
If the Dancer Dances
Dance on Camera Festival 2018
July 20 - 24, 2018
Former Cunningham dancer Lise Friedman and director Maia Wechsler follow a group of New York City’s top modern dancers as they reconstruct RainForest, an iconic work by the legendary Merce Cunningham.
Q&A with Lise Friedman, director Maia Wechsler, and cast
Dance is unlike any other art. If a dance is not danced, it vanishes. Former Cunningham dancer Lise Friedman and director Maia Wechsler follow a group of New York City’s top modern dancers as they reconstruct RainForest, an iconic work by the legendary Merce Cunningham. Viewers are invited into the poetic, tactile world of the dance studio, where former Cunningham dancers teach RainForest to the Stephen Petronio Company, breathing new life into this enigmatic work. Timed to coincide with Cunningham’s centenary in 2019, the film throws light on the mysteries of dance-making, revealing what it takes to keep a dance alive. World Premiere
Preceded by
Diptych
Kiira Benzing, USA, 2018, 12m
World Premiere
Movement and art blend in this film about dreams, memories, painting, and the imagining of a new dance in homage to esteemed artist practitioners.
Read More
Rose of Nevada Director Mark Jenkin on His New Sci-Fi Tinged Tale
On the latest episode of FLC Luminaries, our video series that spotlights talent at all levels of the filmmaking process who uplift the art and craft of cinema, Rose of Nevada director Mark Jenkin discusses his sci-fi-tinged tale of dislocation and regeneration.
Kamal Aljafari on With Hasan in Gaza and ‘The Camera of the Dispossessed’
Our 63rd New York Film Festival Talks featured a special conversation with With Hasan in Gaza director Kamal Aljafari, moderated by Film Comment editor Devika Girish.
Lucrecia Martel on Our Land (Nuestra Tierra), the Filmmaker’s First Feature Documentary
On the latest episode of FLC Luminaries, our video series that spotlights talent at all levels of the filmmaking process who uplift the art and craft of cinema, Our Land (Nuestra Tierra) director Lucrecia Martel discusses her expansive and enlightening first feature documentary.


