Dave Fleischer’s Minnie the Moocher.

A masterpiece of American film comedy as undefinable as its title, Lord Love a Duck swings wildly between deadly-earnest pathos and wig-flipping Dada. Screening with Ben Harrison’s The Bon Bon Parade.

A meditation on obsession worthy of Vladimir Nabokov, Kwietniowski‘s 1998 feature follows a widower author (John Hurt) who becomes infatuated with a mediocre film actor (Jason Priestley) and heads to Long Island in hopes of meeting him.

Stylistically bold, wildly entertaining, with a cast of British greats, O Lucky Man! is an epic road movie and modern-day Candide that stars Malcolm McDowell once again as Mick Travis, the everyman character made famous in If… (1968).

Mike Judge’s hilarious ode to white collar disaffection stars Ron Livingston as Peter, a disgruntled programmer who is left in a seemingly permanent state of blissful ambivalence after his “occupational hypnotherapist” puts him in a trance and then promptly dies of a heart attack.

Robinson’s debut feature is a cultishly beloved chronicle of the misadventures, follies, and misfortunes of two unemployed actors (Richard Grant and Paul McGann) on a disastrous holiday at a countryside cottage.