
The Law of the Border
For many, the new Turkish Cinema of the 1960s was born with this epic smuggling drama and social exposé starring Yılmaz Güney, beautifully restored by Martin Scorsese’s World Cinema Foundation.
On the surface, Law of the Border, is an action-packed, exciting smuggling drama with a powerful central performance by Yılmaz Güney. Yet beyond the genre elements lays a searing critique of social conditions in southeastern Turkey, where lack of education, joblessness and general hopelessness have left the population little choice but to become outlaws in order to survive. The experience of the film proved important for Güney, just as he was about to embark on his own brilliant directorial career. Law of the Border was rescued and restored by Martin Scorsese's World Cinema Foundation; brought to light by WCF advisory board member Fatih Akın and restored by L'Immagine Ritrovata laboratory in Bologna from the wreckage of a single positive print which survived the Turkish military coup d'état in 1980, the film was described as “a work of great visual and dramatic force, of terrific purity and ferocity,'’ by WCF Executive Director Kent Jones.
Read More
Kamal Aljafari on With Hasan in Gaza and ‘The Camera of the Dispossessed’
Our 63rd New York Film Festival Talks featured a special conversation with With Hasan in Gaza director Kamal Aljafari, moderated by Film Comment editor Devika Girish.
Lucrecia Martel on Our Land (Nuestra Tierra), the Filmmaker’s First Feature Documentary
On the latest episode of FLC Luminaries, our video series that spotlights talent at all levels of the filmmaking process who uplift the art and craft of cinema, Our Land (Nuestra Tierra) director Lucrecia Martel discusses her expansive and enlightening first feature documentary.
Carla Simón on Her Poignantly Autobiographical Romería
This week we’re excited to present a conversation from the 63rd New York Film Festival with Romería director Carla Simón, moderated by NYFF Main Slate selection committee member Florence Almozini.


