GIVEAWAY: The first 20 people who attend tonight's 35mm double-feature of DRUNKEN MASTER II and FIGHT CLUB will be entered to win a FIGHT CLUB Original Motion Picture Soundtrack vinyl signed by Daniels!

The fun doesn't stop there! The first three people at each remaining 'Verse Jumping with Daniels screening will receive a signed EVERYTHING EVERYWHERE ALL AT ONCE poster.

Get tickets at filmlinc.org/daniels

Nominated for Best International Feature Film at the 95th Academy Awards, winner of the 2022 Cannes Jury Prize, and an #NYFF60 selection, there’s no doubt that EO is one of the best films from last year.

Director Jerzy Skolimowski and co-writer Ewa Piaskowska return to FLC for a Q&A on Feb. 27! Get tickets at filmlinc.org/eo

“There's people who live life authentically and there's people who live a life of fabrication.”

Happy Birthday, Michael Mann! Seen here behind the scenes on HEAT, 1995.

From classic king fu films to experimental animation, ‘Verse Jumping with Daniels features an eclectic lineup spanning the influences behind the directing duo.

Taking place through Thursday, don’t miss in-person appearances, 35mm screenings, and more: filmlinc.org/daniels

📸: @photojuice

"Making a movie is casting a spell."

🔥 Happy Birthday, Kenneth Anger! 🔥

Remembering the great avant-garde Czech filmmaker Věra Chytilová on her birthday. 🌹

The great Claire Denis made her debut with this semi-autobiographical feature, based on her childhood in colonial French Africa as the daughter of a civil servant. Prefiguring the concerns of Denis’s later films (BEAU TRAVAIL, WHITE MATERIAL) and establishing the tactile sensuality and elliptical style for which she is known, CHOCOLAT today stands as a modern classic.

The new 4K restoration opens Feb. 24 in our theaters. Get tickets at filmlinc.org/chocolat

Everything begins tomorrow... ✨👁️✨

’Verse Jumping with Daniels, our series curated by the dynamic directing duo, kicks off tomorrow with screenings of their Oscar-nominated EVERYTHING EVERYWHERE ALL AT ONCE at 3pm and 6pm (w/ Daniels & producer Jonathan Wang Q&A—standby only)!

Explore the lineup and get tickets at filmlinc.org/daniels

"Think of Skolimowski at this stage of his career and life as a filmmaker happily grazing, indulging in an animal need for cinema." - @lwlies

Jerzy Skolimowski's Academy Award-nominated #NYFF60 selection, EO, continues its run in our theaters!

Get showtimes and tickets at filmlinc.org/eo

"Y'all wanna get weird?"

Featuring an original score by Manchester Orchestra and cinematography from Ashley Connor, Daniel Scheinert's THE DEATH OF DICK LONG is a richly textured, Coen-esque portrait of small-town secrecy and middling garage rock, which doesn’t mock its characters so much as behold them with arm’s-length sympathy.

The darkly funny thriller plays this Sunday at 3:15pm during 'Verse Jumpng with Daniels, followed by a Q&A with director Daniel Scheinert!

Get tickets at filmlinc.org/daniels

Nominated for Best International Feature at the 95th Academy Awards, Lukas Dhont’s CLOSE is an emotionally transformative and unforgettable portrait of two thirteen-year-old best friends. Now on our YouTube and the FLC Podcast, watch/listen to our conversation with the filmmaker from a recent Patron screening, moderated by critic Thelma Adams.

Our conversation with CLOSE director Lukas Dhont took place in our theaters following a special screening for FLC Patrons. Interested in supporting FLC and becoming a member? Explore member benefits at filmlinc.org/members.

📸: @photojuice

“One finds oneself in front of a cinema poem—Alice’s language, in the history of the language of cinema to which it belongs, but also in her own history, is dangerous and radiant.” - Céline Sciamma after comparing the experience of watching SAINT OMER to what it must have been like watching Chantal Akerman’s JEANNE DIELMAN, 23 QUAI DU COMMERCE, 1080 BRUXELLES in 1975. (Via @nytimes)

Alice Diop's SAINT OMER, an #NYFF60 selection, continues its run in our theaters! Get tickets at filmlinc.org/saint

Earning 11 nominations at the 95th Academy Awards, including Best Picture, Daniels' gleefully maximalist second feature demands to be seen on the big screen.

