This audacious film from Bertrand Bonello (Saint Laurent) is both a precision-crafted thriller about a mass-scale terrorist attack on Paris and a provocative exploration of consumerism and millennial disaffection.

John Carpenter’s taut L.A.-set thriller chronicles a small group of cops, administrators, and crooks holed up in a decommissioned police station and their efforts to survive the night when a merciless street gang marks one of them for death.

While an unorthodox psychiatrist (Oliver Reed) treats a psychotic patient (Samantha Eggar), her ex-husband tries to protect his daughter as a series of vicious murders befall those connected to him. The Brood is Cronenberg at his most emotionally naked.

Perhaps Bresson’s most explicitly political film, this searing send-up of post-’68 France is among the most chilling cinematic portraits of a historical moment.

A young interior decorator (Pascale Ogier, Venice Film Festival Best Actress winner) keeps two residences—one with her boyfriend and one without—in Rohmer’s fourth Comedies and Proverbs film, rendered with his signature subtlety and maturity.

Perhaps the greatest of all hangout films, Hawks’s lively western stars John Wayne as a sheriff in a small town who enlists the help of the local drunk (Dean Martin) and others in fending off a gang of ill-intentioned outlaws.

The prequel to the television phenomenon is Lynch’s harrowing attempt to close the book on both his signature series and arguably his most memorable and tragic character, deceased 17-year-old homecoming queen Laura Palmer (Sheryl Lee). New digital restoration!