
5 Fingers
In the film that Manny Farber ranked as one of the best of 1952, the scenes between James Mason as Diello, a spy working as a valet to the British Ambassador who supplies a wealth of information to the German high command, and Danielle Darrieux as the object of his devotion are among the most scintillating in Mankiewicz’s entire body of work, sparking with sexual and class tensions.
Originally intended for Henry Hathaway, Mankiewicz’s last film on his contract with Twentieth Century Fox (before his return with Cleopatra) was this brilliant adaptation of Operation Cicero by L.C. Moyzisch, a German attaché in Ankara during WWII. Moyzisch was the personal “handler” of a spy named Elyesa Bazna, code name Cicero, who worked as a valet to the British Ambassador and supplied a wealth of information to the German high command. Mankiewicz and screenwriter Michael Wilson added several layers of interest to the espionage story with the addition of a fictional character, Danielle Darrieux’s Countess Staviski. The scenes between James Mason as Diello, the Bazna figure, and Darrieux as the object of his devotion are among the most scintillating in Mankiewicz’s entire body of work, sparking with sexual and class tensions. “In its literate, satirical way,” wrote Manny Farber, who ranked 5 Fingers as one of the best films of 1952, “this spy melodrama was the most unusual thriller since Hitchcock’s first low budget films.”





Read More
FLC and NYAFF Announce Lineup and Awards of the 25th New York Asian Film Festival, July 10–26
The New York Asian Film Festival (NYAFF) and Film at Lincoln Center today unveil the second wave of programming for its landmark 25th edition, adding more than 40 films to an already wide-ranging lineup, with very special final titles still to come.
Mark Jenkin and Mary Woodvine on Their Sci-Fi-Tinged Rose of Nevada
This week we’re excited to present a conversation from the 63rd New York Film Festival with Rose of Nevada director Mark Jenkin and actress Mary Woodvine.
Experience 10 Films Entirely on 70mm at “It’s All a Big Conspiracy,” July 1–9 at Film at Lincoln Center
Exploring conspiracy across Hollywood genres, from espionage and sci-fi to superhero cinema, political biography, Shakespearean adaptation, crime drama, cult psychodrama, and the modern action blockbuster, the series includes the first New York City theatrical screening of Tim Burton’s Batman on 70mm since its original release in 1989.