An additional screening of EVERYTHING EVERYWHERE ALL AT ONCE has been added this Friday at 3pm during 'Verse Jumping with Daniels! Get tickets at filmlinc.org/eeaao

“There’s no one like Roy Andersson. A series of unforgettable, sad, beautiful, moving paintings we can’t wait to put on the big screen.” — Daniels

Roy Andersson's SONGS FROM THE SECOND FLOOR, Special Jury Prize winner at the 2000 Cannes Film Festival, plays one time only on Feb. 7 during 'Verse Jumping with Daniels.

Get tickets at filmlinc.org/daniels

Featuring a perceptive and nuanced performance from Vicky Krieps as Empress Elizabeth of Austria, Marie Kreutzer's CORSAGE reimagines the late-19th-century world within the Austro-Hungarian Empire with both austere realism and fanciful anachronism.

The #NYFF60 selection closes Thursday in our theaters! Don't miss the chance to see it on the big screen and get tickets at filmlinc.org/corsage

We're excited to announce the official lineup for the 28th Rendez-Vous with French Cinema, co-presented with @unifrance, taking place March 2-12.

Explore the best in contemporary French cinema, filmmaker Q&As, and free talks at filmlinc.org/rdv23.

- REVOIR PARIS (dir. Alice Winocour) | Opening Night Film | 3/2 (intro w/ Winocour and Virginie Efir)

- BROTHER AND SISTER (dir. Arnaud Desplechin) | 3/5 (Q&A w/ Melvil Poupaud), 3/7

- DIARY OF A FLEETING AFFAIR (dir. Emmanuel Mouret) | 3/3, 3/6

- THE FIVE DEVILS (dir. Léa Mysius) | 3/4 (Q&A w/ Mysius), 3/8

- FOR MY COUNTRY (dir. Rachid Hami) | 3/9 (Q&A w/ Hami), 3/10

- FOREVER YOUNG (dir. Valeria Bruni Tedeschi) | 3/5, 3/10

- THE GRAVITY (dir. Cédric Ido) | 3/4 (Q&A w/ Ido), 3/6

- THE GREEN PERFUME (dir. Nicolas Pariser) | 3/8 (Q&A w/ Pariser), 3/11

- HARKIS (dir. Philippe Faucon) | 3/3, 3/9

- THE INNOCENT (dir. Louis Garrel) | 3/4 (Q&A w/ Garrel), 3/8

- MOTHER AND SON (dir. Léonor Serraille) | 3/6 (Q&A w/ Serraille), 3/8

- NENEH SUPERSTAR (dir. Ramzi Ben Sliman) | 3/7 (Q&A w/ Sliman), 3/9

- THE NIGHT OF THE 12TH (dir. Dominik Moll) | 3/7, 3/10 (Q&A w/ Moll)

- THE ORIGIN OF EVIL (dir. Sébastien Marnier) | 3/3 (Q&A w/ Marnier), 3/11

- OTHER PEOPLE'S CHILDREN (dir. Rebecca Zlotowski) | 3/3 (Q&A w/ Zlotowski & Virgine Efira), 3/12

- THE PLOUGH (dir. Philippe Garrel) | 3/4 (Intro w/ Louis Garrel), 3/12

- SATURN BOWLING (dir. Patricia Mazuy) | 3/5 (Q&A w/ Mazuy), 3/6

- SMOKING CAUSES COUGHING (dir. Quentin Dupieux) | 3/10, 3/12

- THREE NIGHTS A WEEK (dir. Florent Gouëlou) | 3/11 (Q&A w/ Gouëlou), 3/12

- WINTER BOY (dir. Christophe Honoré) | 3/9, 3/11 (Q&A w/ Honoré)

- THE WORST ONES (dir. Lise Akoka and Romane Gueret) | 3/5 (Q&A w/ Akoka & Matthias Jacquin), 3/7

- FREE TALK: Alice Winocour and Sophie Barthes | 3/2

- FREE TALK: Virginie Efira | 3/3

- FREE TALK: Louis Garrel and Owen Kline | 3/4

- FREE TALK: Queer Identities On Screen | 3/10

Tickets to Rendez-Vous with French Cinema 2023 go on sale Tuesday for FLC Members and Thursday for the general public. Limited amounts of Student All-Access Passes will be available for $39. Learn more at filmlinc.org/rdv23

Vicky Krieps is a "virtuoso of stillness, and at times she brings to mind old Hollywood sphinxes like Garbo and Dietrich, whose inscrutable faces worked like wonderful screens on which you could project whatever fantasies you wanted." - @nytimes

Marie Kreutzer's CORSAGE, an #NYFF60 selection and NYT Critic's Pick, continues its run in our theaters! Get tickets at filmlinc.org/corsage

Jerzy Skolimowski's Academy Award-nominated EO continues its run in our theaters! Don't miss the #NYFF60 selection on the big screen and get tickets at filmlinc.org/eo

Now on our YouTube channel and the FLC Podcast, watch/listen to our #NYFF60 conversation with filmmaker Mia Hansen-Løve on the making of ONE FINE MORNING, which opens this Friday in our theaters!

