
Cuba
Richard Lester: The Running Jumping Pop Cinema Iconoclast
August 7 - 13, 2015
A classic love triangle in the Casablanca vein, Cuba charts the intersecting fortunes of a British mercenary (a magnetic Sean Connery), his old flame (Brooke Adams), and her husband (Chris Sarandon) as revolution ferments.
Described by Lester as “a political film in which no one speaks about politics and a love story in which no one speaks about love,” Cuba harkens back to classic Hollywood with a Casablanca-esque display of star power and restraint. In 1959, as Castro’s revolution ferments, Sean Connery is a British mercenary hired by the Batista government to suppress the guerrillas in the Sierra Maestra. In Havana he encounters old flame Brooke Adams (Days of Heaven), now married to underhanded plantation owner Chris Sarandon (Dog Day Afternoon). Spain doubles for Cuba for this archetypal story, which is injected with Lester’s typically eccentric flourishes and rides on Connery’s charisma and an expert cast of character actors—including Jack Weston, star of Lester’s The Ritz, as a shady businessman named Gutman.


Read More
James Gray’s Paper Tiger Will Open the 64th New York Film Festival
FLC announces James Gray’s Paper Tiger as the Opening Night selection of the 64th New York Film Festival, presented in partnership with Rolex. The film will make its North American premiere in a gala debut at Alice Tully Hall on Friday, September 25, with Gray and members of the cast and crew in attendance.
Scary Movies XIV Brings Horror and Genre-bending Cinema to Film at Lincoln Center, August 12–20
Running August 12 through August 20, the 16-film festival will premiere new works alongside special presentations of spine-tingling classics and rediscoveries conjured from the dark recesses of midnight-movie lore, with filmmakers and special guests appearing for post-screening Q&As.
Lana Daher on Her Documentary Do You Love Me
This week we’re excited to present a conversation from the 2026 edition of New Directors/New Films with Do You Love Me director Lana Daher.


