
Leonora addio
The great Paolo Taviani’s first solo feature since his brother Vittorio’s death is a boldly bifurcated work, chronicling the fate of legendary Italian writer Luigi Pirandello’s ashes and proffering an adaptation of Pirandello’s New York–set final story.
The great Paolo Taviani’s first solo feature since the 2018 death of his brother and filmmaking partner Vittorio, to whom this film is dedicated, is a boldly bifurcated work that begins with the demise of legendary Italian writer Luigi Pirandello. Pirandello’s wish had been that, after his death, his ashes be transported to Sicily, but during the Mussolini years his remains were interred in a Roman columbarium; with the war over, a delegate is dispatched to shuttle Pirandello’s ashes to Sicily to make good, though not without some complications. But the black-and-white first half of the film surprisingly gives way to a color second half, which adapts Pirandello’s final story, “The Nail,” about the circumstances of a young girl’s murder by a Sicilian immigrant boy in New York.
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Miroirs No. 3 Director Christian Petzold on His Haunting New Film
On the latest episode of FLC Luminaries, our video series that spotlights talent at all levels of the filmmaking process who uplift the art and craft of cinema, Miroirs No. 3 director discusses his haunting, beautifully crafted new film.
Film at Lincoln Center Launches Fundraiser Auction in Celebration of Marilyn Monroe Centennial
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James Gray’s Paper Tiger Will Open the 64th New York Film Festival
FLC announces James Gray’s Paper Tiger as the Opening Night selection of the 64th New York Film Festival, presented in partnership with Rolex. The film will make its North American premiere in a gala debut at Alice Tully Hall on Friday, September 25, with Gray and members of the cast and crew in attendance.