Explore showtimes and get tickets at filmlinc.org/morning

📸: @juliecfoto

"Beautifully balanced, persuasive and moving…a delicate look at a mother, daughter, and lover whose quotidian existence is instantly recognizable yet sublime." - @nytimes

Mia-Hansen-Løve's ONE FINE MORNING, an #NYFF60 selection, opens this Friday in our theaters.

Get tickets at filmlinc.org/morning

“The word 'griot' is the word for what I do and the role that the filmmaker has in society. The griot is a messenger of one’s time, a visionary, and the creator of the future.”

Remembering the iconic filmmaker, Djibril Diop Mambéty, on his 78th birthday. 🔥

The 32nd New York Jewish Film Festival continues through Saturday with virtual screenings of Mordechai Vardi's BARREN and Esther Takac's THE NARROW BRIDGE!

See both films and save with the NYJFF Virtual Bundle at nyjff.org

"Going to the cinema is like returning to the womb; you sit there, still and meditative in the darkness, waiting for life to appear on the screen." - Federico Fellini (#BOTD)

Seen here with Marcello Mastroianni and Sophia Loren behind the scenes on 8 1/2, 1963.

“In a sense, all film is entering into someone else’s dreams. Maybe we can even share the same dreams, exchange the same experiences.”

Happy Birthday, David Lynch! 💜

R.I.P. Yoon Jeong-hee (1944-2023)

Here in Lee Chang-dong’s POETRY, 2010.

Dance on Camera, the longest-running dance film festival in the world, returns February 10-13 with 13 programs representing films from 35 countries, filmmaker Q&As, and free events!

Get All-Access Passes and tickets at filmlinc.org/dance

"The narrative is to record this skin, these bodies, in a place where they are still barely visible. That’s what’s contemporary: moving from off-screen to the centre of the image, but with an aesthetic power. The aesthetic of the film is political to me. These bodies haven’t been filmed much, these women rarely seen, I want to offer them cinema as a space where we can no longer escape their gaze, without it being too stylised.

The first references I sent to Claire Mathon, the film’s DP, were paintings. I think we were revolving around the idea of inscribing the pictoriality of these bodies in the history of cinema. 'La Belle Ferronière' by Leonardo Da Vinci was one [fourth photo], some Rembrandts, black models painted by Cézanne, and one that struck me at the MET, 'Grape Wine' by Andrew Wyeth [second photo], the portrait of a black vagabond, painted as Titian might have done." - Director Alice Diop on the aesthetics of SAINT OMER.

SAINT OMER, an #NYFF60 selection and France's Oscar entry, continues to play daily in our theaters. Don't miss one of the best films of 2022 on the big screen and get tickets at filmlinc.org/saint

We’re excited to announce the official dates for the 61st New York Film Festival, taking place September 29 - October 15, along with additional #NYFF61 updates. Read the full release at filmlinc.org/nyff2023

- FLC’s Matt Bolish has been named the newly created position of Managing Director of #NYFF. In this role, Bolish will work closely with Artistic Director Dennis Lim, who oversees the curation and programming process, to produce the world-renowned event.

- Film critic Justin Chang (@justincchang) has been appointed to the #NYFF Main Slate and Spotlight selection committees.

“Justin’s love & knowledge of cinema are evident in everything he writes, and I’m excited for him to bring his curiosity, generosity, and insights to our programming process.” - Dennis Lim

- In an effort to expand training for emerging professionals intending to pursue a career in film festival programming, @filmlinc has created an NYFF Programming Fellowship (April 15 - Oct. 15). Applications will be accepted through Feb. 15!

- Open call for short film submissions for #NYFF61 will take place Feb. 27 - May 5. NYFF is noncompetitive and all sections are curated by a selection committee. Only short films (40 minutes or less) are accepted through our @filmfreeway.

