
Dance on Camera Festival 2022
Dance Films Association and Film at Lincoln Center presents the 50th edition of the Dance on Camera Festival, running February 11-14, 2022.
Ebru Şeremetli
2021|
Turkey, USA|
113 minutes|
Turkish with English subtitles, English
Ebru Şeremetli’s feature depicts the choreography of a dance based on feelings of “unease, anxiety, uncertainty, and obscurity.” Preceded by Jeff Kuperman and Rick Kuperman’s Inside Out.
2020 - 2021|
Australia, USA, Romania, South Korea, India, France|
79 minutes|
English, Chamorro, German, Hungarian, Romanian, Korean, Malayalam, with English subtitles
Six short films from around the globe.
An exclusive look at Call Me Dancer, a film from Leslie Shampaine and Pip Gilmour, currently in production.
Casey Brooks
2020 - 2021|
USA, Canada, Italy|
57 minutes|
Spanish with English subtitles
Featuring films from Casey Brooks, Sonia Gemmiti, Tobin Del Cuore, Tyler Gilstrap, Samuel Lee Roberts, Shawn Fitzgerald Ahern, Emilie Leriche, Jennifer Archibald, Andrew Cashin, Nina McNeely, Ned Farr, and Amanda Beane.
Nel Minchin
2020 - 2021|
Australia, Egypt|
99 minutes
Featuring films from Nel Minchin, Wayne Blair, Samir T. Radwan
Jessica Wright
2020 - 2021|
UK, USA|
64 minutes
Featuring films from Jessica Wright, Morgann Runacre-Temple, Robert Machoian, Keely Song.
Drew L. Brown
2020 - 2021|
USA|
77 minutes
Featuring films from Drew L. Brown, Omar Román De Jesús, David Roseberry, Blake McCord, Justin Clifton, Harlan Taney, Reed Luplau.
Various Artists
60 minutes
Dance filmmakers, fresh and seasoned alike, engaged the public by posting their films to social media. A selection of these bold new dance films from around the globe make up the festival’s #MyDanceFilm Program
Dance Collective Arnhemse Meisjes
2020 - 2021|
The Netherlands, USA, Canada, UK|
60 minutes
Featuring films from Dance Collective Arnhemse Meisjes, Nathan Hirschaut, Jil Guyon, Thomas Corriveau, Jennifer Akalina Petuch, Annali Rose, Drew Jacoby, Oscar Sansom.
Bob Fosse
1972|
USA|
124 minutes
Celebrating its 50th anniversary on February 13, 2022, Cabaret is no ordinary movie musical. Adapted from Bob Fosse’s hit Broadway show, this film set a record for winning the most Oscars of any film (eight) without taking home Best Picture. Preceded by the Fosse documentary Steam Heat.
Jacob Jonas The Company and Various Artists
2021|
USA|
70 minutes
A lineup curated by Jacob Jonas The Company along with a moderated conversation between the company and various artists who participated in some of these spectacular films.
Free Events
An exclusive look at Call Me Dancer, a film from Leslie Shampaine and Pip Gilmour, currently in production.
Various Artists
60 minutes
Dance filmmakers, fresh and seasoned alike, engaged the public by posting their films to social media. A selection of these bold new dance films from around the globe make up the festival’s #MyDanceFilm Program
DFA honors Judy Kinberg, a founding member of the producing team that originated the pioneering series Dance in America as part of Thirteen/WNET New York’s Great Performances on PBS, with the 2022 In Focus Award.
Dance Films Association and Film at Lincoln Center presents the 50th edition of the Dance on Camera Festival, running February 11-14, 2022. The 50th Dance on Camera Festival will be presented in person at the Walter Reade Theater at Film at Lincoln Center, marking the festival’s return to fully in-person programming. The longest-running dance film festival in the world received submissions from more than 37 countries, and it will feature nine ticketed programs and over 32 films during the four-day festival.
Tickets for the 50th Dance on Camera Festival are now available!
“This year’s Dance on Camera Festival not only honors the festival’s half-century history, but also looks forward to the vast artistic potential of the festival’s future,” said Co-Curator Liz Wolff. “This year we’ll spotlight emerging artists from around the globe.”
The festival opens with the World Premiere of Turkish filmmaker Ebru Şeremetli’s thought-provoking and dynamic feature The Moment Remains. “I am very honored to have my film serve as the opening feature presentation to Dance on Camera’s 50th anniversary celebration. The idea of sharing this work in-person with such a global and diverse audience is thrilling,” said Şeremetli. “As an emerging filmmaker myself, it is even more special knowing my work is associated with a festival that is both historically rich and dedicated to supporting artists of the future.”
The four-day festival will continue with a plethora of programs that include both short and feature-length films that will take audiences on a journey around the globe. Festivalgoers will experience perspectives from the coastal landscapes of France to the Australian plains to the bustling cities of Korea to the varied terrains of North America. “It’s a delight to be able to share the countless unique and inspiring stories, such as Firestarter – The Story of Bangarra and Folds of Wind, locally with our audiences in New York,” notes Co-Curator Nolini Barretto. “We look forward to also being able to share these diverse stories in-person in New York City.”
Reflecting on the rich history of dance films, Dance on Camera Festival will close with a celebration of the 50th anniversary of Cabaret. Bob Fosse’s film adaptation of the Broadway stage musical not only set a precedent for the future of dance films, but also won eight Academy Awards. “We are excited to present Fosse’s groundbreaking film, Cabaret, which is as powerful today as its release fifty years ago in 1972,” notes Dance Films Association President Ron Honsa. “We couldn’t think of a more fitting tribute to celebrate Dance on Camera’s 50th anniversary than Cabaret—a rare film and a milestone in the explosive growth of dance films. It continues to inspire filmmakers, dancers and audiences to this day.” Cabaret will be screened during the final night of the festival on 35mm film.
In addition to looking back on the past and anticipating the future, Dance on Camera 50 will also bring forth works about the contemporary cultural and social moment. Curatorial Advisor and Co-producer Michael Trusnovec noted, “It was imperative to the curation team that the festival reflects and helps audiences digest the current state of affairs in our society. With films like Jennifer Archibald and Andrew Cashin’s WeAIghT and Reed Luplau’s Places, Please, we hope to represent the profound impact that social movements, such as the Black Lives Matter movement, and the implications the pandemic have had on the arts and communities around the world.”
The Dance on Camera Festival and Dance Films Association are supported by the National Endowment for the Arts, public funds from the New York City Department of Cultural Affairs in partnership with the City Council, the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, The Harkness Foundation for Dance, and John and Jody Arnhold.





