Want to be the first to get #NYFF61 tickets? Become a @filmlinc Member for NYFF pre-sale access + additional benefits throughout the year at filmlinc.org/member.

Read the full release and access links at filmlinc.org/nyff2023

Just announced! This Wednesday, join Vicky Krieps at Q&As at the World Premiere of Delphine and Muriel Coulin's CHARLOTTE SALOMON: LIFE AND THE MAIDEN, the Centerpiece selection at the 2023 New York Jewish Film Festival. Krieps and the directors will participate at Q&As at both the noon and 6pm screenings. 🎤

Limited tickets available at filmlinc.org/charlotte 🎟️

The extraordinary life of artist Charlotte Salomon has inspired novels, plays, operas, ballets, and even an animated film. This new documentary by Delphine Coulin and Muriel Coulin offers an intimate and expansive new look at the young woman who, though she was murdered in Auschwitz at age 26, completed an astounding amount of art, including some 1,300 paintings, before her deportation. Narrated as though from her own voice and featuring a cascade of her images, the film delves into her youth in Berlin, her escape to the south of France after the rise of the Nazis, her love affair with a music teacher, and the creative explosion that resulted in her brilliant body of multimedia work—ahead-of-their-time creations mixing gouache, text, and music. The film features the voices of Vicky as Krieps, Mathieu Amalric, and Hanna Schygulla.

📸: @mettieostrowski

ONE FINE MORNING, Mia Hansen-Løve's intensely poignant and deeply personal drama, stars Léa Seydoux as a professional translator and single mother at a crossroads, torn between the romantic desire she feels for a married man and her obligation towards her sick father.

The #NYFF60 selection opens Jan. 27 in our theaters! Get tickets at filmlinc.org/morning

Now available on the FLC podcast and our YouTube, watch/listen to filmmakers Alice Diop (SAINT OMER) and Frederick Wiseman (A COUPLE) discuss their turn to narrative filmmaking, their respective approaches to cinema as a mode of systemic critique & more.

Alice Diop’s SAINT OMER, an #NYFF60 selection, is now playing daily in our theaters!

Get showtimes and tickets at filmlinc.org/saint

📸: @mettieostrowski

Now taking place in our theaters and virtually through Jan. 23, the 32nd New York Jewish Film Festival features 29 exciting films from around the world that explore the Jewish experience. Don’t miss multiple premieres, filmmaker Q&As, 4K restorations, and more!

Get tickets at nyjff.org

In little over a decade, Daniel Kwan and Daniel Scheinert (better known by their joint film credit, Daniels) have established a formidable, consistently surprising body of work that has catapulted them to the foreground of popular American cinema.

From Feb. 3-9, join the EVERYTHING EVERYWHERE ALL AT ONCE directors for their curated selection of films, music videos & 35mm movie trailers!

’Verse Jumping with Daniels tix are on sale now! Dive in at filmlinc.org/daniels 🎟️

🎥 Complete schedule:

EVERYTHING EVERYWHERE ALL AT ONCE | Feb. 3 at 6pm (Q&A with Daniels)

SWISS ARMY MAN | Feb. 4 at 6:30pm (Q&A with Daniels)

THE DEATH OF DICK LONG | Feb. 5 at 3:15pm (Q&A with Daniel Scheinert)

THE GRANDMASTER [Hong Kong Cut] | Feb. 3 at 9:30pm (intro by Daniels)

HOLY MOTORS | Feb. 4 at 9pm (intro by Daniels)

An Evening of Shorts with Daniels | Feb. 5 at 6pm (intro by Daniels)

PRINCESS MONONOKE | Feb. 4 at 1:15pm

MIND GAME | Feb. 4 at 4pm

THE RIDER | Feb. 5 at 1pm

MISTER LONELY | Feb. 6 at 8:30pm

JACKASS PRESENTS: BAD GRANDPA | Feb. 6 at 7pm

PARIS IS BURNING | Feb. 6 at 9pm

TAMPOPO | Feb. 7 at 6:30pm

SONGS FROM THE SECOND FLOOR | Feb. 7 at 9pm

35mm Double Feature: DRUNKEN MASTER II + FIGHT CLUB | Feb. 8 at 6:30pm

35mm Double Feature: KUNG FU HUSTLE + THE MATRIX | Feb. 9 at 6:30pm

KRZYSZTOF WODICZKO: THE ART OF UN-WAR is a compelling documentary that pays tribute to the artistry and political commitment of the Polish artist, whose large-scale works, often projected onto the facades of major architectural monuments, disrupt the complacency of a public increasingly inured to violence.

Don't miss the NYC Premiere this Saturday during the 32nd New York Jewish Film Festival, followed by a Q&A with director Maria Niro and artist Krzysztof Wodiczko!

Get tickets at nyjff.org

As ALCARRÀS ends its run this Thursday, revisit our #NYFF60 conversation with director Carla Simón on the making of Spain’s Oscar entry. Watch/listen to the conversation, moderated by Eugene Hernandez, on our YouTube and podcast.

Get showtimes and tickets to ALCARRÀS at filmlinc.org/alcarras

📸: @colleen_sturtevant_photography

We're excited to announce the lineup for the 51st Dance on Camera Festival, co-presented with @dancefilms, taking place Feb. 10-13.

Explore the lineup, featuring 13 programs with 30 new films and a 40th-anniversary screening of FLASHDANCE at filmlinc.org/doc51

“Corey Feldman is an icon, and this film exists in the pantheon of classic, feel-good teen beat fantasies. Michael Jackson Energy in its purest form continues to reverberate through the culture.” —Jordan Peele

In one of the strangest body-swap films from the late ’80s, Corey Feldman stars opposite Jason Robards, who plays an eccentric researcher so hopelessly in love with his wife that he conducts an experiment to consciously enter a dream state with her forever—but instead wakes up in Feldman’s body.

DREAM A LITTLE DREAM plays on 35mm tomorrow at 8:30pm during Jordan Peele’s The Lost Rider: A Chronicle of Hollywood Sacrifice, with a special intro from Corey Feldman!

Get tickets at filmlinc.org/lostrider

Behind the scenes on Marie Kreutzer's CORSAGE. 👑

Shortlisted for Best International Feature Film at the 95th Academy Awards, CORSAGE is a remarkable vision of a strong-willed political figure. The #NYFF60 selection continues its run in our theaters!

Get tickets at filmlinc.org/corsage

“Sidney Poitier and the triumphant reclamation of the lost iconography. The Black cowboy rare in the medium; spectacle by definition.” —Jordan Peele

BUCK AND THE PREACHER—the first major Hollywood Western from a Black director—plays tomorrow at 4pm & 9pm during The Lost Rider: A Chronicle of Hollywood Sacrifice: filmlinc.org/lostrider

"There is really not that much improvisation in my films. There is an acceptance of a chance."

R.I.P. Michael Snow (1928 - 2023)

“One of the great films about filmmaking. A primal kaiju horror about the need to capture, sell, and sacrifice the exotic masculine spectacle. A pinnacle of craft and exploitation in filmmaking.” — @jordanpeele

KING KONG plays twice tomorrow night on 35mm during The Lost Rider: A Chronicle of Hollywood Sacrifice, preceded by ANIMAL LOCOMOTION PLATE 626.

“The first film. A four-second loop is comprised of 16 sequential photographs. The horse is named Annie, but the identity of the jockey—the star of the film—is unknown.” — @jordanpeele

ANIMAL LOCOMOTION PLATE 626's 16 photographic plates were filmed and animated on IMAX for Peele's NOPE and, for the occasion of The Lost Rider: A Chronicle of Hollywood Sacrifice, this animated loop has been transferred to a 35mm film print.

Get tickets at filmlinc.org/lostrider

Shortlisted for Best International Feature Film at the 95th Academy Awards, Alice Diop's SAINT OMER is an arresting yet highly sensitive, superbly acted film of constantly revealing layers.

The #NYFF60 selection opens next Friday with Q&As with Diop and lead actress Guslagie Malanda on 1/13 & 1/14!

Get tickets at filmlinc.org/saint

"An incredibly layered and moving reflection on coming to terms with your position in a time and a place and what to do when the ground crumbles beneath you." - @lwlies

Carla Simón’s #NYFF60 selection, ALCARRÀS, is a ruminative, lived-in portrait of a rural family in present-day Catalonia whose way of life is rapidly changing. Spain's Oscar entry opens Friday in our theaters!

Get tickets at filmlinc.org/alcarras.

I AM NOT is a deeply emotional documentary that follows the life-changing journey of Oren, who was adopted from Guatemala when he was a baby and now returns to his birth country to seek out his family and sense of self.

See the New York Premiere on 1/12, followed by a Q&A with director Tomer Heymann and film subjects Deborah, Ehud, and Oren Levy, during the 32nd New York Jewish Film Festival.

Get tickets at nyjff.org.

🔥 BTS on Jordan Peele's NOPE. 🔥

The Lost Rider: A Chronicle of Hollywood Sacrifice, @jordanpeele's assortment of films that serve as a guide to understanding NOPE’s thematic interests, kicks off tomorrow night!

Tomorrow's 70mm screenings of NOPE, featuring in-person appearances from Jordan Peele, @keke, producer Ian Cooper, editor Nicholas Monsour & composer Michael Abels, are sold out but limited reserved seats are available for All-Access Pass holders.

Get your tickets and passes at filmlinc.org/lostrider

Lars von Trier and Bodil Jørgensen on the set of THE KINGDOM EXODUS. 🎥

The #NYFF60 Spotlight selection plays exclusively in our theaters a final time tonight and tomorrow!

Get tickets at filmlinc.org/kingdom

🎊🎉 Happy New Year! 🎊🎉

CAROL (dir. Todd Haynes, 2015, #NYFF53 Selection)

🥂 Happy New Year! 🥂

SUNSET BOULEVARD (dir. Billy Wilder, 1950)

Shortlisted for Best International Feature Film at the 95th Academy Awards, CORSAGE is a remarkable vision about the life of Empress Elizabeth of Austria. Now available on our podcast and YouTube, watch/listen to director Marie Kreutzer and lead Vicky Krieps discuss the making of the #NYFF60 selection!

CORSAGE continues its run in our theaters—get tickets at filmlinc.org/corsage

📸: @photojuice

🎞️ Get 50% off FLC Memberships today only! 🎞️

Featuring $5 off all tickets year-round, pre-sale access to @TheNYFF & more fests, and exclusive event & screening invites.

Join, renew, or give as a gift at filmlinc.org/members 🎁

📸: @photojuice at #NYFF60

🔥 Posters for Nan Goldin's "The Ballad of Sexual Dependency" slideshows throughout the years. 🔥

ALL THE BEAUTY AND THE BLOODSHED, directed by Academy Award–winning filmmaker Laura Poitras, weaves two narratives: the fabled life and career of era-defining artist @nan.goldin and the downfall of the Sackler family.

The #NYFF60 selection continues its run in our theaters! Get tickets at filmlinc.org/beauty

We’re thrilled to welcome Corey Feldman in person during our @JordanPeele-curated series The Lost Rider: A Chronicle of Hollywood Sacrifice, taking place January 5-14!

Feldman will appear on Jan. 10 at STAND BY ME and DREAM A LITTLE DREAM, as well as on Jan. 13 with director Eugenio Mira at the U.S. premiere of THE BIRTHDAY—all on 35mm!

See all 3 films at save. Get tickets at filmlinc.org/lostrider 🎟️

Just announced! Join Jerzy Skolimowski & Ewa Piaskowska in person for a Q&A following their Oscar-shortlisted odyssey EO on Tuesday, January 3 following the 6:30pm screening.

Get tickets at filmlinc.org/eo 🎟️

“Is it a paradox that the flashiest, wildest, most heedless—in short, the most youthful—movie I saw this past year would be EO, written and directed by Polish octogenarian Jerzy Skolimowski?” - J. Hoberman, @nationmag

"I dress for the image. Not for myself, not for the public, not for fashion, not for men."

Remembering the brilliant Marlene Dietrich on her birthday. ✨

Few filmmakers working today are as skilled as @jordanpeele at leveling real-time social critiques within the look and textures of high-concept genre cinema, mixing the uncanny with the personal, and turning even the most bizarre into essential truths about living in the United States today.

On Jan. 5 - 14, join us for The Lost Rider: A Chronicle of Hollywood Sacrifice, featuring 70mm screenings of NOPE and an assortment of films, programmed by Peele, that serve as a guide to understanding NOPE’s thematic interests—from Blaxploitation and America’s mythologized West to the moral implications of image-taking and child stardom.

Explore the full lineup and get tickets at filmlinc.org/lostrider

- NOPE | 70mm | 1/5, 1/14 | Q&A + Intro with @jordanpeele on 1/5
- KING KONG (dir. Merian C. Cooper & Ernest B. Schoedsack, 1933) | 1/6 | Preceded by Muybridge’s 626 ANIMAL LOCOMOTION PLATE 626 on a specially-made 35mm print
- THE WIZARD OF OZ (dir. Victor Fleming, 1939) | 35mm | 1/7
- BUCK AND THE PREACHER (dir. Sidney Poitier, 1972) | 1/7
- THE WIZ (dir. Sidney Lumet, 1978) | 35mm | 1/8
- COME AND SEE (dir. Elem Klimov, 1985) | 1/8
- FRIDAY THE 13TH: THE FINAL CHAPTER (dir. Joseph Zito, 1984) | 1/8
- STAND BY ME (dir. Rob Reiner, 1984) | 35mm | 1/10
- DREAM A LITTLE DREAM (dir. Marc Rocco, 1989) | 35mm | 1/10
- THE BIRTHDAY (dir. Eugenio Mira, 2004) | 35mm | U.S. Premiere | 1/13

Tickets to The Lost Rider: A Chronicle of Hollywood Sacrifice are on sale now! All-Access Passes (highly recommended) and 3+ Film Packages are also available at filmlinc.org/lostrider

CORSAGE director Marie Kreutzer and lead Vicky Krieps behind the scenes on Austria’s Oscar entry. 🎥

The #NYFF60 selection opens tomorrow in our theaters! Get tickets at filmlinc.org/corsage

Winner of the Golden Bear at this year’s Berlinale Festival and an #NYFF60 selection, Carla Simón’s ALCARRÀS is a marvelously textured film that moves to the unpredictable rhythms and caprices of nature and family life.

Spain’s Oscar entry opens Jan. 6 in our theaters!

Get tickets at filmlinc.org/alcarras

Happy birthday, Julie Delpy! 🌹

📸: Stéphane Coutelle, 1989.

Parallels in THE ETERNAL DAUGHTER (dir. Joanna Hogg, 2022) and THE INNOCENTS (dir. Jack Clayton, 1961).

Joanna Hogg's Victorian gothic thriller starring Tilda Swinton ends its run tomorrow.

Get tickets at filmlinc.org/eternal

Claire Denis on AFTERSUN: "I discovered Charlotte Wells’ film AFTERSUN at the Morelia Film Festival in Mexico. The film was shown in a large, packed theater. From the first images, we are swept away by the director’s shifts in points of view, the glances exchanged between father and daughter. The directing style evokes the wavering, timorous sensations of the love they feel for each other, made intense because their time is running out: the time of their vacation, the time they share in the sun, by the sea, without her mother. Fragile time meted out to a fragile father.

Never before have I felt the power of a point of view that immerses us into gazes that dare to secretly spar in front of the lens of a small video camera. We are pulled in by the characters’ words too, which comprise a kind of game that slowly reveals the father to his almost adolescent daughter. Charlotte Wells leads us into a dark and frightening space, a moment of night when the father and the daughter split up to test their courage. This separation projects us into a future when the child will no longer be there to watch over — discreetly, intensely — her father, her guardian.

Frankie Corio radiates beauty and life. Charlotte Wells turns her into a detective who takes us down the secret trail that leads to her father. Paul Mescal is staggering in the role." -Claire Denis for @variety

AFTERSUN continues its run in our theaters! Get tickets at filmlinc.org/aftersun

French writer and 2022 Nobel Prize awardee Annie Ernaux opens a treasure trove with this delicate journey into her family’s memory, compiled from gorgeously textured 8mm home movies.

THE SUPER 8 YEARS, an #NYFF60 selection, ends its run this Thursday in our theaters.

Get tickets at filmlinc.org/super8

"It’s easy to recognize today that this whole project was ahead of its time, taking license to be weird from TWIN PEAKS, while anticipating British satires such as THE OFFICE and IN THE LOOP." —Variety

Continuing this week, see newly restored director’s cuts of Trier’s THE KINGDOM Parts I & II and the latest installment, THE KINGDOM EXODUS, an #NYFF60 selection, in our theaters.

See all three installments on the big screen and save at filmlinc.org/kingdom

Lars von Trier during production of THE KINGDOM EXODUS.

“Potent, quietly elegiac… the film’s images have faded, but the memories they’ve stirred up are vivid and full of feeling.” – Manohla Dargis, The New York Times

Annie Ernaux's THE SUPER 8 YEARS is a Critic's Pick! See the #NYFF60 selection in our theaters, now playing daily.

Get tickets at filmlinc.org/super8

We're excited to announce our lineup of festival, repertory, and new release programming for the 2023 winter/spring season, including SAINT OMER, CHOCOLAT, ‘Verse Jumping with Daniels, Tod Browning, and so much more!

Explore the full lineup at filmlinc.org/Q123

- CORSAGE (dir. Marie Kreutzer, 2022) | Opens Dec. 23: filmlinc.org/corsage

- ALCARRÀS (dir. Carla Simón, 2022) | Opens Jan. 6

- New York Jewish Film Festival | Jan. 12 -23: nyjff.org

- SAINT OMER (dir. Alice Diop, 2022) | Opens Jan. 13

- ONE FINE MORNING (dir. Mia Hansen-Løve, 2022) | Opens Jan. 27

- 'Verse Jumping with Daniels | Feb. 3-9

- Dance on Camera Festival | Feb. 10-13

- PACIFICTION (dir. Albert Serra, 2022) | Opens Feb. 17

- CHOCOLAT (dir. Claire Denis, 1988) | New 4K Restoration | Opens Feb. 24

- Rendez-Vous with French Cinema | March 2-12

- STONEWALLING (dir. Huang Ji and Ryuji Otsuka, 2022) | Opens March 10 | Playing with EGG AND STONE (2012) and THE FOOLISH BIRD (2017)

- DRYLONGSO (dir. Cauleen Smith, 1998) | New 4K Restoration | Opens March 17

- The Unknowable Tod Browning | March 17-26

- WALK UP (dir. Hong Sangsoo, 2022) | Opens March 24

- New Directors/New Films | March 29 - April 9

Tickets are now on sale for the 32nd New York Jewish Film Festival, taking place Jan. 12 – 23, 2023! Featuring world premieres, filmmaker Q&As, virtual screenings & more, NYJFF presents films from around the world that explore the Jewish experience.

Explore the lineup and get tickets at nyjff.org

Tickets are now on sale for the 32nd New York Jewish Film Festival, taking place Jan. 12 – 23, 2023! Featuring world premieres, filmmaker Q&As, virtual screenings & more, NYJFF presents films from around the world that explore the Jewish experience.

Explore the lineup and get tickets at nyjff.org

Red in EO (dir. Jerzy Skolimowski, 2022).

Already considered one of Jerzy Skolimowski's spryest and most visually inventive films, the mesmerizing journey of a peripatetic donkey has left audiences floored.

The #NYFF60 selection and Poland's Oscar entry plays daily. Get tickets at filmlinc.org/eo

👑 Ambrotypes of Vicky Krieps as Empress Elizabeth of Austria in CORSAGE. 👑

Limited tickets remain for tomorrow's sneak previews of the #NYFF60 selection with in-person appearances from Marie Kreutzer & Vicky Krieps!

See Austria’s Oscar entry ahead of its Dec. 23 release and get tickets at filmlinc.org/corsage

Happy Birthday, Lucrecia Martel! ✨

Starring a charismatic Paul Mescal & naturalistic newcomer Frankie Corio as a divorced father & his daughter, AFTERSUN is a textured memory piece from director Charlotte Wells that cannot go unseen.

See one of the best films of the year on the big screen. Get showtimes and tickets at filmlinc.org/aftersun

“We’re two strong women who are not used to other people telling us what to do. We’re each the boss of ourselves; we’re each the final word on ourselves and our work.” - Nan Goldin

Nan Goldin and Laura Poitras at the #NYFF60 premiere of ALL THE BEAUTY AND THE BLOODSHED. 🔥

The devastatingly beautiful and intimate documentary continues to play daily in our theaters! Get tickets at filmlinc.org/beauty

📸: @seandiserio

Now on the FLC podcast, listen to a conversation between filmmakers Martin Scorsese and Joanna Hogg on discovering each other’s filmography, Hogg’s lifelong friendship with THE ETERNAL DAUGHTER's Tilda Swinton, and the process of creating art out of grief.

Joanna Hogg's THE ETERNAL DAUGHTER continues to play daily in our theaters! Get tickets at filmlinc.org/eternal

📸: @photojuice

“I have always said that I only make tofu because I am a tofu maker. One person cannot make so many different kinds of films. It is possible to eat many different types from around the world at a restaurant in a Japanese department store, but as a result of this overly abundant selection the quality of the food and its taste suffers. Filmmaking is the same way. Even if my films appear to all be the same, I am always trying to express something new, and I have a new interest in each film. I am like a painter who keeps painting the same rose over and over again.” – Yasujirō Ozu

Remembering the great filmmaker on his 120th birthday. 💜